In this intimate study Juliet Miller maps the artworks that have influenced her throughout her life and examines how she has integrated them into her development as a psychotherapist. Working from the premise that our initial reactions to art provide a crucial key to self-analysis, Miller interrogates the significance of different artists, including Bourgeois, Vermeer, Rousseau and Kahlo, and analyses how personal circumstances, recollections and emotions have affected responses to their work. Chapters incorporate clinical material from Miller's practice, linking into her own anxieties about sitting with and connecting with patients, and touching on themes including creativity, character, identity and communication. Through this exploration she questions many of the conventions of art and psychotherapy and suggests ways in which looking at art can be used as a psychological tool. Art, Memoir and Jung offers a highly personal and innovative perspective on meaning in art and how it can be used to explore Jungian thought as based in the aesthetic, and how the aesthetic can inform depth psychology.

In this intimate study Juliet Miller maps the artworks that have influenced her throughout her life and examines how she has integrated them into her development as a psychotherapist. Working from the premise that our initial reactions to art provide a crucial key to self-analysis, Miller interrogates the significance of different artists, including Bourgeois, Vermeer, Rousseau and Kahlo, and analyses how personal circumstances, recollections and emotions have affected responses to their work. Chapters incorporate clinical material from Miller's practice, linking into her own anxieties about sitting with and connecting with patients, and touching on themes including creativity, character, identity and communication. Through this exploration she questions many of the conventions of art and psychotherapy and suggests ways in which looking at art can be used as a psychological tool. Art, Memoir and Jung offers a highly personal and innovative perspective on meaning in art and how it can be used to explore Jungian thought as based in the aesthetic, and how the aesthetic can inform depth psychology.

This book is an attempt to look at creativity from a female perspective. It is an exploration of what these specific difficulties for women might be and how we might think about them and try and find a way through them. The author is aware that men also experience difficulties with their creative selves, but she believes the problems are significantly different from the ones addressed here. The author does however address the fact that we all suffer, men and women, if women feel cut off from important aspects of their internal creative lives. If aspects of the creative feminine appear inaccessible to women, then they are also not available to men and this is a double tragedy.Although the book is written from the perspective of a Jungian Analyst, primarily interested in the life of the psyche, the author also examines some of the historical, cultural and social reasons why women may have specific issues relating to their creativity. Together, she suggests, these all add up to a multi-layered and conflicted mixture of barriers and fears for women who wish to express themselves. The book explores women's subjective experiences of their creative selves as writers, singers, mothers, therapists and artists and argue that these subjective experiences are marginalized by the symbolism and language that is available to express and explore the creative feminine. It is a thesis of this book that one of the problems about writing or speaking about female creativity is that the language of a patriarchal world is restricted to speaking about women and not for them.

This book is an attempt to look at creativity from a female perspective. By looking at artistic endeavour, mothering and psychotherapeutic relationships, Juliet Miller considers how a patriarchal world distorts the channels through which women discover their own creative voices. She argues that the dynamics of female creativity are more multi- laye

It is over two decades since the first test-tube baby was born. During this period a new belief that all infertile women can now have babies has become widely accepted; indeed, infertile couples may feel great pressure to seek a medical solution. However, the psychological and social effects of the changing experiences of infertility remain confusing, both for those who experience infertility and for wider society. In this book, a distinguished range of contributors, including novelist Hilary Mantel and Germaine Greer, examine the experience of infertility from both male and female perspectives, the psychological aspects of infertility diagnosis and treatment, and the often radical and unexpected effects on kinship.
Drawing from a wide range of theoretical backgrounds including Jungian, analytical, and compelling personal reflections, this book aims to unravel the implications of advancing reproductive technology for our understanding of ourselves and our families.

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