Women in Revolt! surfaces the lived experiences of a postwar generation of women artists that have, until now, been overlooked. These artists spent their careers and lives challenging the patriarchal power structures, often working in the margins of the museum system that rejected them, forming communities and finding new spaces to exhibit and share knowledge. For these artists, the legacy of trauma and wider global threat of military and nuclear action sat alongside increasing concern about ecological disaster, class struggles and protests around decolonisation, racism and misogyny. This book explores the incredible work created by women artists during a time of great social and political change, commencing with the formation of the women’s liberation art group and key events in 1970 and concluding in 1990, just after the introduction of Section 28 and the opening of the YBA Freeze show. It demonstrates how marginalised women’s needs and experiences were within mainstream culture, and reveals how these artists used radical ideas and methods to confront contemporary issues and fight for their place at the table. Showcasing a wide range of artists working in varied media, it celebrates a creative and politically engaged community that paved the way for future generations and changed the face of British culture.

Variations is the debut short story collection from one of Britain's most compelling voices, Juliet Jacques. Using fiction inspired by found material and real-life events, Variations explores the history of transgender Britain with lyrical, acerbic wit. Variations travels from Oscar Wilde's London to austerity-era Belfast via inter-war Cardiff, a drag bar in Liverpool just after the decriminalisation of homosexuality, Manchester's protests against Clause 28, and Brighton in the 2000s. Through diary entries of an illicit love affair, an oral history of a contemporary political collective; a 1920s academic paper to a 1990s film script; a 1950s memoir to a series of 2014 blog posts, Jacques rewrites and reinvigorates a history so often relegated to stale police records and sensationalist news headlines. Innovative and fresh, Variations is a bold and beautiful book of stories unheard; until now.

Juliet Jacques was one of the first trans writers in the UK to contribute broadly to both British and foreign media, writing widely about the trans experience. Spanning over a decade, Jacques' ground-breaking journalism about selfhood, society, art, politics, freedom, and gender identity, tracks the backlash against emerging trans rights and the rise of a new and more explicit form of media transphobia. Front Lines is a seminal collection of writings on trans and queer art, politics, and media, from a period in which the relationship between trans and non-binary people and the British media was exceptionally turbulent. Jacques navigates the tension between wanting to simply write about art and culture and needing to counter the dishonest, damaging rhetoric being published about trans people in virtually every national newspaper in the UK. 'I never believed any journalism was objective, nor that there was any point in even trying to be,' writes Jacques in her introduction. 'Above all, activism is needed to fight this, with journalism to support it: there is no point in pretending to be objective in our work, as the stakes remain just as high as they were back in 2010, perhaps even higher... We're entering a new phase of collective struggle, with new fronts and new tactics needed: I hope this book can help to inform that.' This crucial collection asks what we can learn from the last decade and, importantly, what we can do now. How can new writers take up the struggle for trans liberation? And what will the future of trans writing look like?