In the light of globalization's failure provide the universal panacea expected by some of its more enthusiastic proponents, and the current status of neo-liberalism in Europe, a search has begun for alternative visions of the future; alternatives to the free market and to rampant capitalism. Indeed, although these alternatives may not be conceived of in terms of being a 'perfect order', there does appear to be a trend towards 'utopian thinking', as people - including scholars and intellectuals - search for inspiration and visions of better futures. If, as this search continues, it transpires that politics has little to offer, then what might social theory have to contribute to the imagination of these futures? Does social theory matter at all? What resources can it offer this project of rethinking the future? Without being tied to any single political platform, Utopia: Social Theory and the Future explores some of these questions, offering a timely and sustained attempt to make social theory relevant through explorations of its resources and possibilities for utopian imaginations. It is often claimed that utopian thought has no legitimate place whatsoever in sociological thinking, yet utopianism has remained part and parcel of social theory for centuries. As such, in addition to considering the role of social theory in the imagination of alternative futures, this volume reflects on how social theory may assist us in understanding and appreciating utopia or utopianism as a special topic of interest, a special subject matter, a special analytical focus or a special normative dimension of sociological thinking. Bringing together the latest work from a leading team of social theorists, this volume will be of interest to sociologists, social and political theorists, anthropologists and philosophers.

Animals and Society uses a variety of historical sources and a coherent social theory to tell the story of the invention of animal rights. It moves from incidents like the medieval execution of pigs to a discussion of the politics and strategies of modern rights organisations. The book also presents radical interpretations of nineteenth-century animal welfare laws, and the accounts of the Noble Savage. The insights generated by social science are always at the core of the discussion and the author daws on the work of Michel Foucault, Norbert Elias, Claude Levi-Strauss and Mary Douglas. This wide-ranging and accessible book provides a fascinating account of the relations between humans and animals. It raises far-reaching questions about the philosophy, history and politics of animal rights.

This major study discusses some of the meanings and preconditions of freedom, responsibility and social order. The author argues that these are problems of modernity. The imagination of civil society created a milieu which was at once the location and defence of social self-sufficiency in the world. The book identifies the origins of civil society in the work of Locke, Hobbes, Rousseau and the often forgotten philosophers of the Scottish Enlightnement. It shows how the assumptions of civil society, and the state of nature, fed into the sociological and philosophical discourses which emerged in the nineteenth century. The book does not ask 'What is civil society?'; instead it asks 'Why is civil society?' The author concludes that through civil society, the protagonists and heirs of European modernity struggled to make their world meaningful and safe. Civil society involved the establishment of boundaries between the community of the social and the terrifying milieu of Nature.

This book is invariably stimulating, containing many interesting and provocative ideas on issues central both to social theory and to making sense of the world(s) in which we live. It develops a series of original images or metaphors - gardens v. allotments, double strangers and so on - as aids to understanding social processes. Lively, bold and assured it will interest students of social theory, political science and philosophy.

This major study discusses some of the meanings and preconditions of freedom, responsibility and social order. The author argues that these are problems of modernity. The imagination of civil society created a milieu which was at once the location and defence of social self-sufficiency in the world. The book identifies the origins of civil society in the work of Locke, Hobbes, Rousseau and the often forgotten philosophers of the Scottish Enlightnement. It shows how the assumptions of civil society, and the state of nature, fed into the sociological and philosophical discourses which emerged in the nineteenth century. The book does not ask 'What is civil society?'; instead it asks 'Why is civil society?' The author concludes that through civil society, the protagonists and heirs of European modernity struggled to make their world meaningful and safe. Civil society involved the establishment of boundaries between the community of the social and the terrifying milieu of Nature.

In the light of globalization's failure provide the universal panacea expected by some of its more enthusiastic proponents, and the current status of neo-liberalism in Europe, a search has begun for alternative visions of the future; alternatives to the free market and to rampant capitalism. Indeed, although these alternatives may not be conceived of in terms of being a 'perfect order', there does appear to be a trend towards 'utopian thinking', as people - including scholars and intellectuals - search for inspiration and visions of better futures. If, as this search continues, it transpires that politics has little to offer, then what might social theory have to contribute to the imagination of these futures? Does social theory matter at all? What resources can it offer this project of rethinking the future? Without being tied to any single political platform, Utopia: Social Theory and the Future explores some of these questions, offering a timely and sustained attempt to make social theory relevant through explorations of its resources and possibilities for utopian imaginations. It is often claimed that utopian thought has no legitimate place whatsoever in sociological thinking, yet utopianism has remained part and parcel of social theory for centuries. As such, in addition to considering the role of social theory in the imagination of alternative futures, this volume reflects on how social theory may assist us in understanding and appreciating utopia or utopianism as a special topic of interest, a special subject matter, a special analytical focus or a special normative dimension of sociological thinking. Bringing together the latest work from a leading team of social theorists, this volume will be of interest to sociologists, social and political theorists, anthropologists and philosophers.

In "The Inhuman Condition" Keith Tester explores whether we are capable of coming to terms with the world we have made, then argues that we are not. We are so confused by the wonders and the sights and sounds around us that we all try to build safe little homes in which we can, for a while, be consoled by love which is doomed to fail as soon as it is thought about, and by commodities which leave us unsatisfied.
This book is a major interpretation of contemporary cultural and social relationships. It is also a major exercise in sociology which encompasses thinkers like Heidegger, Arendt, Benjamin and Simmel. The author opens with Heidegger worrying about photographs of the earth and argues that, contrary to sociological orthodoxy, the world is now more experienced in the finding than the making. Tester then explores aspects of that finding: from the beautiful promises of commodities to the noises and sights of cities, from the search for love to the throbbinggristle painted by Francis Bacon. We can only come to terms with our experiences and our existences if we embrace the inhuman idiot wisdom of kitsch; and perhaps there is no escape from the embrace of stupidity.

Major and terrible events are happening throughout the world. They are reported daily by the media, and yet most people seem to remain unmoved and uncaring. Are the media themselves responsible for this lack of care? Meanwhile, owing to the emergence and popularity of cultural studies, the media are being studied as never before. But why is that study frequently trivial and lacking in moral seriousness? Is the discipline of cultural studies part of the problem rather than the solution? This study poses these questions and encourages reflection on such topics as advertisements for coffee, which can give rise to more comment than do famines. This book argues that the study of the media can only be culturally valuable and morally worthwhile if it remembers the lessons taught by sociology.

"Postmodernity" is often claimed as a great transformation in society and culture. But is it? In this book, Keith Tester casts a cautious eye on such grandiose claims. Tester draws on a series of themes and stories from European sociology and literature to show that many of the great statements from "postmodernity" are misplaced. "Postmodernity" is not the harbinger or expression of a new world. It is a reflection of the unresolved paradoxes and possibilities of modernity. The author establishes a clearly expressed and stimulating model of modernity to demonstrate the stakes and consequences of "postmodernity". This book uses a wealth of sources which are usually denigrated or ignored in the debates on "postmodernity". As such, it sheds new light on old claims. But it never fails to acknowledge the profound insights of sociologists and other authors. "The Life and Times of Post-Modernity" is a continuation of the themes which Tester raised in his earlier books with Routledge, "The Two Sovereigns" and "Civil Society".

This book examines modernity through the prism of the two sovereigns - of the individual and collectivity. The book attempts to provide a stimulating meditation on the difficult and contradictory experiences of European modernity. It uses the collapse of communism in Eastern and central Europe to explore why the institutions and narratives of modernity found it so difficult to deal with problems like the meaning of freedom, the role and status of intellectuals and the legacy of the past. The author argues that the central question of modernity is how the world can be made a better place and that this question remains relevant and that it has never been definitively answered. This book should be of interest to undergraduates and postgraduates in the fields of sociology, political science and philosophy.

Timely and original, this collection of essays from the leading figures in their fields throws new and valuable light on the significance and future of flanerie. The flaneur is usually identified as the 'man of the crowd' of Edgar Allen Poe and Charles Baudelaire, and as one of the heroes of Walter Benjamin's Arcades Project. The flaneur's activities of strolling and loitering are mentioned increasingly frequently in sociology, cultural studies and art history, but rarely is the debate developed further. The Flaneur is the first book to develop the debate beyond Baudelaire and Benjamin, and to push it in unexpected and exciting directions.

Impending environmental catastrophe, threat of terrorism, viruses both biological and virtual, disease: there seem to be so many reasons to panic today. But what is panic and why does it happen? This book uses a range of literature from sociology, cultural studies and popular psychology to develop an original analysis of panic in contemporary social life. Bringing together academic literature from a range of disciplines, films, novels and current affairs, it encourages thought about why and how we panic - both individually and collectively. Keith Tester explores how cataclysmic events and smaller-scale episodes expose the fragility of our relationships, institutions and expectations. He shows how thinking about panic reveals key aspects of contemporary social, cultural and personal relationships. Panic is a highly readable and incisive introduction to the subject for students, scholars and all those who want to know what panic means and why it is important.

Timely and original, this collection of essays from the leading figures in their fields throws new and valuable light on the significance and future of flanerie. The flaneur is usually identified as the 'man of the crowd' of Edgar Allen Poe and Charles Baudelaire, and as one of the heroes of Walter Benjamin's Arcades Project. The flaneur's activities of strolling and loitering are mentioned increasingly frequently in sociology, cultural studies and art history, but rarely is the debate developed further. The Flaneur is the first book to develop the debate beyond Baudelaire and Benjamin, and to push it in unexpected and exciting directions.

Impending environmental catastrophe, threat of terrorism, viruses both biological and virtual, disease: there seem to be so many reasons to panic today. But what is panic and why does it happen? This book uses a range of literature from sociology, cultural studies and popular psychology to develop an original analysis of panic in contemporary social life. Bringing together academic literature from a range of disciplines, films, novels and current affairs, it encourages thought about why and how we panic - both individually and collectively. Keith Tester explores how cataclysmic events and smaller-scale episodes expose the fragility of our relationships, institutions and expectations. He shows how thinking about panic reveals key aspects of contemporary social, cultural and personal relationships. Panic is a highly readable and incisive introduction to the subject for students, scholars and all those who want to know what panic means and why it is important.

Animals and Society uses a variety of historical sources and a coherent social theory to tell the story of the invention of animal rights. It moves from incidents like the medieval execution of pigs to a discussion of the politics and strategies of modern rights organisations. The book also presents radical interpretations of nineteenth-century animal welfare laws, and the accounts of the Noble Savage. The insights generated by social science are always at the core of the discussion and the author daws on the work of Michel Foucault, Norbert Elias, Claude Levi-Strauss and Mary Douglas. This wide-ranging and accessible book provides a fascinating account of the relations between humans and animals. It raises far-reaching questions about the philosophy, history and politics of animal rights.

Humanitarianism and Modern Culture is a timely and fascinating book which cuts across reportage of pop literary references to illuminate our understanding of the role of popular culture in shaping humanitarian discourse. --Ruti Teitel, Ernst C. Stiefel Professor of Comparative Law, New York Law School. ""In all the frenzy of celebrity humanitarianism, where famous idols call attention to the world's suffering--and to themselves--Keith Tester's trenchant book provides the critical eye necessary to understand how Western culture exploits humanitarian crisis. In the field of human rights today, there is a disturbing trend toward making human rights another cause celebre, packaged for the consumption of the world's fortunate consumers. How has the commercialization and consumerization of human rights affected the course of global emancipation from suffering? Tester's book provides some unsettling but crucial answers."" --Thomas Cushman, Wellesley College. It seems paradoxical that in the West the predominant mode of expressing concern about suffering in the Third World comes through participation in various forms of popular culture--such as buying tickets to a rock concert like Live Aid in 1985--rather than through political action based on expert knowledge. Keith Tester's aim in this book is to explore the phenomenon of what he calls ""commonsense humanitarianism,"" the reasons for its hegemony as the principal way for people in the West to relate to distant suffering, and its ramifications for our moral and social lives. As a remnant of the West's past imperial legacy, this phenomenon is most clearly manifested in humanitarian activities directed at Africa, and that continent is the geographical focus of this critical sociology of humanitarianism, which places the role of media at the center of its analysis.

It seems paradoxical that in the West the predominant mode of expressing concern about suffering in the Third World comes through participation in various forms of popular culture--such as buying tickets to a rock concert like Live Aid in 1985--rather than through political action based on expert knowledge. Keith Tester's aim in this book is to explore the phenomenon of what he calls "commonsense humanitarianism," the reasons for its hegemony as the principal way for people in the West to relate to distant suffering, and its ramifications for our moral and social lives. As a remnant of the West's past imperial legacy, this phenomenon is most clearly manifested in humanitarian activities directed at Africa, and that continent is the geographical focus of this critical sociology of humanitarianism, which places the role of the media at the center of its analysis.

Increasingly in the West, horror is experienced only through television and cinema screens. Tester looks at the moral possibilities and implications of this, and also addresses the pressing concern of whether or not this is a time of moral decay. He uses a wide range of literature to explore these questions and develops his account around debates raised by Arendt, Simmel, Riesman and Bauman.