Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In 1925, Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine's first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, she set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled "Onward and Upward in the Garden," a critical review of garden catalogs, in which White extolled the writings of "seedmen and nurserymen," those unsung authors who produced her "favorite reading matter." Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.

A debut historical fantasy that recasts Jane Austen's beloved Pride & Prejudice in an imaginative world of wyverns, dragons, and the warriors who fight alongside them against the monsters that threaten the kingdom: gryphons, direwolves, lamias, banshees, and lindworms. They say a Rider in possession of a good blade must be in want of a monster to slay-and Merybourne Manor has plenty of monsters. Passionate, headstrong Aliza Bentaine knows this all too well; she's already lost one sister to the invading gryphons. So when Lord Merybourne hires a band of Riders to hunt down the horde, Aliza is relieved her home will soon be safe again. Her relief is short-lived. With the arrival of the haughty and handsome dragonrider, Alastair Daired, Aliza expects a battle; what she doesn't expect is a romantic clash of wills, pitting words and wit against the pride of an ancient house. Nor does she anticipate the mystery that follows them from Merybourne Manor, its roots running deep as the foundations of the kingdom itself, where something old and dreadful slumbers ...something far more sinister than gryphons. It's a war Aliza is ill-prepared to wage, on a battlefield she's never known before: one spanning kingdoms, class lines, and the curious nature of her own heart. Elle Katharine White infuses elements of Austen's beloved novel with her own brand of magic, crafting a modern epic fantasy that conjures a familiar yet wondrously unique new world.

Monsters, manners, and magic combine in this exciting final volume in the Heartstone Trilogy-an exhilarating blend of epic fantasy and Jane Austen's Pride and Prejudice-in which a fearless healer and her dragon-riding husband must stop a reawakened evil from destroying their world. "The summons comes for the House of Edan Daired. Debts must be paid." Tristan Wydrick, sworn enemy of House Daired, is back from the dead. Possessed by a ghast and sharing its shadowy unlife, he commands not only the soul-sucked ghastradi, but also the monstrous Tekari forces bent on Arle's destruction. As their enemies begin amassing, desperate Arleans look to their greatest defenders. But Aliza and Alastair Daired, along with their dragon Akarra, are far from home, trapped in the icy northern wastes by Wydrick's treachery. Fighting their way through blizzards, haunted forests, and their own growing fears, the Daireds find a new battle awaiting them in the capital, for the Tekari and ghastradi are not the only forces converging on the heart of the kingdom. Another moves toward Arle, riding the winds from the south: an ambassador from the Silent King of Els. Unknown enemy? Or unexpected ally? Plunged into the dangerous world of royal intrigue and ancient grudges, Aliza and Alastair soon realize it will take more than steel and dragonfire to save their kingdom, for the silence of Els hides a secret that could shake House Daired to its foundations. And silence, it seems, is about to be broken.

"White's 2017 debut, Heartstone, fused epic fantasy with the manners of Jane Austen so perfectly, she basically created a whole new sub-genre. The sequel picks up the charm offensive where the first book left off." - B&N Sci-fi & Fantasy Blog The author of Heartstone once again infuses elements of Jane Austen's beloved novel with her own brand of magic in this addictive fantasy that brings back sparring lovers Aliza and Alastair: fierce warriors who match wits, charm, and swords as they fight an epic war to save their world. The Battle of North Fields is over-or so Aliza Bentaine, now a Daired, fervently wants to believe. But rumors are spreading of an unseen monster ravaging the isolated Castle Selwyn on the northern border of the kingdom. When she and Alastair are summoned from their honeymoon by the mysterious Lord Selwyn, they must travel with their dragon Akarra through the Tekari-infested Old Wilds of Arle to answer his call. And they are not alone on this treacherous journey. Shadowing the dragonriders is an ancient evil, a harbinger of a dark danger of which the Worm was only a foretaste. And soon Aliza realizes the terrible truth: the real war is only beginning.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.