Imagine waking up one day to find your words trapped inside your head, leaving you unable to say what you feel, think, want, or need...
That's exactly what happened to Katherine Preston at the age of seven. Thus began a seventeen-year battle with her stutter, hiding her shame and denying anything was wrong. Finally, exhausted and humiliated, she left her home in London to travel around America meeting hundreds of stutterers- including celebrities, psychologists, writers, and others from all walks of life- as well as speech therapists and researchers. What began as a vague search for a cure became a journey that debunked the misconceptions shrouding the condition, and a love story that transformed her definition of normal.
"Out With It" is an anthology of expertise and experience that sheds light on an ancient problem that today affects 60 million people worldwide. It is a heartwarming memoir and a journalistic feat, a story about understanding yourself an learning to embrace the voice within.

In the dark days of 1940, when Britain stood alone, Churchill’s ‘Few’, the brave fighter pilots who battled over the skies of Southern England, found a haven in the White Hart inn in Brasted, where they could escape the traumas of war for a few hours. The landlords Kath and Teddy Preston were there to share in the hopes and fears, the elation and sorrow of the men who lived their lives on the edge daily. Inn of the Few is a tale of those precarious days, an insight into life at the White Hart and its famous visitors. The book includes fascinating anecdotes and archive photographs and documents of a momentous time in history, in which local lives gained national significance.

A new voice in the nature-nurture debate can be heard at the interface between evolution and development. Phenotypic integration--or, how large numbers of characteristics are related to make up the whole organism, and how these relationships evolve and change their function--is a major growth area in research, attracting the attention of evolutionary biologists, developmental biologists, and geneticists, as well as, more broadly, ecologists, physiologists, and paleontologists. This edited collection presents much of the best and most recent work the topic.

Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.