"Anatomising Embodiment and Organisation Theory" explores the relationship between the human body and the development of social theory about organizations and organizing. The science of anatomy is taken as a pattern for knowledge both of the human body and/or organizations, and the twin symbols of dissection--the scalpel and the mirror--are used to understand the production of knowledge about organizations.

"I am not in danger ...I am the danger." With those words, Breaking Bad's Walter White solidified himself as TV's greatest antihero. Wanna Cook? explores the most critically lauded series on television with analyses of the individual episodes and ongoing storylines. From details like stark settings, intricate camerawork, and jarring music to the larger themes, including the roles of violence, place, self-change, legal ethics, and fan reactions, this companion book is perfect for those diehards who have watched the Emmy Award - winning series multiple times as well as for new viewers. Wanna Cook? elucidates without spoiling, and illuminates without nit-picking. A must have for any fan's collection. Excerpt. (c) Reprinted by permission. All rights reserved. From Wanna Cook's Episode Guide 1.01 Pilot/Breaking Bad Original air date: January 20, 2008 Written and directed by: Vince Gilligan "I prefer to see [chemistry] as the study of change ...that's all of life, right? It's the constant, it's the cycle. It's solution - dissolution, just over and over and over. It is growth, then decay, then - transformation! It is fascinating, really." - Walter White We meet Walter White, Jesse Pinkman, and Walt's family. Walt is poleaxed by some tragic news. With nothing to lose, Walt decides to try to make one big score, and damn the consequences. For that, however, he needs the help of Jesse Pinkman, a former student of Walt's turned loser meth cook and drug dealer. From the moment you see those khakis float down out of a perfectly blue desert sky, you know that you're watching a show like nothing else on television. The hard beauty and stillness of the American Southwest is shattered by a wildly careening RV driven by a pasty white guy with a developing paunch wearing only a gas mask and tighty-whities. What the hell? Like all pilots, this one is primarily exposition, but unlike most, the exposition is beautifully handled as the simple background of Walter's life. The use of a long flashback as the body of the episode works well, in no small part due to Bryan Cranston's brilliant performance in the opening, which gives us a Walter White so obviously, desperately out of his element that we immediately wonder how this guy wound up pantsless in the desert and apparently determined to commit suicide-by-cop. After the opening credits, the audience is taken on an intimate tour of Walt's life. Again, Cranston sells it perfectly. The viewer is presented with a middle-aged man facing the back half of his life from the perspective of an early brilliance and promise that has somehow imploded into a barely-making-ends-meet existence as a high school chemistry teacher. He has to work a lousy second job to support his pregnant wife and disabled teenage son and still can't afford to buy a hot water heater. Executive producer and series creator Vince Gilligan, along with the cast and crew (Gilligan & Co.), take the audience through this day in the life of Walt, and it's just one little humiliation after another. The only time Walt's eyes sparkle in the first half of the episode is when he is giving his introductory lecture to his chemistry class. Here Walt transcends his lower-middle-class life in an almost poetic outpouring of passion for this incredible science. Of course, even that brief joy is crushed by the arrogant insolence of the archetypal high school jackass who stays just far enough inside the line that Walt can't do a damn thing about him. So this is Walt and his life, as sad sack as you can get, with no real prospects of improvement, a brother-in-law who thinks he's a wuss, and a wife who doesn't even pay attention during birthday sex. Until everything changes. The sociologist and criminologist Lonnie Athens would likely classify Walt's cancer diagnosis as the beginning of a "dramatic self change," brought on by something so traumatic that a person's self - the very thoughts, ideas, and ways of understanding and interacting with the world - is shattered, or "fragmented," and in order to survive, the person must begin to replace that old self, those old ideas, with an entirely new worldview. (Athens and his theories are discussed much more fully in the previous essay, but since we warned you not to read that if you don't want to risk spoilage, the basic - and spoiler-free - parts are mentioned here.) Breaking Bad gives us this fragmentation beautifully. Note how from the viewer's perspective Walt is upside down as he is moved into the MRI machine, a motif smoothly repeated in the next scene with Walt's reflection in the top of the doctor's desk. Most discombobulating of all, however, is the consultation with the doctor. At first totally voiceless behind the tinnitus-like ambient soundtrack and faceless except for his chin and lips, the doctor and the news he is imparting are made unreal, out of place, and alien. As for Walt, in an exquisite touch of emotional realism, all he can focus on is the mustard stain on the doctor's lab coat. How many of us, confronted with such tragic news, have likewise found our attention focused, randomly, illogically, on some similar mundanity of life? It is from this shattered self that Walt begins to operate and things that would have been completely out of the question for pre-cancer Walt are now actual possibilities - things like finding a big score before he dies by making and selling pure crystal meth. Remember that Walt is a truly brilliant chemist, and knows full well what crystal meth is and what it does to people who use it. He may not know exactly what he's getting into, but he knows what he is doing. Enter Jesse Pinkman (Aaron Paul, best known previously for his role on Big Love), a skinny white-boy gangster wannabe, who under the name "Cap'n Cook" makes a living cooking and selling meth. He's also an ex-student of Walt's, and after being recognized by his former teacher during a drug bust, Walt has all the leverage he needs to coerce Jesse into helping him. Why does he need him? Because, as Walt says, "you know the business, and I know the chemistry." Symbolizing just how far beyond his old life Walt is moving, he and Jesse park their battered RV/meth lab in the desert outside of Albuquerque, far from the city and any signs of human life. All that is there is a rough dirt road and a "cow house" in the distance. The desert is a place without memory, a place outside of things, where secrets can be kept, and meth can be cooked. This is where Walt lives now. It is in this desert space that Walt becomes a killer, albeit in self defense. Ironically, the one thing that Walt views as holding the keys to the secret of life - chemistry - becomes the means to end lives. Walt, a father, teacher, and an integral part of an extended family - in other words, an agent of life and growth - has now become a meth cook, using chemical weapons to kill his enemies. Walter White has become an agent of death. The transformation is just beginning, but already Skyler (Anna Gunn, previously known for her roles on The Practice and Deadwood) is having some trouble recognizing her husband: "Walt? Is that you?" LAB NOTES Highlight: Jesse to Walt: "Man, some straight like you - giant stick up his ass all of a sudden at age what? Sixty? He's just going to break bad?" Did You Notice: This episode has the first (but not the last!) appearance of Walt's excuse that he's doing everything for his family. There's an award on the wall in Walt's house commemorating his contributions to work that was awarded the Nobel Prize back in 1985. The man's not a slouch when it comes to chemistry, so what's happened since then? At Walt's surprise birthday party, Walt is very awkward when he handles Hank's gun. Speaking of Hank (Dean Norris, whose other roles were in the TV series Medium, and the movies Total Recall, and Little Miss Sunshine), he waits until the school bus has left the neighborhood before ordering his team into the meth lab, showing what a good and careful cop he is. Maybe it's just us, but J.P. Wynne High School (where Walt teaches chemistry) seems to have the most well-equipped high school chemistry lab in the country. As Walt receives his diagnosis, the doctor's voice and all other sounds are drowned out by a kind of numbing ringing, signifying a kind of psychic overload that prevents Walt from being fully engaged with the external world. This effect will be used again several times throughout the series. Walt literally launders his money to dry it out, foreshadowing what's to come. Shooting Up: Thanks to John Toll, who served as cinematographer for the first season of Breaking Bad, the show has one of the most distinctive opening shots ever. Just watch those empty khaki pants flutter across a clear sky. Breaking Bad loves certain camera angles and this section is where we'll point out some of the shots that make the show stand out. Look at that taped non-confession Walt makes for his family when he thinks the cops are coming for him. We're used to watching recordings of characters - shows are filmed (or taped), but here, we're watching him recording himself on tape. Who's the real Walt? Title: Many pilot episodes share the name with the title of the show and Breaking Bad's pilot is no exception. Vince Gilligan, who grew up in Farmville, Virginia, has stated that "breaking bad" is a Southernism for going off the straight and narrow. When you bend a stick until it breaks, the stick usually breaks cleanly. But sometimes, sticks (and men) break bad. You can wind up in the hospital with a splinter in your eye, or you can wind up in Walter White's world. Either way, it's no kind of good. Interesting Facts: Show creator Vince Gilligan's early educational experience was at J. P. Wynne Campus School in Farmville, Virginia. He recycled the name for the high school in Breaking Bad. SPECIAL INGREDIENTS What Is Crystal Meth, Anyway? While there is some evidence that methamphetamine can be found naturally in several species of acacia plants, commercial meth making involves chemistry, not agriculture. The history of the drug dates back to 1893 when Japanese chemist Nagai Nagayoshi first synthesized the substance from ephedrine. The name "methamphetamine...

Joss Whedon once identified himself as an 'angry, hard-line atheist' who is nevertheless 'fascinated by the concept of devotion.' While organized religion seems to hold no satisfactory answers for Whedon, his dedication to exploring the meanings of faith and belief can be seen in many of the characters he has created for such works as ""Buffy the Vampire Slayer"", ""Angel"", ""Firefly"", ""Serenity"", and ""Fray"". This work examines a variety of Whedon's characters and discusses what can be learned from their struggles and discoveries regarding religion and belief.Part One focuses on the characters' search for purpose, revealing how Dawn, Spike, and Angel attempt to define the meaning of their lives in ""Buffy the Vampire Slayer"" and its spin-off, ""Angel"". Part Two focuses on family, examining the unconventional family dynamic in Whedon's comic book miniseries Fray and television series ""Firefly"".Part Three centers around the concept of redemption, using Angel's Doyle, Firefly's Malcolm Reynolds and Shepherd Book, and Buffy's Faith Lehane to examine the characters' search for salvation and their own acceptance of their past actions. Finally, Part Four focuses on the harmful potential of religious zealotry, revealing the negative aspects of absolute belief through Firefly's River and Buffy's Caleb. A primary source guide follows the main text, providing the writer, director, and air date of each television episode, along with publication data for Whedon's print works, including the inpublication ""Season 8"" comic books for ""Buffy the Vampire Slayer"".

Anatomising Embodiment and Organisation Theory explores the relationship between the human body and the development of social theory about organisations and organising. The science of anatomy is taken as a pattern for knowledge both of the human body and/or organisations, and the twin symbols of dissection - the scalpel and the mirror - are used to understand the production of knowledge about organisations.

Black LGBT Health in the United States: The Intersection of Race, Gender, and Sexual Orientation focuses on the mental, physical, and spiritual aspects of health, and considers both risk and resiliency factors for the Black LGBT population. Contributors to this collection intimately understand the associations between health and intersectional anti-Black racism, heterosexism, homonegativity, biphobia, transphobia, and social class. This collection fills a gap in current scholarship by providing information about an array of health issues like cancer, juvenile incarceration, and depression that affect all subpopulations of Black LGBT people, especially Black bisexual-identified women, Black bisexual-identified men, and Black transgender men. This book is recommended for readers interested in psychology, health, gender studies, race studies, social work, and sociology.

Black LGBT Health in the United States: The Intersection of Race, Gender, and Sexual Orientation focuses on the mental, physical, and spiritual aspects of health, and considers both risk and resiliency factors for the Black LGBT population. Contributors to this collection intimately understand the associations between health and intersectional anti-Black racism, heterosexism, homonegativity, biphobia, transphobia, and social class. This collection fills a gap in current scholarship by providing information about an array of health issues like cancer, juvenile incarceration, and depression that affect all subpopulations of Black LGBT people, especially Black bisexual-identified women, Black bisexual-identified men, and Black transgender men. This book is recommended for readers interested in psychology, health, gender studies, race studies, social work, and sociology.