Explore the real meaning of Advent and Christmas with your kids as they hear, learn, engage, and play with My Advent Nativity Press-Out-and-Play Book. This Advent activity for families presents people, animals, and stable features that actually press out of the book and is built into a three-dimensional scene. Counting down to Christmas with Advent calendars has become a popular tradition among families. In this board book, parents and children can read the short, easy-to-understand story of the first Christmas and learn how, just like Mary and Joseph were waiting for Jesus to come, we too can prepare our hearts in anticipation and celebration of the nativity of Jesus. This interactive, pop-out board book will help parents teach young children about Advent and the nativity engage kids with interactive elements of play improve young children's fine motor skills, hand-eye coordination, and visual thinking share the true meaning of Christmas, helping kids look forward to the best gift of all--Jesus With a classic and kid-friendly art style, My Advent Nativity Press-Out-and-Play Book features a 25-piece nativity scene that will be loved (and played with!) for years to come has a fully illustrated scene under each pop-and-play character so the book and story remain even after the characters and features are removed is a perfect gift for ages 3-7 during the Advent and Christmas season equips homeschool families and churches with a fun resource to fuel a deeper discussion and study of Advent This Christmas, help tiny hearts discover God's love for us through the celebration of Jesus' birth.

Steven Nesbit directs this thriller starring Steven Berkoff and Bernard Hill. When two young lovers realise that they belong to rival gangs, they quickly discover that their love must be hidden from their gang leaders Vic Clarke and John Claridge (Berkoff and Hill) for fear of causing an inter-gang war. The cast also includes Mason Adams, Freema Agyeman and Judith Alexander.

This volume brings together a collection of new essays by leading scholars on the subject of causation in the early modern period, from Descartes to Lady Mary Shepherd. Aimed at researchers, graduate students and advanced undergraduates, the volume advances the understanding of early modern discussions of causation, and situates these discussions in the wider context of early modern philosophy and science. Specifically, the volume contains essays on key early modern thinkers, such as Descartes, Hobbes, Spinoza, Leibniz, Hume, Kant. It also contains essays that examine the important contributions to the causation debate of less widely discussed figures, including Louis la Forge, Thomas Brown and Lady Mary Shepherd.

This volume brings together a collection of new essays by leading scholars on the subject of causation in the early modern period, from Descartes to Lady Mary Shepherd. Aimed at researchers, graduate students and advanced undergraduates, the volume advances the understanding of early modern discussions of causation, and situates these discussions in the wider context of early modern philosophy and science. Specifically, the volume contains essays on key early modern thinkers, such as Descartes, Hobbes, Spinoza, Leibniz, Hume, Kant. It also contains essays that examine the important contributions to the causation debate of less widely discussed figures, including Louis la Forge, Thomas Brown and Lady Mary Shepard.

A Naive Realist Theory of Colour defends the view that colours are mind-independent properties of things in the environment, that are distinct from properties identified by the physical sciences. This view stands in contrast to the long-standing and wide-spread view amongst philosophers and scientists that colours don't really exist - or at any rate, that if they do exist, then they are radically different from the way that they appear. It is argued that a naive realist theory of colour best explains how colours appear to perceiving subjects, and that this view is not undermined either by reflecting on variations in colour perception between perceivers and across perceptual conditions, or by our modern scientific understanding of the world. A Naive Realist Theory of Colour also illustrates how our understanding of what colours are has far-reaching implications for wider questions about the nature of perceptual experience, the relationship between mind and world, the problem of consciousness, the apparent tension between common sense and scientific representations of the world, and even the very nature and possibility of philosophical inquiry.

I made it a point; that I was going to be at the "Opening Statements" for the trial and I was; along with most of everyone's family members. The Fed's Opening Statement was long and what I remember most about their statement is they said; "There's a big difference in these two men; Mr. Lewis and Mr. Mitchell. Mr. Lewis; although he owns a home in the Oakland hills and probably millions of dollars worth of other real estate property and drives a Rolls Royce; you'll often see Mr. Lewis wearing Levi's. Mr. Lewis; he isn't flamboyant as Mr. Mitchell is; Mr. Mitchell is flashy and always wants to be seen." I thought to myself; "damn; these people sure do be paying attention to things when they have you under surveillance." Their Opening Statement was long and boring to me but; the jurors all seemed to be taking and making notes to what was being said.

Documentary presented by Keith Allen about James Harries, the precocious and eccentric child prodigy who was a fixture on television chat shows in the 1980s, discussing his wide-ranging knowledge of antiques and his desire to become Prime Minister. After tracking down the Harries family in the present-day, on a run-down Cardiff housing estate, Allen discovers the bizarre reality behind their facade of intellectual superiority. All of the family possess fake PhDs in Metaphysics, while the family itself comprises of a convicted arsonist, a former Bunny girl, and a part-time private detective. James himself has had a sex-change to become Lauren, and most disturbingly, the Harries still believe their own mythology, that they are morally and intellectually superior to the rest of society.

Drama directed by Bill Douglas telling the story of the 'Tolpuddle Martyrs'. Having been arrested in England for campaigning for fairer wages and forming one of the first trade unions, a group of six farm workers from Dorset are sentenced to be transported to Australia in 1834 for seven years. Cameo appearances include Vanessa Redgrave, James Fox, Michael Hordern, Murray Melvin and Freddie Jones.

Introducing Heartless - an action-packed, fast-paced thriller with twists and turns that leave you begging for more.
Ex-Detective turned ghost hunter, Richard Rogan is drawn back into the world of crime and murder when he stumbles across the body of a dead prostitute during a paranormal investigation. The girl's heart has been ripped out and a cryptic message on the wall spells out more murders to come. Hired by the victim's sister, Rogan sets off to find out who is killing working girls and why.
Time is running out.
Lives are on the line.
Rogan is on the case.
Pick up your copy of this page-turner today

Double bill of TV dramas adapted from the novels of crime writer Martina Cole. 'The Take' (2009) stars Tom Hardy as Freddie Jackson, an armed robber who is released from prison in 1984 having served a four-year sentence for his crimes. His wife Jackie (Kierston Wareing), who has been waiting for him on the outside in the mistaken belief that that he wants to go straight, soon finds herself disappointed. Freddie is in fact raring to get back into the game and has set his sights on becoming top dog in the East End underworld. Meanwhile his younger cousin Jimmy (Shaun Evans) is hot on his heels, and dreams of riding Freddie's coat-tails to rise through the ranks of the crime empire. 'The Runaway' (2010) follows the story of Cathy Connor (Joanna Vanderham) and Eamonn Docherty (Jack O'Connell), who form a strong bond growing up together in the East End of London but are later pulled apart due to difficult circumstances. Cathy is determined not to end up like her prostitute mother, Madge (Kierston Wareing), but when she is abused whilst in care, she is forced to run away and ends up living on the streets, where she meets transvestite Desrae (Alan Cumming). During this time, Eamonn is becoming more and more involved in criminal activity. When this leads to murder, Eammon journeys to New York where he quickly becomes a notorious villain.