This collection reflects on the development of disability studies in German-speaking Europe and brings together interdisciplinary perspectives on disability in German, Austrian, and Swiss history and culture. Ableism remains the most socially acceptable form of intolerance, with pejoratives referencing disability - and intellectual disability in particular - remaining largely unquestioned among many. Yet the understanding, depiction, and representation of disability is also clearly in a process of transformation. This volume analyzes that transformation, taking a close look at attitudes toward disability in historical and contemporary German-speaking contexts. The volume begins with an overview of the emergence and growth of disability studies in German-speaking Europe against the background of the field's emergence a decade or so earlier in the US and UK. The differences in timing, methodology, and research concentrations bring into focus how each cultural context has shaped the field of disability studies in its multiple and diverse approaches. Building on recent scholarship that uses a cultural studies approach, the volume's three sections analyze constructs of disability and ability in history, memory, and culture. The essays in the history section examine how the emotions, morality, and power have played into - and still do play into - the individual's experience of disability. Those in the memory section grapple with the origins of the Nazi persecution of people with disabilities, the fight for recognition of this genocide, and the politics of its commemoration. Finally, the culture section offers close readings of disability in literary and filmic texts from the twentieth and twenty-first centuries.

This book reconstructs the intellectual and social context of several influential proponents of European unity before and after the First World War. Through the lives and works of the well-known promoter of Pan-Europe, Richard Coudenhove-Kalergi, and his less well-known predecessor, Alfred Hermann Fried, the book illuminates how transnational peace projects emerged from individuals who found themselves alienated from an increasingly nationalizing political climate within the Austro-Hungarian Monarchy and the new nation states of the interwar period. The book's most important intervention concerns the Jewish origins of crucial plans for European unity. It reveals that some of the most influential ideas on European culture and on the peaceful reorganization of an interconnected Europe emerged from Jewish milieus and as a result of Jewish predicaments.

The Great Interior Design Challenge is the official tie-in to the prime-time BBC 2 series. Twenty-four amateur designers compete for the title, watched over by judges interior stylist Sophie Robinson and architect and interior designer Daniel Hopwood as host Tom Dyckhoff, architecture and interior design critic offers support. The Great Interior Design Challenge is the official tie-in to the prime-time BBC Two series. Twenty-four amateur designers compete for the title, watched over by judges interior stylist Sophie Robinson and architect and interior designer Daniel Hopwood as host Tom Dyckhoff, architecture and interior design critic offers support. The book contains case studies from the series - covering all room types, breakdowns of budget and mood boards as well and expert advice from the judges. The book takes a look at a variety of historical styles across the UK that feature in the series - from Regency to Victorian and Edwardian to Art Deco right up to modern industrial warehouse conversions - with inspiration for decorating within the style of your home. Including a number of upcycle projects from the TV series, technical know-how and insider tips from the judges, this book will help the amateur achieve professional results. Tom Dyckhoff is the presenter and is the architecture and design critic for the BBC's The Culture Show and has written and presented many documentaries for the BBC and Channel 4. Tom has written a weekly column in The Guardian Weekend for more than a decade and was the architecture critic for The Times. Sophie Robinson is one half of the judging panel and has been in the interior design business for over 12 years with a reputation as one of the industry's top interior stylists, regularly employed by top magazines and television. Daniel Hopwood completes the team as the second judge and has created homes for millionaire clients, and is a director at the elite British Institute of Interior Design.