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Emma Goldman has often been read for her colorful life story, her
lively if troubled sex life, and her wide-ranging political
activism. Few have taken her seriously as a political thinker, even
though in her lifetime she was a vigorous public intellectual
within a global network of progressive politics. Engaging Goldman
as a political thinker allows us to rethink the common dualism
between theory and practice, scrutinize stereotypes of anarchism by
placing Goldman within a fuller historical context, recognize the
remarkable contributions of anarchism in creating public life, and
open up contemporary politics to the possibilities of
transformative feminism.
While the stock image of the anarchist as a masked bomber or brick
thrower prevails in the public eye, a more representative figure
should be a printer at a printing press. In Letterpress Revolution,
Kathy E. Ferguson explores the importance of printers, whose
materials galvanized anarchist movements across the United States
and Great Britain from the late nineteenth century to the 1940s.
Ferguson shows how printers-whether working at presses in homes,
offices, or community centers-arranged text, ink, images, graphic
markers, and blank space within the architecture of the page.
Printers' extensive correspondence with fellow anarchists and the
radical ideas they published created dynamic and entangled networks
that brought the decentralized anarchist movements together.
Printers and presses did more than report on the movement; they
were constitutive of it, and their vitality in anarchist
communities helps explain anarchism's remarkable persistence in the
face of continuous harassment, arrest, assault, deportation, and
exile. By inquiring into the political, material, and aesthetic
practices of anarchist print culture, Ferguson points to possible
methods for cultivating contemporary political resistance.
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Rethinking Globalism (Paperback, New)
Manfred B. Steger; Contributions by Ibrahim G. Aoude, Mohammed A. Bamyeh, Terrell Carver, Arif Dirlik, …
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R1,287
Discovery Miles 12 870
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Ships in 10 - 15 working days
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What is the hottest American export since 9/11? The contributors to
this provocative volume contend that it is Western style
globalism-the dominant free market ideology that determines
everything from most-favored-nation status to the declaration of
war. In this much-needed post-September 11 analysis, an
interdisciplinary team of authors shows how central concepts like
globalization, liberty, free markets, and free trade are
increasingly being subordinated to and lumped together with the war
on terrorism led by the U.S. and its allies. The authors
here-hailing from all five continents-contend that globalism is
being adapted to particular social and political contexts in
various parts of the world. Nonetheless, the impact of
globalization with an ideological twist can be devastating as
military operations and propaganda supplant transnational trade
initiatives as the focal point of global exchange. And ironically,
the post-9/11 framework contains a major ideological contradiction:
Social forces otherwise profiting from expanded global mobility and
interchange must come to grips with necessary limitations on
certain aspects of globalization. This volume was handcrafted to
outline the major lines of inquiry proposed for the new
Globalization series, edited by Manfred B. Steger and Terrell
Carver. Writing in accessible, engaging prose, the contributors to
this anchor volume consider themselves critical globalization
theorists who seek to provide readers with a better understanding
of how dominant beliefs about globalization fashion their realities
and how these ideas can be changed to bring about more equitable
social arrangements. Books in the series will share the same
perspective and goals.
While the stock image of the anarchist as a masked bomber or brick
thrower prevails in the public eye, a more representative figure
should be a printer at a printing press. In Letterpress Revolution,
Kathy E. Ferguson explores the importance of printers, whose
materials galvanized anarchist movements across the United States
and Great Britain from the late nineteenth century to the 1940s.
Ferguson shows how printers-whether working at presses in homes,
offices, or community centers-arranged text, ink, images, graphic
markers, and blank space within the architecture of the page.
Printers' extensive correspondence with fellow anarchists and the
radical ideas they published created dynamic and entangled networks
that brought the decentralized anarchist movements together.
Printers and presses did more than report on the movement; they
were constitutive of it, and their vitality in anarchist
communities helps explain anarchism's remarkable persistence in the
face of continuous harassment, arrest, assault, deportation, and
exile. By inquiring into the political, material, and aesthetic
practices of anarchist print culture, Ferguson points to possible
methods for cultivating contemporary political resistance.
Turning on its head that familiar "woman question," this innovative
work poses masculinity as a problem that requires explanation.
Ferguson rebukes the sense of coherence contained in patriarchal
theory in the name of a voice that both calls upon and challenges
the category "woman." Stepping back from the opposition of male and
female, she artfully loosens the hold of gender on life and
meaning, creating and at the same time deconstructing a women's
point of view. Posing the "man question" provides a way not only to
view male power and female subordination but also to valorize and
problematize women's experiences, thus destabilizing conventional
notions of "man" and "woman."
Emma Goldman has often been read for her colorful life story, her
lively if troubled sex life, and her wide-ranging political
activism. Few have taken her seriously as a political thinker, even
though in her lifetime she was a vigorous public intellectual
within a global network of progressive politics. Engaging Goldman
as a political thinker allows us to rethink the common dualism
between theory and practice, scrutinize stereotypes of anarchism by
placing Goldman within a fuller historical context, recognize the
remarkable contributions of anarchism in creating public life, and
open up contemporary politics to the possibilities of
transformative feminism.
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