Since its invention, photography has been used to document and
interpret the landscape. Survey photographers in the 1860s were the
first environmental advocates, arguing for the U.S. national park
system. During the first half of the 20th century photographers
Ansel Adams and Eliot Porter were central figures in influencing
American attitudes toward wilderness and conservation. This book
traces the development of environmental photography beginning with
Adams, Porter and others, and the next generation of landscape
photographers -- Robert Adams, Richard Misrach, Robert Glenn
Ketchum, Patrick Nagatani, Mark Klett, whose works confronted the
issues of landscape and the environment in less idealised terms.
Shifting from the historical framework, the book presents new work
by twenty-three photographers working in the U.S., the next wave of
artists using the camera to engage the environmental issues of the
day. Works by Michael Berman, Subhankar Banerjee, Joann Brennan,
Dornith Doherty, Greg Mac Gregor, Christina Seely, Sharon Stewart,
and others are among the ninety-one black-and-white and colour
images presented, many being published for the first time. Ranging
from documentary to conceptual, the photographs touch on topics
such as land and water use, the human place in the landscape,
mounting consumer waste, industrial pollution, roof gardens and the
green roof initiative, local food production, energy consumption,
and the effects of industry on humans and animals. Katherine Ware's
text offers insightful commentary on photography and the ways that
environmental issues have been framed and advanced through the
medium of photography. This is a powerful commentary on global
environmental issues as seen through the lens of the newest wave of
environmental photographers. This book is published to coincide
with an exhibition to open at the New Mexico Museum of Art, Santa
Fe, New Mexico, in April 2011.
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