This volume of new interdisciplinary essays is aimed at providing some insights into the emerging field of masculinities and the challenges that it poses to the Indian male. Masculinities research has evolved considerably over the past three decades. Feminist studies have demonstrated how patriarchy functioned by oppressing women. Masculinity studies, however, demonstrate that men are not an homogenous group but are instead diverse-many masculinities. Further, the construct of hegemonic masculinity revealed how men regulate one another, as well as women. Globalisation trends show that masculinity can no longer be studied from just a North American or European perspective but rather from that of every part of the world. Canvassing a broad array of aspects such as the construction of identity and the negotiation of power and sexuality, these essays aim to show how masculinities are experienced, performed and embodied within India.

As India celebrated the sixtieth anniversary of its independence, much praise was lavished on its emergence as a major player on the global stage. Its economic transformation and geopolitical significance as a nuclear power are matched by its globally resonant cultural resources.

This book explores India s rich popular culture. Chapters provide illuminating insights into various aspects of the social, cultural, economic and political realities of contemporary globalised India. Structured thematically and drawing on a broad range of academic disciplines, the book deals with critical issues including:

- Film, television and TV soaps

- Folk theatre, Mahabharata-Ramayana, myths, performance, ideology and religious nationalism

- Music, dance and fashion

- Comics, cartoons, photographs, posters and advertising

- Cyberculture and the software industry

- Indian feminisms

- Sports and tourism

- Food culture

Offering comprehensive coverage of the emerging discipline of popular culture in India, this book is essential reading for courses on Indian popular culture and a useful resource for more general courses in the field of cultural studies, media studies, history, literary studies and communication studies.

This title was first published in 2000. This is a collection of papers which look at the relationship between higher education and those who use it, and those who will in the future. The papers look at how compacts could be developed to encourage the potential for maintaining and improving upon existing education agreements. The book covers the university and higher education institutions and their relationship with government and industry as well as with the students.

As India celebrated the sixtieth anniversary of its independence, much praise was lavished on its emergence as a major player on the global stage. Its economic transformation and geopolitical significance as a nuclear power are matched by its globally resonant cultural resources.

This book explores India s rich popular culture. Chapters provide illuminating insights into various aspects of the social, cultural, economic and political realities of contemporary globalised India. Structured thematically and drawing on a broad range of academic disciplines, the book deals with critical issues including:

- Film, television and TV soaps

- Folk theatre, Mahabharata-Ramayana, myths, performance, ideology and religious nationalism

- Music, dance and fashion

- Comics, cartoons, photographs, posters and advertising

- Cyberculture and the software industry

- Indian feminisms

- Sports and tourism

- Food culture

Offering comprehensive coverage of the emerging discipline of popular culture in India, this book is essential reading for courses on Indian popular culture and a useful resource for more general courses in the field of cultural studies, media studies, history, literary studies and communication studies.