An extraordinarily prolific artist, Norman Rockwell (1894-1978) produced some 4,000 paintings in his lifetime, not including a prodigious quantity of commissioned editorial, commercial, and advertising work. His death in 1978 was regarded the loss of a national icon, an artist who, like no other, celebrated the American Dream. Shunning experimentation and avant-garde techniques in favor of effective composition and relatable subject matter, Rockwell created wholesome, homely paintings with accessible and aspirational appeal. Neat, quaint, and typically jovial, his subjects included classrooms, prom scenes, and Thanksgiving feasts, while his most long-standing projects were covers for The Saturday Evening Post magazine and calendars and covers for the Boys' Life publication of the Boy Scouts of America. Imbued with optimism and patriotism, the work foregrounds classic professions such as doctor and teacher, as much as the conservative stalwarts of military, family, and faith. Hailed by President Gerald Ford as a "beloved part of the American tradition," Rockwell's works reveal as much about his own talents as they do about the story of 20th-century America. This fresh artist introduction from TASCHEN brings together key paintings and illustrations from his celebratory and sunny portfolio, as well as some more unusual works tackling the underside of the United States, to understand an integrally American artist, and the values and ideals that shaped his success. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

It wouldn't be Christmas without the "things." How they came to mean so much, and to play such a prominent role in America's central holiday, is the tale told in this delightful and edifying book. In a style characteristically engaging and erudite, Karal Ann Marling, one of our most trenchant observers of American culture, describes the outsize spectacle that Christmas has become, showing us the provenance and significance of each of its essential parts: the decorated trees and holiday lights, the cards and gifts and wrapping papers, the toy villages and store displays and Macy's holiday parade, Bing Crosby and Santa Claus. Viewing Christmas through the media of mass culture--engravings and lithographs, magazine fiction, pictorial ads, news photos, cards, and movies--Marling tells us how the beloved Christmas tree grew out of a much-reprinted image of Queen Victoria and her family gathered around a decorated fir; how Santa Claus lost his provincial Dutch character and turned into the jolly old soul we know; how Charles Dickens's A Christmas Carol borrowed from Washington Irving's imaginings of what Christmas must have been like in Merrie Olde England; and how the holiday, balancing between the private and public realms, conferred a central and defining role on women. A celebration of the visual culture of the season, Merry Christmas! offers captivating evidence that Christmas in America is primarily a secular celebration of abundance, goodwill, and familial identity, expressed in a multitude of material ways.

Where can one find the world's largest prairie chicken, a restaurant shaped like a fish, a massive Paul Bunyan, or an enormous ear of corn? Roadside sculpture is a uniquely American phenomenon and these strange and wonderful figures can be found scattered along highways and standing in small-town squares, particularly in the Midwest.

These odd and oversized attractions have become destinations for travelers. Whether it serves art, commerce, or local pride, the colossus is always a place in itself, a stopping place where the everyday rules of reality are suspended and the observer can gain insight into the way these communities imagine themselves.

Karal Ann Marling visits dozens of these roadside attractions, viewing them analytically, intellectually, and enthusiastically, tracing each one through folklore and literature. Heavily illustrated, this book takes the reader on the road to examine these treasures and all that they represent.

America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.