Jane Eyre:
Jane Eyre is a mistreated orphan who learns to survive by relying on her independence and intelligence. Her first job in the outside world is governess to the ward of Mr. Rochester, a man of many secrets and mercurial moods. The tentative trust between them slowly develops into romance, but their hopes for happiness will soon be jeopardized by a terrible secret.

The Tenant Of Wildfell Hall:
When Helen Graham becomes the new tenant of the dark, decaying Wildfell Halt, her independent spirit and radical views set her apart from the staid rural community around her. Gilbert Markham, a young farmer, finds himself powerfully drawn to her and a series of dramatic events brings them closer together. But the enigmatic Mrs Graham's unconventional life and behaviour disguise a hidden past with many secrets, secrets the world of Victorian England would rather bury forever...

Wuthering Heights:
When Mr. Earnshaw encounters Heathcliff, a ragamuffin orphan, he kindly brings the boy into his home and makes him part of the family. And from the start, Heathcliff falls hopelessly in love with the daughter of the house, the beautiful, headstrong Catherine. She adores him, too, but when a wealthy neighbour woos her, Catherine's material instincts get the better of her, and she agrees to marry the man. However, Catherine discovers that she cannot forget Heathcliff so easily... and that not even death can make them part...

Ken Hutchison stars as the brooding and tormented lover Heathcliff in this BBC television adaptation of Emily Bronte's classic novel. Adopted as a boy by the kindly Mr Earnshaw (John Collin), Heathcliff comes to live with the family at their home, Wuthering Heights, in the Yorkshire moors. He soon falls in love with Earnshaw's headstrong daughter Cathy (Kay Adshead), a doomed relationship that plunges them both into despair when Cathy agrees to marry her rich neighbour Edgar Linton (David Robb). Tortured by his love, the dark and sinister Heathcliff refuses to relinquish his emotional hold on Cathy, and does everything in his power to destroy the lives of her and her family.

In 2011, all over the Arab World, veiled women took to the streets to protest. Their calls for change were briefly celebrated, soon derided, and eventually ignored. For the first time on stage, The Singing Stones gives voice to their extraordinary stories. These are the women who snitched on Gaddafi, marched on Tahrir Square, defended the bloody borders of Kurdistan, and became the heroines of our century's greatest struggle. But who are they? What led them to revolution? And where do they go from here? The Singing Stones is a fearless exploration of women and the Arab Spring.

The Jellyfish Theatre is a new theatre venue being built over the summer made entirely from recycled and reclaimed materials. Playwrights Kay Adshead and Simon Wu are writing environmentally-themed plays specially for the theatre. Simon Wu is an exciting new voice on the London stage. Born in Hong Kong, where he is already an established playwright, Simon has been living and writing in London for the past six years and last year he received an award from the Peggy Ramsey Foundation to support his writing. His climate change play, OIKOS, was commissioned by The Red Room and will be performed from 26 August 2010. Kay Adshead's play, PROTOZOA runs from 23 September - 9 October.

For the short piece that I wrote for the Red Room, I read hundreds of stories of refugees seeking asylum in this country; the Refugee Council provided me with some of the source material. All of these were sad, but some were sickening, so horrifying as to be almost unbearable. Inspired by these terrible stories, I created my story of "The Bogus Woman."--Kay Adshead

Six Ensemble Plays for Young Actors is an anthology of work written for actors aged 11-25. Ideal for youth theatre groups, schools and amateur dramatic companies, it contains a diverse selection of plays suited to large casts and ensemble performance. Varying in style and subject matter, the plays offer performers, directors and designers a range of exciting challenges: from recreating the mythological world of The Odyssey to a dramatisation of two hundred years of slavery that will take the audience on a journey from eighteenth century Africa to 1990s London in Sweetpeter. Contemporary urban living is confronted in plays ranging from the starkly realistic to the playful, lyrical and surrealistic. From the innocent and imaginative world of a school playground to issues of racism, peer pressure, crime and communication in a mobile phone obsessed culture, this is a wide-ranging anthology that will enrich the repertoire of youth theatre groups and the curriculum in schools. The volume is introduced by Paul Roseby, artistic director of the National Youth Theatre.

'White people in their big shiny cars drive many kilometres with their sickness which I heal; sickness of the mind, body and of the soul. I charge a bit more for the soul'. At night, a young black boy is 'questioned' by a white South African policeman...36 years later, when the truth is dug up, a tortured Jennifer watches over her dying husband. But does her maid Beauty have the power to 'save' him, and is the price of remembering a dreadful secret one that Jennifer is prepared to pay? "Bones" is a ruthless excavation of South Africa in 2005, and in an age of threats, retribution and bloody revenge, it is an anthem for hope. It is a production directed by Adshead opens at the Bush Theatre in October 2006.

Moving from the biggest democracy on the planet to the newest, Bites takes us back to Afghanistan via Texas. In the last diner at the end of a world ravaged by war, a menu of love, death and revenge is served by the 'hired help'. Seven courses make for a poetic feast of universal tales looking back to the forgotten war and forward to a nightmarish future.Produced at the Bush Theatre, London in January 2005 (Mama Quillo in association with The Bush)

From the author of The Bogus Woman