When Karl Lagerfeld was named at the helm of the fashion house in 1983, he set out to radically shake up and update its image – not only through bold collections but also, from 1987 onwards, by choosing to shoot the house’s campaigns himself, a move that was unprecedented for a fashion designer.

Conceived in collaboration with Karl Lagerfeld and the House of Chanel, this definitive publication opens with an essay by Patrick Mauriès before exploring the campaigns themselves, organized chronologically. A carefully curated selection of images showcases hundreds of spectacular clothes worn by the top fashion models – and personalities – of each era, from Inès de la Fressange, Claudia Schiffer, Kate Moss and Cara Delevingne, to Kirsten Stewart and Lily Rose Depp, captured in glamorous locations, from Coco Chanel’s Paris apartment to the French Riviera or LA.

Presented in a high-end, slipcased package, Chanel: the Karl Lagerfeld Campaigns offers an unrivalled overview of the house of Chanel as seen through the eyes – and lens – of Karl Lagerfeld himself.

The story of Coco Chanel in her own words, as told by her to Paul Morand - in a Deluxe special edition, illustrated by Karl Lagerfeld and authorised by Chanel Told in her own words, Coco Chanel's memories offer a rare glimpse into the mind of one of the most influential women in fashion history. During a visit to St. Moritz at the end of World War II, Chanel shared intimate details of her life, loves and fashion philosophy with her life-long friend, Paul Morand. Only coming to light after Chanel's death, her intimate recollections reveal the secrets behind her success and the captivating charm that made her a true icon The Allure of Chanel attracted the attention of Karl Lagerfeld, who embellished it with seventy-three drawings, sketched for this special illustrated edition.

A gorgeously illustrated exploration of the history, culture, and design process of the famed fashion house Chanel Chanel: The Making of a Collection traces the design process of the world-renowned fashion house, revealing how a collection is created. Moving from the studio to the fashion show, fashion writer Laetitia Ce nac has unprecedented access to explore a world that is usually carefully guarded from the public eye. With hundreds of beautifully rendered fashion illustrations from acclaimed artist Jean-Philippe Delhomme, Karl Lagerfeld's approach to design is brought to life, as are the talents of the masterfully skilled artisans-the embroiderers, flower makers, shoemakers, hat makers, and more-who specialize in everything from buttons and leather to lace, silk, and cashmere. Delving into the history and culture of the brand, while also detailing contemporary collections, Chanel: The Making of a Collection is a richly visual insider's look at the enduring creative legacy of this haute couture icon.

An exploration of fashion designer Gaby Aghion’s life, career, and legacy at the French fashion house Chloé   As imagined by the company’s founder, Gaby Aghion (1921–2014), the sophisticated, romantic, and glamorous designs of Chloé have captured the energy and aspirations of generations of women since Aghion designed her first collection in 1952. This sumptuously illustrated book centers Chloé and Aghion within the cultural arena and crystallizes a major transition in the postwar Parisian fashion industry, from haute couture to prêt-à-porter. Aghion defined Chloé as a brand of luxury ready-to-wear clothing combining high-end materials and savoir faire with light shapes for active women. Aghion, an Egyptian Jew in Paris, brought a fresh, outsider perspective to French fashion.   Seventy years of archival clothing from Chloé designers are reproduced here, many for the first time, along with sketches, advertisements, and photographs. Essays shed light on Aghion’s life, the company’s approach to fashion, and the ways in which it fostered young talents. The book celebrates Aghion’s daring entrepreneurship and her legacy through the acclaimed designers who embodied and reinterpreted her original inspiration. Paulo Melim Andersson, Gabriela Hearst, Clare Waight Keller, Karl Lagerfeld, Hanna MacGibbon, Stella McCartney, Peter O’Brien, Phoebe Philo, Natacha Ramsay-Levi, and Martine Sitbon offer recollections of their experiences working at the fashion house.   Published in association with the Jewish Museum, New York   Exhibition Schedule:   Jewish Museum, New York (October 13, 2023–February 18, 2024)

In Metamorphoses of an American, Karl Lagerfeld documents the physical and emotional development of Brad Kroenig, the world's most sought-after male model, ranked number one at models.com at the time of this printing. Lagerfeld discovered Kroenig in 2003, making his first photographs of the young man in Biarritz; since then, he has diligently observed Kroenig through the photographic lens, month by month. Since the time of this first Lagerfeld photo shoot, Kroenig has been featured in almost every major designer's advertising campaign and/or fashion shows--including Lagerfeld, Ralph Lauren, Tommy Hilfiger, Justin Cavalli, Perry Ellis and Fendi--and on almost every fashion magazine cover. In this volume, through hundreds of photographs taken inside and outside the world of fashion, Lagerfeld explores Kroenig's evolution from a young "All-American Boy" into a professional model, a man conscious of the subtleties of facial and corporeal expression. However, these photographs are not simply documentation; rather, Lagerfeld and Kroenig always work together to create a new persona, one which Kroenig projects without losing a sense of his own self. Lagerfeld selects a spectrum of literary and cultural references for Kroenig to interpret: we see him as James Dean, as Rudolph Valentino, as a Gatsby-like figure from F. Scott Fitzgerald, and as Lieutenant Pinkerton from Puccini's Madame Butterfly. Throughout these transformations, one never has the sense that Kroenig is merely acting; instead he presents newly discovered aspects of himself through the guises of other characters.

Chanel's fashion shows are always unexpected, but with the set of Karl Lagerfeld's most recent Fall-Winter 2014/15 Pret-a-Porter collection for the house, the designer seems to have finally outdone himself. The concept of the catwalk was born anew as the "Chanel Shopping Center," where models jostled with one another as they browsed shelves and placed items in their shopping trolleys. This was, of course, no normal supermarket but a spectacular ironic reinterpretation of Chanel 's beloved codes, where supermarket produce and packaging were re-designed according to Lagerfeld's wit and whim. There were thousands of items to behold including Mont Cambon wine, Mademoiselle Prive doormats, tweed energy drinks, Coco Flakes (to be eaten with no more than Lait de Coco), Paris-Dallas ketchup, lion-shaped pasta, as well as bottled water labeled "Eau de CHANEL No 0." The visual vocabulary of the supermarket equally informed Lagerfeld's collection: from chain shopping baskets, vacuum-packed handbags, bottletop and padlock-shaped jewelry, to iridescent outfits with shoplifter-sized pockets. This book preserves the Chanel Shopping Center in print, and is playfully styled as a mail order catalogue displaying all items seemingly for purchase-but only while stocks last.