During a career that spanned more than fifty years, two continents, and work in many media, Man Ray (1890-1976) produced a large body of photographic images that continue to command our attention. This volume presents his early work in New York in the 1910s, selections from his sizeable Paris oeuvre in the 20s, 30s, and 50s, and photographs taken during his time in Hollywood in the 40s. Though in later years he expressed a desire to be remembered as a painter, Man Ray continued to work with photography throughout his life, pushing the boundaries of the medium with cameraless images, solarized portraits, and other innovations.
The Getty Museum's collection of three hundred works by Man Ray includes vintage prints from the 1910s through the 1960s. This volume presents more than fifty photographs, with commentary on each image by Katherine Ware, assistant curator of photographs at the J. Paul Getty Museum. The volume also includes an overview of his life and the edited transcript of a symposium on his career.

Archer is a page boy, living during the reign of King Henry the II. Bullied, tormented, mistreated and betrayed, he is without a father and has an unknown future. He battles for an opportunity to prove himself, and waits to be given a chance. Yet he is faced with hatred for a man he has never known. He struggles as he fights to overcome one of the most grueling inner battles of one's heart - hate. He tries to control his hatred as it pushes his strength and confidence to a terrible height, boosting it with the worst and most frightening emotion... rage. In "The Young Knight Engaging the Challenge," Archer learns the true meaning of chivalry, and what it takes to wield it.

Since its invention, photography has been used to document and interpret the landscape. Survey photographers in the 1860s were the first environmental advocates, arguing for the U.S. national park system. During the first half of the 20th century photographers Ansel Adams and Eliot Porter were central figures in influencing American attitudes toward wilderness and conservation. This book traces the development of environmental photography beginning with Adams, Porter and others, and the next generation of landscape photographers -- Robert Adams, Richard Misrach, Robert Glenn Ketchum, Patrick Nagatani, Mark Klett, whose works confronted the issues of landscape and the environment in less idealised terms. Shifting from the historical framework, the book presents new work by twenty-three photographers working in the U.S., the next wave of artists using the camera to engage the environmental issues of the day. Works by Michael Berman, Subhankar Banerjee, Joann Brennan, Dornith Doherty, Greg Mac Gregor, Christina Seely, Sharon Stewart, and others are among the ninety-one black-and-white and colour images presented, many being published for the first time. Ranging from documentary to conceptual, the photographs touch on topics such as land and water use, the human place in the landscape, mounting consumer waste, industrial pollution, roof gardens and the green roof initiative, local food production, energy consumption, and the effects of industry on humans and animals. Katherine Ware's text offers insightful commentary on photography and the ways that environmental issues have been framed and advanced through the medium of photography. This is a powerful commentary on global environmental issues as seen through the lens of the newest wave of environmental photographers. This book is published to coincide with an exhibition to open at the New Mexico Museum of Art, Santa Fe, New Mexico, in April 2011.

Lowriding is a beloved cultural tradition in New Mexico, especially the northern communities and villages including Espanola, also known as the lowrider capital of the world. The classic car fixed up for shows and cruising has become a symbol of Hispano and community pride for the car aficionados, artists, and mechanics whose lives are immersed in the culture. They flaunt their cars in publiclocals and tourists admire classic lines, upholstered interiors, and shiny chrome hubcaps when they pass by. It isnt surprising they captured the eye of other artists who have photographed the beauty and uniqueness of this art form. Thanks to them, we have a wonderful forty-year record of the cars and their makers as well as their homeland. Photographs by New Mexicos most renowned documentarians such as Alex Harris, Jack Parsons, Miguel Gandert, Annie Sahlin, Meridel Rubenstein, Don J. Usner, and Siegfried Halus are included alongside photographers newer on the scene, creating a fascinating compilation of lowriders over time. From the magnificent views of New Mexicos gorgeous landscape through the interior of a lowrider by Alex Harris, to Jack Parsons iconic lowrider images that were published in the classic MNM Press book, Low n slow: Lowriding in New Mexico, to Miguel Gandert and Don Usners cultural take on lowriders and their communities, we are able to look back at an enduring but evolving tradition. In his essay, Don J. Usner provides an insightful overview of lowriding in New Mexico, how it evolved, the culture, and the car makers themselves who are also known as lowriders. In his intimate interviews with lowriders, he records in their own words what lowriding means to them as they mourn lost friends and familyicons in the communityand discuss generational shifts and trends