John Kane-Berman is uniquely qualified to look back over the enormous political and social changes that have taken place in his lifetime in this fractious country. In his career as student leader, Rhodes Scholar, newspaperman, independent columnist, speech maker, commentator, and Chief Executive, for thirty years, of the South African Institute of Race Relations, Kane-Berman has been at the coal face of political change in South Africa.

The breadth and depth of ideas and events covered here are striking: the disintegration of apartheid, the chaos of the ‘people’s war’ and its contribution to the broader societal breakdown we see today, the liberal slide-away, the authoritarian ANC with its racial ideology and revolutionary goals, to mention only a few. Kane-Berman’s willingness to confront received wisdom is thoroughly refreshing, and he is forthright about the threats to freedom, democracy, and growth in contemporary South Africa, many of which he identified even before the ANC came to power.

Writing, debate, and reasoned argument have been Kane-Berman’s stock in trade and his clarity of vision and personal insight have created a memoir of rare candour and absorbing interest.

Feeling anxious is part of being human; sometimes it can even be necessary or useful. But what about when anxiety takes over? When you feel like it’s too often dictating your life?

Have you ever considered that you might be addicted to anxiety?

In this groundbreaking book, bestselling author and psychotherapist Owen O’Kane explores how we all unwittingly build habits around our anxiety. This, he argues, is how we become addicted – the behaviours and thought patterns that help us feel safe in the short term ultimately serve to perpetuate it.

Put simply, we get hooked.

The answer? Break the cycle.

How?

• Recognize: You must understand your anxiety and identify your triggers before you can start to unpick it.
• Tackle: Discover vital techniques for breaking the underlying habits and patterns.
• Move forward: Learn strategies for navigating setbacks or relapses on the road ahead.

Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music.
Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseenpursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice.
The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses."

The vast majority of singers with a degree in performance are un- or under-employed in their field. Despite the fact that talented singers are discovered every day, there are far too few jobs in the field of classical music to accommodate all of them, a problem evidenced by regular reports of opera companies and symphony orchestras closing their doors. Young classical singers, particularly recent graduates of music programs, need not only artistic ability, but also intelligence and an acute business sense to navigate the world of professional singing. In The 21st-Century Singer: Bridging the Gap Between the University and the World, author Susan Mohini Kane has created a user-friendly guide for these recent graduates. Kane combines the benefits of an instructional manual with those of a self-reflective workbook to provide emerging classical singers with both practical and inspirational advice. She begins with a section on self-evaluation, allowing readers to define what motivates their desire to sing professionally and reflect on their passions, before moving on to career advice. In the sections that follow, Kane presents a variety of career paths, such as singing, teaching, and consulting-realistic alternatives to the rise to stardom as an "overnight sensation" that so few will experience-and provides the reader with the tools to develop a concrete plan for whichever path they decide to pursue. Other sections offer instruction on how to develop support systems, train oneself holistically, and take advantage of the newest technological resources available for professional self-promotion. With its dual emphasis on artistic motivation and modern-day business sense, The 21st-Century Singer will prove an essential text for anyone pursuing a professional singing career.

As Senegal prepares to celebrate fifty years of independence from French colonial rule, academic and policy circles are engaged in a vigorous debate about its experience in nation building. An important aspect of this debate is the impact of globalization on Senegal, particularly the massive labor migration that began directly after independence. From Tokyo to Melbourne, from Turin to Buenos Aires, from to Paris to New York, 300,000 Senegalese immigrants are simultaneously negotiating their integration into their host society and seriously impacting the development of their homeland.
This book addresses the modes of organization of transnational societies in the globalized context, and specifically the role of religion in the experience of migrant communities in Western societies. Abundant literature is available on immigrants from Latin America and Asia, but very little on Africans, especially those from French speaking countries in the United States. Ousmane Kane offers a case study of the growing Senegalese community in New York City. By pulling together numerous aspects (religious, ethnic, occupational, gender, generational, socio-economic, and political) of the experience of the Senegalese migrant community into an integrated analysis, linking discussion of both the homeland and host community, this book breaks new ground in the debate about postcolonial Senegal, Muslim globalization and diaspora studies in the United States. A leading scholar of African Islam, Ousmane Kane has also conducted extensive research in North America, Europe and Africa, which allows him to provide an insightful historical ethnography of the Senegalese transnational experience.

Family comedy sequel featuring a blend of CGI animation and live action and based on the iconic characters created by Peyo for the 1980s television series. When the dastardly Gargamel (Hank Azaria) kidnaps Smurfette (voice of Katy Perry) and steals her away to Paris, the rest of the Smurf gang team up with their human friends Patrick (Neil Patrick Harris) and Grace (Jayma Mays) to try and retrieve her from his clutches. However, with Smurfette the key to Gargamel's plans to transform his latest minions, the Naughties (voiced by Christina Ricci and J.B. Smoove), into Smurfs, this will be no simple task - not least because Smurfette seems rather taken by the Naughties...

The final six episodes from the second season of the CGI-animated series. Set in a galaxy far, far away after the events of 'Star Wars Episode II: Attack of the Clones' and before 'Star Wars Episode III: Revenge of the Sith', the series follows the adventures of Obi-Wan Kenobi (voice of James Arnold Taylor), his apprentice, Anakin Skywalker (Matt Lanter), and rebellious female Jedi fighter Ahsoka Tano (Ashley Eckstein). Episodes are: 'Bounty Hunters', 'The Zillo Beast', 'The Zillo Beast Strikes Back', 'Death Trap', 'R2 Come Home' and 'Lethal Trackdown'.

Six more episodes from the second season of the CGI-animated series. Set in a galaxy far, far away after the events of 'Star Wars Episode II: Attack of the Clones' and before 'Star Wars Episode III: Revenge of the Sith', the series follows the adventures of Obi-Wan Kenobi (voice of James Arnold Taylor), his apprentice, Anakin Skywalker (Matt Lanter), and rebellious female Jedi fighter Ahsoka Tano (Ashley Eckstein). Episodes included in this volume are: 'Lightsaber Lost', 'The Mandalore Plot', 'Voyage of Temptation', 'Duchess of Mandalore', 'Senate Murders' and 'Cat and Mouse'.

The first four episodes from the second season of the CGI-animated series. Set in a galaxy far, far away after the events of 'Star Wars Episode II: Attack of the Clones' and before 'Star Wars Episode III: Revenge of the Sith', the series follows the adventures of Obi-Wan Kenobi (voice of James Arnold Taylor), his apprentice, Anakin Skywalker (Matt Lanter) and rebellious female Jedi fighter Ahsoka Tano (Ashley Eckstein). This volume's episodes are: 'Holocron Heist', 'Cargo of Doom', 'Children of the Force' and 'Senate Spy'.

Six more episodes of the CGI-animated series set in a galaxy far, far away after the events of 'Star Wars Episode II: Attack of the Clones' and before 'Star Wars Episode III: Revenge of the Sith'. The series follows the adventures of Obi-Wan Kenobi (James Arnold Taylor) and his apprentice, Anakin Skywalker (Matt Lanter), and introduces rebellious female Jedi fighter Ahsoka Tano (Ashley Eckstein). Episodes are: 'Blue Shadow Virus', 'Mystery of a Thousand Moons', 'Storm Over Ryloth', 'Innocents of Ryloth', 'Liberty On Ryloth' and 'Hostage Crisis'.

Six more episodes of the CGI-animated series set in a galaxy far, far away after the events of 'Star Wars Episode II: Attack of the Clones' and before 'Star Wars Episode III: Revenge of the Sith'. The series follows the adventures of Obi-Wan Kenobi (James Arnold Taylor) and his apprentice, Anakin Skywalker (Matt Lanter), and introduces rebellious female Jedi fighter Ahsoka Tano (Ashley Eckstein). Episodes are: 'Dooku Captured', 'Gungan General', 'Jedi Crash', 'Defenders of Peace', 'Trespass' and 'The Hidden Enemy'.

The first five episodes of the CGI-animated series set in a galaxy far, far away after the events of 'Star Wars Episode II: Attack of the Clones' and before 'Star Wars Episode III: Revenge of the Sith'. The series follows the adventures of Obi-Wan Kenobi (voice of James Arnold Taylor) and his apprentice, Anakin Skywalker (Matt Lanter), and introduces rebellious female Jedi fighter Ahsoka Tano (Ashley Eckstein). Episodes are: 'Downfall of a Droid', 'Duel of the Droids', 'Bombad Jedi', 'Cloak of Darkness' and 'The Lair of General Grievous'.

Double bill of animated 'Star Wars' adventures in which the Lego characters battle to save the galaxy. In 'Raid On Coruscant' Emperor Palpatine (voice of Trevor Devall) and Darth Vader (Matt Sloan) use the recovered holocrons to attack sympathetic rebel planets. With the help of Han (Michael Daingerfield), Leia (Heather Doerksen) and Jek-14 (Brian Dobson), Luke (Eric Bauza) goes on a daring mission to Coruscant to stop the evil duo and get the holocrons back.

'Clash of the Skywalkers' sees Luke face off against his father after the Emperor launches a manhunt to find him. Which Skywalker will come out on top?

The first seven episodes from the second season of the animated series following a team of superheroes as they battle against some of the deadliest villains in the known universe. Iron Man, Thor, Captain America, the Hulk, Ant-Man, the Wasp, Hawkeye and the Black Panther unite to defeat various enemies, including Loki and The Masters of Evil. The episodes are: 'The Private War of Doctor Doom', 'Alone Against A.I.M.', 'Acts of Vengeance', 'Welcome to the Kree Empire', 'To Steal an Ant-Man', 'Michael Korvac' and 'Who Do You Trust?'.

4.48 Psychosis was written throughout the autumn and winter of 1998-99 as Kane battled with one of her recurrent bouts of depression. On February 20, 1999, aged 28, the playwright committed suicide. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.

Courteney Cox and real life husband David Arquette star in this Richard Benjamin screwball comedy about a travel writer Samantha (Cox) who suffers from a host of phobias, including agoraphobia and claustrophia. She has just watched her psychologist suffer a mental meltdown and be taken away and, instead of terminating her therapy, Samantha decides to take over the role of the missing psychologist in order to manipulate her sexy neighbour Michael (David James Elliot), who also needs some help with his girlfriend, and an eccentric magazine salesman Henry (Arquette).