The Metropolitan Museum Journal, issued annually by The Metropolitan Museum of Art, publishes original research on works in the Museum's collection. Volume 50 includes articles on a possible Cypriot origin for an Assyrian stone mixing bowl in the Cesnola Collection by Luca Bombardieri; Andrea del Sarto's Borgherini Holy Family and Charity by Andrea Bayer, Michael Gallagher, Silvia A. Centeno, and Evan Read; the history, conservation, and science of the Madina Sitarah by Federico Caro, Karen M. Kern, Yael Rosenfield, and Nobuko Shibayama; the Roman Maniera by Furio Rinaldi; Horace Pippin's The Lady of the Lake by Anne Monahan, Isabelle Duvernois, and Silvia A. Centeno; the architecture of the ancient Near East by Sebastiano Soldi; and Paolo Veronese's Portrait of Alessandro Vittoria by Andrea Bayer, Dorothy Mahon, and Silvia A. Centeno; the Roman Maniera by Furio Rinaldi.

The Metropolitan Museum Journal, issued annually by The Metropolitan Museum of Art, publishes original research on works in the Museum's collection. Volume 50 includes articles on a rare mechanical figure from ancient Egypt; isolated heads in south Italian vase painting; a bronze hellenistic dwarf; identification of the origins of Kizil paintings in the Metropolitan Museum; The Story of the Mercury and Herse tapestries and Gian Battista Lodi da Cremona; collecting sixteenth-century tapestries in twentieth-century America, specifically examining the Blumenthals and Jacques Seligmann; and Vincenzo de' Rossi as an architect, considering a new drawing and a rediscovered project in the Pantheon in Rome.

The Metropolitan Museum Journal is issued annually and publishes original research on works in the museum's collection. Highlights of Volume 51 include a reassessment of a Degas pastel, an examination of painted Maya vessels from the third to tenth centuries, a study of West African photography, and an investigation into the provenance of ancient glass in the Met.

The Metropolitan Museum Journal, issued annually by the Metropolitan Museum of Art, published original research on works in the Museum's collections and the areas of investigation they represent. Volume 48 includes essays on the retribution of the early south Italian "New York Goose Vase," the coat of arms in Fra Filippo Lippi's Portrait of a Woman and a Man at a Casement, drawings of the pantheon in the Metropolitan Museum's Goldschmidt scrapbook, sin and redemption in the Hours of Francois I (1539-40) by the Master of Francois de Rohan, and Houdon's Bather in a Drawing by Pierre Antoine Mongin.