Alain Badiou is one of the world's most influential living philosophers. Few contemporary thinkers display his breadth of argument and reference or his ability to intervene in debates critical to both analytic and continental philosophy. Alain Badiou: Key Concepts presents an overview of and introduction to the full range of Badiou's thinking. Contributors focus on the foundations of Badiou's thought, his "key concepts" - truth, being, ontology, the subject, and conditions - and on his engagement with a range of thinkers central to his philosophy, including Plato, Spinoza, Heidegger, and Deleuze. Students new to Badiou will find this work, written by the key scholars in the field, accessible and comprehensive, while readers already familiar with Badiou will find detailed, focused, and innovative discussions of Badiou's key themes, concepts, and engagements.

Using Phillipe Lacoue-Labarthe and Jean-Luc Nancy's groundbreaking study of the persistence of German Idealist philosophy as his starting point, Justin Clemens presents a valuable study of the links between Romanticism and contemporary theory. The central contention of this book is that contemporary theory is still essentially Romantic - despite all its declarations to the contrary, and despite all its attempts to elude or exceed the limits bequeathed it by Romantic thought. The argument focuses on the ruses of 'Romanticism's indefinable character' under two main rubrics, 'Contexts' and 'Interventions'. The first three chapters investigate 'Contexts', examining some of the broad trends in the historical and institutional development of Romantic criticism; the second section, 'Interventions', comprises close readings of the work of Jacques Lacan, Gilles Deleuze and Felix Guattari, Eve Kosofsky Sedgwick, Ian Hunter and Alain Badiou. In the first chapter Clemens identifies and traces the development of two interlocking recurrent themes in Romantic criticism: the Romantic desire to escape Romanticism, and the problem posed to aesthetico-philosophical thought by the modern domiciliation of philosophy in the university. He develops these themes in the second chapter by examining the link forged between aesthetics and the subject in the work of Immanuel Kant. In the third chapter, Clemens shows how the Romantic problems of the academic institution and aesthetics were effectively bound together by the philosophical diagnosis of nihilism. Chapter Four focuses on two key moments in the work of Jacques Lacan - his theory of the 'mirror stage' and his 'formulas of sexuation' - and demonstrates how Lacan returns to the grounding claims of Kantian aesthetics in such a way as to render him complicit with the Romantic thought he often seems to contest. In the following chapter, taking Deleuze and Guattari's notion of 'multiplicity' as a guiding thread, Clemens links their account to their professed 'anti-Platonism', showing how they find themselves forced back onto emblematically Romantic arguments. Chapter Six provides a close reading of Sedgwick's most influential text, Epistemology of the Closet. Clemens' reading localizes her practice both in the newly consolidated academic field of 'Queer Theory' and in a conceptual genealogy whose roots can be traced back to a particular anti-Enlightenment strain of Romanticism. Clemens next turns to the professedly anti-Romantic arguments of Ian Hunter, a major figure in the ongoing re-writing of modern histories of education. In the final chapter he examines the work of the contemporary French philosopher Alain Badiou. Clemens argues that, if Badiou's hostility to the diagnosis of nihilism, his return to Plato and mathematics, and his expulsion of poetry from philosophical method, all place him at a genuine distance from dominant Romantic trends, even this attempt admits ciphered Romantic elements. This study will be of interest to literary theorists, philosophers, political theorists, and cultural studies scholars.

Alain Badiou is one of the world's most influential living philosophers. Few contemporary thinkers display his breadth of argument and reference or his ability to intervene in debates critical to both analytic and continental philosophy. Alain Badiou: Key Concepts presents an overview of and introduction to the full range of Badiou's thinking. Contributors focus on the foundations of Badiou's thought, his "key concepts" - truth, being, ontology, the subject, and conditions - and on his engagement with a range of thinkers central to his philosophy, including Plato, Spinoza, Heidegger, and Deleuze. Students new to Badiou will find this work, written by the key scholars in the field, accessible and comprehensive, while readers already familiar with Badiou will find detailed, focused, and innovative discussions of Badiou's key themes, concepts, and engagements.

What is education? This volume collects some of the foremost voices in contemporary thought to think through this question from their unique perspectives. Revealing the contentions and possibilities of a new engagement with the question of education, it provides fresh insights into education: what it is, what it is not, and what is to be done about it. At a time when education is so important as to be considered an essential 'human right', and yet is under attack from funding cuts, government policies and fundamentalists, this book will open the thinking on education onto new and important territory.

These 14 essays examine Georges Perec's impact on architecture, art, design, media, electronic communications, computing and the everyday. What do Perec's descriptions of the minutiae of everyday life reveal about our use of information and communications technologies? What happens if we read Life: A User's Manual as a toolbox of ideas for games studies? What light does the concept of the 'infra-ordinary' shed on social media? What insights does algorithmic writing generate for the digital humanities? What lessons can architects, artists, game-designers and writers draw from Perec's fascination with creative constraints? Through an examination of such questions, this collection takes Perec scholarship beyond its existing limits to offer new ways of rethinking our present.

Constitutes a great philosophical treatise on play and games Appeals to a potentially broad audience including those interested in thinking through globalisation today The magnum opus of an influential French-Greek intellectual whose contemporaries and influences include Derrida, Deleuze and Lefebvre Approaches philosophy in a systematic as well as fragmentary manner Anticipates the key term of contemporary Heideggerian scholarship (German Irre, French errance) and confronts it through play A French reprint of Le Jeu du Monde was published by Les Belles Lettres in January 2018 Drawing on philosophies of gaming and play from Heraclitus and Plato through to Marx, Nietzsche and Heidegger, Kostas Axelos outlines an extraordinary, unique vision of our contemporary world. Originally published in 1969, The Game of the World brilliantly anticipates a 21st century in which ever-accelerating technological transformations coincide with a world at play and in play, at once fragmentary and totalised, disordered and hyper-organised. In the midst of this paradoxical and deranging becoming-planetary of the world, Axelos offers a sequence of profound meditations on play and playing, games and gaming, directing us towards new means of thinking and action that may enable us to face the world-historical challenges of our own present.

Georges Perec (1936-82) was a French novelist, filmmaker, documentalist and Rowan Wilken is Associate Professor essayist. This collection of 14 essays asks how Perec has continued to influence of Media and Communication at us after his death. Swinburne University ofTechnology. What do Perec's descriptions of the minutiae of everyday life reveal about our use of information and communications technologies?. What happens if we read Life: A User's Manual as a toolbox of ideas for games studies?. What light does the concept of the'infra-ordinary'shed on social media?. What insights does algorithmic writing generate for the digital humanities?. What lessons can architects, artists, game-designers and writers draw from Perec's fascination with creative constraints?. Through an examination of such questions, this collection takes Perec scholarship beyond its existing limits to offer new ways of rethinking our present.

What is education? This volume collects some of the foremost voices in contemporary thought to think through this question from their unique perspectives. Revealing the contentions and possibilities of a new engagement with the question of education, it provides fresh insights into education: what it is, what it is not, and what is to be done about it. At a time when education is so important as to be considered an essential 'human right', and yet is under attack from funding cuts, government policies and fundamentalists, this book will open the thinking on education onto new and important territory.

Offering a piercing indictment of what we have let ourselves become, this short, critical work is a damning critique of the current age and of the democratic systems that characterize it. Alain Badiou argues that any truly radical politics must begin with dismantling the obscene (or pornographic) qualities of neoliberal capitalism. In The Pornographic Age he asks us to hold up a mirror to ourselves and confront the debasement of the political realities in which we live, the shock of which must galvanize us into action. It is only through this realization, this crucial confrontation with the perversity with which we conduct our daily lives that we can prompt true revolution. Including an afterword from international Badiou scholars A. J. Bartlett and Justin Clemens and a commentary by William Watkin, this book is a philosophical call to arms: Badiou's radical indictment of the current age is an exciting, no-holds-barred exploration of both how we live and how we might live.

This is a unique collection presenting work by Alain Badiou and commentaries on his philosophical theories. It includes three lectures by Badiou, on contemporary politics, the infinite, cinema and theatre and two extensive interviews with Badiou - one concerning the state of the contemporary situation and one wide ranging interview on all facets of his work and engagements. It also includes six interventions on aspects of Badiou's work by established scholars in the field, addressing his concept of history, Lacan, Cinema, poetry, and feminism; and four original essays by young and established scholars in Australia and New Zealand addressing the key concerns of Badiou's 2015 visit to the Antipodal region and the work he presented there. With new material by Badiou previously unpublished in English this volume is a valuable overview of his recent thinking. Critical responses by distinguished and gifted Badiou scholars writing outside of the European context make this text essential reading for anyone interested in the development and contemporary reception of Badiou's thought.

Black River is the autobiography of a nonexistent personage. Drawing on literary techniques developed by Beckett, Burroughs and Borges, Black River plunges into a violent and surreal world from which the last traces of the gods have vanished. The reader will encounter such creatures as mouthers, pokers, the sucking lady, white curls, the loved one, the magistrate, and the ambassador, presented in spare, relentless prose. The text by Justin Clemens is supplemented with Helen Johnson's extraordinary collages. Black River is a work of hallucinatory materialism.

Following the publication of his magnum opus L'etre et l'evenement (Being and Event) in 1988, Alain Badiou has been acclaimed as one of France's greatest living philosophers. Since then, he has released a dozen books, including Manifesto for Philosophy, Conditions, Metapolitics and Logiques des mondes (Logics of Worlds), many of which are now available in English translation. Badiou writes on an extraordinary array of topics, and his work has already had an impact upon studies in the history of philosophy, the history and philosophy of science, political philosophy, aesthetics, psychoanalysis, and ontology. This volume takes up the challenge of explicating, extending and, in many places, criticizing Badiou's stunningly original theses. Above all, the essays collected here put Badiou's concepts to the test in a confrontation with the four great headings that he himself has identified as essential to our humanity: science, love, art and politics. Many of the contributors have already been recognized as outstanding translators of and commentators on Badiou's work; they appear here with fresh voices also destined to make a mark.

This collection is the first extended interrogation in any language of Jacques Lacan's Seminar XVII. Originally delivered just after the Paris uprisings of May 1968, Seminar XVII marked a turning point in Lacan's thought; it was both a step forward in the psychoanalytic debates and an important contribution to social and political issues. Collecting important analyses by many of the major Lacanian theorists and practitioners, this anthology is at once an introduction, critique, and extension of Lacan's influential ideas.The contributors examine Lacan's theory of the four discourses, his critique of the Oedipus complex and the superego, the role of primal affects in political life, and his prophetic grasp of twenty-first-century developments. They take up these issues in detail, illuminating the Lacanian concepts with in-depth discussions of shame and guilt, literature and intimacy, femininity, perversion, authority and revolt, and the discourse of marketing and political rhetoric. Topics of more specific psychoanalytic interest include the role of objet a, philosophy and psychoanalysis, the status of knowledge, and the relation between psychoanalytic practices and the modern university. Contributors. Geoff Boucher, Marie-Helene Brousse, Justin Clemens, Mladen Dolar, Oliver Feltham, Russell Grigg, Pierre-Gilles Gueguen, Dominique Hecq, Dominiek Hoens, Eric Laurent, Juliet Flower MacCannell, Jacques-Alain Miller, Ellie Ragland, Matthew Sharpe, Paul Verhaeghe, Slavoj Zizek, Alenka Zupancic

'All philosophy is a metaphysics of happiness...or it's not worth an hour of trouble' claims Alain Badiou in this lively intervention into one of the most persistent themes in philosophy: what is happiness? And what do I need to do to be happy? The desire to be happy is one of our most universal goals and yet there doesn't seem to be any easy answers or formulas for achieving happiness. And the concept has become so commodified and corrupted to be almost unrecognizable as something worth pursuing. In light of this, should we just give up the aspiration to be happy altogether? Alain Badiou thinks not. While eschewing futile procedures for magically becoming 'happy', Badiou does passionately maintain that in order to be truly happy we need philosophy. And, bolder still, that a life lived philosophically is the happiest life of all!

On 24 February 1817, Barron Field sailed into Sydney Harbour on the convict transport Lord Melville to a ceremonial thirteen-gun salute. He was there as the new Judge of the Supreme Court of Civil Judicature in New South Wales — the highest legal authority in the turbulent colony. Energetic and gregarious, Field immediately set about impressing his vision of a future Australia as a liberal and prosperous nation. He courted the colony's leading figures, engaged in scientific research and even founded Australia's first bank. He also wrote poetry: in 1819, he published First Fruits of Australian Poetry, the first book of poems ever printed in the country. In England, Field had been the theatre critic for The Times, and a friend of such major Romantic writers as William Wordsworth, Charles Lamb and Leigh Hunt. In New South Wales, he saw the chance to become a major figure himself, someone who could shape culture and society in enduring ways. Founding Australian poetry was part of that ambition; so too was law. Asked to determine whether Governor Macquarie had authority to impose taxes in the colony, Field issued a fateful judgement that established, for the first time, what is now called terra nullius. This book is an extraordinary reconstruction of the circumstances and implications of Field's actions in New South Wales using an original and revealing method: the close reading of his poetry.

Offering a piercing indictment of what we have let ourselves become, this short, critical work is a damning critique of the current age and of the democratic systems that characterize it. Alain Badiou argues that any truly radical politics must begin with dismantling the obscene (or pornographic) qualities of neoliberal capitalism. In The Pornographic Age he asks us to hold up a mirror to ourselves and confront the debasement of the political realities in which we live, the shock of which must galvanize us into action. It is only through this realization, this crucial confrontation with the perversity with which we conduct our daily lives that we can prompt true revolution. Including an afterword from international Badiou scholars A. J. Bartlett and Justin Clemens and a commentary by William Watkin, this book is a philosophical call to arms: Badiou's radical indictment of the current age is an exciting, no-holds-barred exploration of both how we live and how we might live.

'All philosophy is a metaphysics of happiness...or it's not worth an hour of trouble' claims Alain Badiou in this lively intervention into one of the most persistent themes in philosophy: what is happiness? And what do I need to do to be happy? The desire to be happy is one of our most universal goals and yet there doesn't seem to be any easy answers or formulas for achieving happiness. And the concept has become so commodified and corrupted to be almost unrecognizable as something worth pursuing. In light of this, should we just give up the aspiration to be happy altogether? Alain Badiou thinks not. While eschewing futile procedures for magically becoming 'happy', Badiou does passionately maintain that in order to be truly happy we need philosophy. And, bolder still, that a life lived philosophically is the happiest life of all!

Badiou and Hegel: Infinity, Dialectics, Subjectivity offers critical appraisals of two of the dominant figures of the Continental tradition of philosophy, Alain Badiou and G.W.F. Hegel. Jim Vernon and Antonio Calcagno bring together established and emerging authors in Continental philosophy to discuss the relationship between the thinkers, creating a multifarious collection of essays by Hegelians, Badiouans, and those sympathetic to both. The text privileges neither thinker, nor any particular topic shared between them; rather, this book lays a broad and sound foundation for future scholarship on arguably two of the greatest thinkers of infinity, universality, subjectivity, and the enduring value of philosophy in the modern Western canon. Assuredly overdue, this volume will attract Hegel and Badiou scholars, as well as those interested in post-structuralism, political philosophy, cultural studies, ontology, philosophy of mathematics, and psychoanalysis.

This is a unique collection presenting work by Alain Badiou and commentaries on his philosophical theories. It includes three lectures by Badiou, on contemporary politics, the infinite, cinema and theatre and two extensive interviews with Badiou - one concerning the state of the contemporary situation and one wide ranging interview on all facets of his work and engagements. It also includes six interventions on aspects of Badiou's work by established scholars in the field, addressing his concept of history, Lacan, Cinema, poetry, and feminism; and four original essays by young and established scholars in Australia and New Zealand addressing the key concerns of Badiou's 2015 visit to the Antipodal region and the work he presented there. With new material by Badiou previously unpublished in English this volume is a valuable overview of his recent thinking. Critical responses by distinguished and gifted Badiou scholars writing outside of the European context make this text essential reading for anyone interested in the development and contemporary reception of Badiou's thought.

Presents a critical intervention into the key conceptual dissensions between contemporary Continental philosophy's three most influential thinkers. The writings of Lacan, Deleuze and Badiou stand at the heart of contemporary thought. While the collective corpus of these three figures contains a significant number of references to each other's work, these are often simply critical, obscure, or both. Lacan Deleuze Badiou guides academics working philosophy, psychoanalysis and critical theory through the sensitive moments in their respective work and identifies the passages, connections and disjunctions that underlie the often superficial statements of critique, indifference or accord. The first book to examine Lacan, Deleuze and Badiou together; reconstructs a fundamental conceptual history of Badiou, Deleuze and Lacan's influences and intellectual context; it identifies and examines the key themes in contemporary European thought: the event, time and truth and shows how Deleuze and Badiou have followed and contravened the Lacanian intervention without reverting to pre Lacanian positions.

Love, hate, slavery, torture, addiction and death - as this book shows, only psychoanalysis can speak well of such matters. Psychoanalysis was the most important intellectual development of the 20th century, which left no practice from psychiatry to philosophy to politics untouched. Yet it was also in many ways an untouchable project, caught between science and poetry, medicine and hermeneutics. This unsettled, unsettling status has recently induced the philosopher Alain Badiou to characterise psychoanalysis as an 'antiphilosophy', that is, as a practice that issues the strongest possible challenges to thought. Justin Clemens takes up the challenge of this denomination here, by re-examining a series of crucial psychoanalytic themes: addiction, fanaticism, love, slavery and torture. Drawing from the work of Freud, Lacan, Badiou, Agamben and others, Psychoanalysis is anAntiphilosophy offers a radical reconstruction of the operations and import of key psychoanalytic concepts and a renewed sense of the indispensable powers of psychoanalysis for today.

More than any other thinker, Giorgio Agamben shows us that philosophy is also a matter of style and politics a matter of poetics. This book explores the unexpected and illuminating paths that his work traces across the territories of law and literature, linguistics, dance or cinema, in search of a new idea and practice of the community. It offers an irreplaceable introduction to one of the most fascinating thinkers of our time.'Jacques RanciereGathering some of the most important established and emerging scholars to examine his body of work, this collection of essays seeks to explore Agamben's thought from these broader philosophical and literary concerns, underpinning its place within larger debates in continental philosophy. Including a contribution by Agamben himself, it is essential reading for anyone interested in his work.In the past five years, Giorgio Agamben has emerged as one of the most important continental philosophers. This burgeoning popularity of his work has largely been confined to a study of the homo sacer series. Yet these later 'political' works have their foundation in Agamben's earlier works on the philosophy of language, aesthetics and literature. From a philosophy of language and linguistics that leads to a broader theory of representation, Agamben develops a critical theory that attempts to explore the hiatuses and paradoxes that govern discursive practice across a broad range of disciplines."

Badiou and Hegel: Infinity, Dialectics, Subjectivity offers critical appraisals of two of the dominant figures of the Continental tradition of philosophy, Alain Badiou and G.W.F. Hegel. Jim Vernon and Antonio Calcagno bring together established and emerging authors in Continental philosophy to discuss the relationship between the thinkers, creating a multifarious collection of essays by Hegelians, Badiouans, and those sympathetic to both. The text privileges neither thinker, nor any particular topic shared between them; rather, this book lays a broad and sound foundation for future scholarship on arguably two of the greatest thinkers of infinity, universality, subjectivity, and the enduring value of philosophy in the modern Western canon. Assuredly overdue, this volume will attract Hegel and Badiou scholars, as well as those interested in post-structuralism, political philosophy, cultural studies, ontology, philosophy of mathematics, and psychoanalysis.