In the last few years we have witnessed the widespread proliferation of video camcorders as a powerful and sophisticated instrument for data collection. Video is increasingly used in broad areas of research throughout the social sciences. It allows for a rich recording of social processes and provides a completely new kind of data. Used as a "microscope of interaction", this "video revolution" is expected to exert profound impact on research practice. But despite its popularity as an instrument, the methodological discussion of video is still underdeveloped. This book gathers a selection of outstanding European researchers in the field of qualitative interpretive video analysis. The contributions discuss the crucial features of video data and present different approaches how to handle, interpret, analyse and present video data collected in a wide range of "real world" social fields. The book thereby aims at providing an overview on contemporary interpretive and qualitative approaches to video analysis.

While Erving Goffman's books are among the most widely read sociological works, covering issues including the presentation of the self, total institutions, interaction order to frame analysis, they are in fact guided by a single theme: the analysis of the form of interaction in social situations and the role that individuals play in it. This book stresses Goffman's central role as a sociological theorist, exploring the potentials of his work and uncovering the recondite layers of his oeuvre. In opening a path to understanding the complexity of his writings, it offers new directions for social theory and empirical research.

While Erving Goffman's books are among the most widely read sociological works, covering issues including the presentation of the self, total institutions, interaction order to frame analysis, they are in fact guided by a single theme: the analysis of the form of interaction in social situations and the role that individuals play in it. This book stresses Goffman's central role as a sociological theorist, exploring the potentials of his work and uncovering the recondite layers of his oeuvre. In opening a path to understanding the complexity of his writings, it offers new directions for social theory and empirical research.

Fur die visuelle Kommunikation und fur das bildmedial vermittelte Wissen gilt wie fur jegliche menschliche Kommunikation und wie fur jedes historisch-gesellschaftliche Wissen: Wer kommuniziert und Wissen hervorbringt, weitergibt und deutet, trifft auf die Dialektik von Wissen und Nichtwissen, von Eindeutigkeit und Mehrdeutigkeit, von Evidenz und Tauschung. Die Beitrage des Bandes erortern diese komplexen Ambivalenzen des Wissens. Sie stellen sich den spezifischen Herausforderungen der Analyse ikonischer Kommunikation und ikonischen Wissens und sondieren in theologischer, kunsthistorischer, medienwissenschaftlicher und wissenssoziologischer Perspektive die methodologischen Probleme und methodischen Grenzen der Bildinterpretation."

Der Band erortert die Bedeutung der Phanomenologie fur die Soziologie. Die 35 Autorinnen und Autoren erkunden und diskutieren die Anregungen, Chancen und Ertrage phanomenologischen Denkens fur die Sozialtheorie ebenso wie fur die empirische Sozialforschung. Hierzu werden in dem Band Beitrage zu soziologischen Begriffs- und Theorieproblemen, zu methodisch-methodologischen Aspekten und zu aktuellen Gegenwartsfragen versammelt. Diese vermitteln nicht nur einen umfassenden Uberblick uber den augenblicklichen Stand einer in der Soziologie in jungster Zeit wieder verstarkt gefuhrten Auseinandersetzung mit der Phanomenologie, sondern sie beziehen auch pointiert Stellung innerhalb dieser Debatte. Denn bei aller Unterschiedlichkeit der Fragestellungen und Herangehensweisen eint die Autorinnen und Autoren die Einsicht in die konstitutive Bedeutung der Subjektivitat fur aktuelle soziologische Frage- und Problemstellungen
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