How cable television upended American political life in the pursuit of profits and influence As television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits and divided and distracted Americans by feeding their appetite for entertainment—frequently at the expense of fostering responsible citizenship. In this timely and provocative book, Kathryn Cramer Brownell argues that cable television itself is not to blame for today’s rampant polarization and scandal politics—the intentional restructuring of television as a political institution is. She describes how cable innovations—from C-SPAN coverage of congressional debates in the 1980s to MTV’s foray into presidential politics in the 1990s—took on network broadcasting using market forces, giving rise to a more decentralized media world. Brownell shows how cable became an unstoppable medium for political communication that prioritized cult followings and loyalty to individual brands, fundamentally reshaped party politics, and, in the process, sowed the seeds of democratic upheaval. 24/7 Politics reveals how cable TV created new possibilities for antiestablishment voices and opened a pathway to political prominence for seemingly unlikely figures like Donald Trump by playing to narrow audiences and cultivating division instead of common ground.

The short story is one of the most vibrant and exciting areas in science fiction today. It is where the hot new authors emerge and where the beloved giants of the field continue to publish. Now, building on the success of the first twelve volumes, Eos will once again present a collection of the best stories of 2007 in mass market. Here, selected and compiled by David G. Hartwell and Kathryn Cramer, two of the most respected editors in the field, are stories with visions of tomorrow and yesterday, of the strange and the familiar, of the unknown and the unknowable. With stories from an all-star team of science fiction authors, "The Year's Best Sf 13" is an indispensable guide for every science fiction fan.

Something exciting has been happening in modern SF. After decades of confusion, many of the field's best writers have been returning to the subgenre called, roughly, "hard SF"-science fiction focused on science and technology, often with strong adventure plots. Now, World Fantasy Award-winning editors David G. Hartwell and Kathryn Cramer present an immense, authoritative anthology that maps the development and modern-day resurgence of this form, argues for its special virtues and present preeminence-and entertains us with some spectacular storytelling along the way.

Included are major stories by contemporary and classic names such as Poul Anderson, Stephen Baxter, Gregory Benford, Ben Bova, David Brin, Arthur C. Clarke, Hal Clement, Greg Egan, Joe Haldeman, Nancy Kress, Paul McAuley, Frederik Pohl, Alastair Reynolds, Kim Stanley Robinson, Robert J. Sawyer, Karl Schroeder, Charles Sheffield, Brian Stableford, Allen Steele, Bruce Sterling, Michael Swanwick, and Vernor Vinge.

The Hard SF Renaissance will be an anthology that SF readers return to for years to come.

Who knows what awaits us tomorrow?

Much of the most innovative and exhilarating work performed in the boundary-less arena of SF is being done in the short form. This year's magnificent harvest--gathered, as always, by acclaimed award-winning editors and anthologists David G. Hartwell and Kathryn Cramer--offers glimpses of worlds and tomorrows that would have been inconceivable just a few years ago. Brilliant, bold, unusual, and soaring flights into the hitherto unforeseen yet increasingly possible future, Year's Best SF 15 offers truly breathtaking stories by some of speculative fiction's brightest lights, including:

Stephen Baxter - Nancy Kress - Alastair Reynolds - Geoff Ryman - Bruce Sterling - Peter Watts - Robert Charles Wilson - Gene Wolfe - and others

Conventional wisdom holds that John F. Kennedy was the first celebrity president, in no small part because of his innate television savvy. But, as Kathryn Brownell shows, Kennedy capitalized on a tradition and style rooted in California politics and the Hollywood studio system. Since the 1920s, politicians and professional showmen have developed relationships and built organizations, institutionalizing Hollywood styles, structures, and personalities in the American political process. Brownell explores how similarities developed between the operation of a studio, planning a successful electoral campaign, and ultimately running an administration. Using their business and public relations know-how, figures such as Louis B. Mayer, Bette Davis, Jack Warner, Harry Belafonte, Ronald Reagan, and members of the Rat Pack made Hollywood connections an asset in a political world being quickly transformed by the media. Brownell takes readers behind the camera to explore the negotiations and relationships that developed between key Hollywood insiders and presidential candidates from Dwight Eisenhower to Bill Clinton, analyzing how entertainment replaced party spectacle as a strategy to raise money, win votes, and secure success for all those involved. She demonstrates how Hollywood contributed to the rise of mass-mediated politics, making the twentieth century not just the age of the political consultant, but also the age of showbiz politics.

The short story is one of the most vibrant and exciting areas in science fiction today. It is where the hot new authors emerge and where the beloved giants of the field continue to publish. Now, building on the success of the first thirteen volumes, Eos will once again present a collection of the best stories of 2008 in mass market. Here, selected and compiled by David G. Hartwell and Kathryn Cramer, two of the most respected editors in the field, are stories with visions of tomorrow and yesterday, of the strange and the familiar, of the unknown and the unknowable. With stories from an all-star team of science fiction authors, "The Year's Best Sf 14" is an indispensable guide for every science fiction fan.

Science fiction is a field of literature that has great interest and great controversy among its writers and critics. This book examines the roots, history, development, current status, and future directions of the field through articles contributed by well-respected science fiction writers, teachers, and critics. The articles 'speculate' on what is science fiction, is science fiction serious literature, which writers are considered good science fiction writers, and where the genre of science fiction is headed with 21st-century writers. Contributors include Brian W. Aldiss, Kathryn Cramer, Samuel R. Delany, David G. Hartwell, Ursula K. Le Guin, Barry N. Malzberg, Darko Suvin, Michael Swanwick, and many other outstanding authors. Examining all genres and subgenres of science fiction writing, this book provides differing viewpoints on science fiction, making it a great basis for dynamic classroom discussions.