This book constitutes the refereed proceedings of the 8th International Conference on Geographic Information Science, GIScience 2014, held in Vienna, Austria in September 2014. The 23 full papers presented were carefully reviewed and selected from various submissions. The papers are organized in topical sections such as information visualization, spatial analysis, user-generated content, semantic models, wayfinding and navigation, spatial algorithms, and spatial relations.

First established in 1993 with a conference in Elba, Italy, COSIT (the International C- ference on Spatial Information Theory) is widely acknowledged as one of the most - portant conferences for the field of spatial information theory. This conference series brings together researchers from a wide range of disciplines for intensive scientific - changes centered on spatial information theory. COSIT submissions typically address research questions drawn from cognitive, perceptual, and environmental psychology, geography, spatial information science, computer science, artificial intelligence, cog- tive science, engineering, cognitive anthropology, linguistics, ontology, architecture, planning, and environmental design. Some of the topical areas include, for example, the cognitive structure of spatial knowledge; events and processes in geographic space; incomplete or imprecise spatial knowledge; languages of spatial relations; navigation by organisms and robots; ontology of space; communication of spatial information; and the social and cultural organization of space to name a few. This volume contains the papers presented at the 9th International Conference on Spatial Information Theory, COSIT 2009, held in Aber Wrac'h, France, September 21-25, 2009. For COSIT 2009, 70 full paper submissions were received. These papers were carefully reviewed by an international Program Committee based on relevance to the conference, intellectual quality, scientific significance, novelty, relation to previously published literature, and clarity of presentation. After reviewing was completed, 30 papers were selected for presentation at the conference and appear in this volume. This number of papers reflects the high quality of submissions to COSIT this year.

Ordinary Affects is a singular argument for attention to the affective dimensions of everyday life and the potential that animates the ordinary. Known for her focus on the poetics and politics of language and landscape, the anthropologist Kathleen Stewart ponders how ordinary impacts create the subject as a capacity to affect and be affected. In a series of brief vignettes combining storytelling, close ethnographic detail, and critical analysis, Stewart relates the intensities and banalities of common experiences and strange encounters, half-spied scenes and the lingering resonance of passing events. While most of the instances rendered are from Stewart's own life, she writes in the third person in order to reflect on how intimate experiences of emotion, the body, other people, and time inextricably link us to the outside world.Stewart refrains from positing an overarching system-whether it's called globalization or neoliberalism or capitalism-to describe the ways that economic, political, and social forces shape individual lives. Instead, she begins with the disparate, fragmented, and seemingly inconsequential experiences of everyday life to bring attention to the ordinary as an integral site of cultural politics. Ordinary affect, she insists, is registered in its particularities, yet it connects people and creates common experiences that shape public feeling. Through this anecdotal history-one that poetically ponders the extremes of the ordinary and portrays the dense network of social and personal connections that constitute a life-Stewart asserts the necessity of attending to the fleeting and changeable aspects of existence in order to recognize the complex personal and social dynamics of the political world.

In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint-each piece is one hundred or multiples of one hundred words long-amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.

In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint-each piece is one hundred or multiples of one hundred words long-amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.

"A Space on the Side of the Road" vividly evokes an "other" America that survives precariously among the ruins of the West Virginia coal camps and "hollers." To Kathleen Stewart, this particular "other" exists as an excluded subtext to the American narrative of capitalism, modernization, materialism, and democracy. In towns like Amigo, Red Jacket, Helen, Odd, Viper, Decoy, and Twilight, men and women "just settin'" track a dense social imaginary through stories of traumas, apparitions, encounters, and eccentricities. Stewart explores how this rhythmic, dramatic, and complicated storytelling imbues everyday life in the hills and forms a cultural poetics. Alternating her own ruminations on language, culture, and politics with continuous accounts of "just talk," Stewart propels us into the intensity of this nervous, surreal "space on the side of the road." It is a space that gives us a glimpse into a breach in American society itself, where graveyards of junked cars and piles of other trashed objects endure along with the memories that haunt those who have been left behind by "progress."

Like James Agee's portrayal of the poverty-stricken tenant farmers of the Depression South in "Let Us Now Praise Famous Men, " this book uses both language and photographs to help readers encounter a fragmented and betrayed community, one "occupied" by schoolteachers, doctors, social workers, and other professionals representing an "official" America. Holding at bay any attempts at definitive, social scientific analysis, Stewart has concocted a new sort of ethnographic writing that conveys the immediacy, density, texture, and materiality of the coal camps. "A Space on the Side of the Road" finally bridges the gap between anthropology and cultural studies and provides us with a brilliant and challenging experiment in thinking and writing about "America."

Join Kathleen Schramm as she describes her mystical journeys. Her experiences weave together an enthralling eclectic mix of spiritual, and religious formulas that are fun and easy to use. These shamanic techniques are valuable to those seeking guidance and practical instruction. The insights shared range from paranormal, cross-dimensional journeying, to attunement to the dimensions of the Ascended Masters.