“Perfect for fans of Downton Abbey and Maisie Dobbs.” BookTrib**'A fun, mix of whodunnit and thriller!' T. A. Williams 'Fast-paced, tongue-in-cheek spy romp. Enjoy the ride!' Frances Evesham** Cairo. December 1917. Following a tip-off from notorious spy Fredrick Fredricks, Fiona Figg and Kitty Lane of British Intelligence find themselves in the hustle and bustle of Egypt. But ancient mummies aren’t the only bodies buried in the tombs of Cairo. When a young French archeologist is found dead in a tomb in the desert with his head bashed in, and an undercover British agent goes missing, the threat moves closer to home. As they dig deeper, soon Fiona and Kitty uncover a treasure trove of suspects, including competing excavators, jealous husbands, secret lovers, and belligerent spies! Fiona wonders if the notorious Fredrick Fredricks could be behind the murders? Or is the plot even more sinister? One thing is clear – If Fiona and Kitty can’t catch the killer, they might end up sharing a sarcophagus with Nefertiti. **With humor as dry as the Arabian desert, and pacing as fast as a spitting camel, Fiona and Kitty are back in another sparkling adventure, this time in WW1 Egypt. What readers are saying about Kelly Oliver:** "Loved the story and laughed my sox off!" Reader review "Will keep you turning the pages and laughing all the way!" Dianne Freeman 'The perfect wartime spy; Fiona Figg is smart, sneaky, and full of surprises… A fun whodunit that will keep you turning the pages!” Cathi Stoler, author of The Murder On The Rocks Mysteries. “A cross between an Agatha Christie and a Sherlock Holmes sleuthing story. Just brilliant!” NetGalley Reviewer "Covert in Cairo is simply delightful. Kelly Oliver’s immersive prose brings World War I era Egypt to life. Fiona Figg — with her tools, wigs, and disguises — is a sleuth you can’t help but root for." S.K. Golden, author of the Pinnacle Hotel Mystery series. "This historical mystery delivers twists and turns. I can't wait for the next one!" Muddy Rose Reviews "I love Fiona Figg!" Margaret Mizushima “Couldn't put it down.” Amazon Reviewer "A perfect blend of wit, fun, and intrigue." Debra Goldstein “I am hooked on these amazing characters.” Amazon Reviewer "A fun diversion with an entertaining female lead." Kirkus Reviews “Fans of Susan Elia MacNeal will gobble up this series! Highly recommend." L.A. Chandlar “Diabolical plot twists, interesting red herrings, colorful characters, make this a good whodunit.” NetGalley Reviewer

1918 Italy When a deadly blizzard traps Fiona Figg and Kitty Lane in the Dolomite Mountains, it’s all downhill from here.Their hotel is snowed-in, and no one can get in or out. Then a man is found dead in his locked hotel room – and the killer is still on the premises. But with no murder weapon and too many suspects, their investigation is treading on thin ice. The colder it gets outside, the hotter it gets inside as Fiona squares off with both her beloved Archie and her nemesis Fredricks. With her love-life on a slippery-slope, Fiona risks everything in one bold move… As fast and twisty as a downhill slalom, this slick new cozy from Kelly Oliver will have you melting into a puddle of laughter. Snap in and enjoy the ride. Readers love Fiona Figg and Kitty Lane Mysteries: "A bold, original sleuth, a devilishly charming adversary and a plucky Pekingese, this is a witty, high-energy tale of WWI espionage." Mariah Fredericks, author of The Lindbergh Nanny "Will keep you turning the pages and laughing all the way!" Dianne Freeman ** 'The perfect wartime spy; Fiona Figg is smart, sneaky, and full of surprises… A fun whodunit that will keep you turning the pages!” **Cathi Stoler, author of The Murder On The Rocks Mysteries. “A cross between an Agatha Christie and a Sherlock Holmes sleuthing story. Just brilliant!” NetGalley Reviewer "Covert in Cairo is simply delightful. Kelly Oliver’s immersive prose brings World War I era Egypt to life. Fiona Figg — with her tools, wigs, and disguises — is a sleuth you can’t help but root for." S.K. Golden, author of the Pinnacle Hotel Mystery series. "This historical mystery delivers twists and turns. I can't wait for the next one!" Muddy Rose Reviews "I love Fiona Figg!" Margaret Mizushima “Couldn't put it down.” Amazon Reviewer"A perfect blend of wit, fun, and intrigue." Debra Goldstein “I am hooked on these amazing characters.” Amazon Reviewer "A fun diversion with an entertaining female lead." Kirkus Reviews “Fans of Susan Elia MacNeal will gobble up this series! Highly recommend." L.A. Chandlar “Diabolical plot twists, interesting red herrings, colorful characters, make this a good whodunit.” NetGalley Reviewer

This volume marks a new chapter in the long-standing debate between Jacques Derrida and Michel Foucault regarding argumentative methods and their political implications. The essays chart the undertheorized dialogue between the two philosophers on questions of life, death, punishment, and power—an untapped point of departure from which we might continue to read the convergence and divergence of their work. What possibilities for political resistance might this dialogue uncover? And how might they relate to contemporary political crises? With the resurgence of fascism and authoritarianism across the globe, the rise of white supremacist and xenophobic violence, and the continued brutality of state-sanctioned and extrajudicial killings by police, border patrols, and ordinary citizens, there is a pressing need to critically analyze our political present. These essays bring to bear the critical force of Derrida's and Foucault's biopolitical thought to practices of mass incarceration, the death penalty, life without parole, immigration and detention, racism and police violence, transphobia, human and animal relations, and the legacies of colonization. At the heart of their biopolitics, the volume shows, lies the desire to deconstruct and resist in the name of a future that is more just and less policed. It is this impulse that makes reading their work together, at this moment, both crucial and worthwhile.

Feminist Time Against Nation Time offers a series of essays that explore the complex and oftentimes contradictory relationship between feminism and nationalism through a problematization of temporality. Although there has been much recent discussion in the U.S. of the wars in Afghanistan and Iraq and the "War on Terror" as signaling a new period of "permanent war," feminist voices have not been at all prominent in this discussion. This collection considers not only the ways in which public spaces for dissent are limited, but also the ways in which the time for such dissent is cut short. Feminist Time Against Nation Time combines philosophical examinations of "Women's Time" by Julia Kristeva and "The Time of Thought" by Elizabeth Grosz, with essays offering case studies of particular events, including Kelly Oliver's essay on the media coverage of the U.S. wars on terror and in Afghanistan and Iraq, and Betty Joseph's on the anti-colonial uses of "women's time" in the creation of nineteenth-century Indian nationalism. Feminist Time Against Nation Time juxtaposes feminist time against nation time in order to consider temporalities that are at once contrary to, but also drawing toward each other. Yet Hesford and Diedrich also argue that because, as an untimely project, feminism necessarily operates in a different temporality from that of the nation, against-ness is also used to provoke a rupture, a momentary opening up of a disjuncture between the two that will allow us to explore the possibilities of creating a space and time for feminists to think against the current of the present moment.

'A fun, mix of whodunnit and thriller set amid American high society ' T. A. Williams'Fast-paced, tongue-in-cheek spy romp. Enjoy the ride.' Frances Evesham Can Fiona catch a killer and find a decent cup of tea before her mustache wax melts? 1917. New York. Notorious spy, Fredrick Fredricks, has invited Fiona to Carnegie Hall to hear a famous soprano. It's an opportunity the War Office can't turn down. Fiona and Clifford are soon on their way, but not before Fiona is saddled with chaperon duties for Captain Hall's niece. Is Fiona a spy or a glorified babysitter? From the minute Fiona meets the soprano aboard the RMS Adriatic it's treble on the high C's. Fiona sees something-or someone-thrown overboard, and then she overhears a chemist plotting in German with one of her own countrymen! And the trouble doesn't stop when they disembark. Soon Fiona is doing time with a group of suffragettes and investigating America's most impressive inventor Thomas Edison. When her number one suspect turns up dead at the opera and Fredrick Fredricks is caught red-handed, it looks like it's finally curtains for the notorious spy. But all the evidence points to his innocence. Will Fiona change her tune and clear her nemesis' name? Or will she do her duty? And just what is she going to do with the pesky Kitty Lane? Not to mention swoon-worthy Archie Somersby . . . If Fiona's going to come out on top, she's going to have to make the most difficult decision of her life: the choice between her head and her heart. What readers are saying about Kelly Oliver: "Will keep you turning the pages and laughing all the way!" Dianne Freeman "A cross between an Agatha Christie and a Sherlock Holmes sleuthing story. Just brilliant!" NetGalley Reviewer "This historical mystery delivers twists and turns. I can't wait for the next one!" Muddy Rose Reviews "I love Fiona Figg!" Margaret Mizushima "Couldn't put it down." Amazon Reviewer "A perfect blend of wit, fun, and intrigue." Debra Goldstein "I am hooked on these amazing characters." Amazon Reviewer "A fun diversion with an entertaining female lead." Kirkus Reviews "Fans of Susan Elia MacNeal will gobble up this series! Highly recommend." L.A. Chandlar "Diabolical plot twists, interesting red herrings, colorful characters, make this a good whodunit." NetGalley Reviewer

What do the Promise Keeper's Movement and the Million Man March reveal about our notions of masculinity and paternal responsibility? What can such films as Varda's Vagabond and Bergman's Persona tell us about contemporary notions of masculinity and femininity? In this provocative new book, well-known feminist and philosopher Kelly Oliver examines the dynamics of identity to develop a new theory which challenges traditional notions of paternity and maternity.

The eight essays contained in Philosophical Feminism and Popular Culture explore the portrayal of women and various philosophical responses to that portrayal in contemporary post-civil rights society. The essays examine visual, print, and performance media stand-up comedy, movies, television, and a blockbuster trilogy of novel. These philosophical feminist analyses of popular culture consider the possibilities, both positive and negative, that popular culture presents for articulating the structure of the social and cultural practices in which gender matters, and for changing these practices if and when they follow from, lead to, or perpetuate discrimination on the basis of gender. The essays bring feminist voices to the conversation about gender and attests to the importance of feminist critique in what is sometimes claimed to be a post-feminist era."

Between the Psyche and the Social is the first collection of its kind to offer original, interdisciplinary essays on questions of social subjectivity. Contributors engage the disciplines of feminism, psychoanalytic theory, queer theory, postcolonial theory, film theory, literary criticism, and philosophy to transform the psychoanalytic study of social oppression. The book considers such questions as, How can psychoanalysis and critical social theory engage and transform one another? How can the social dimensions of subjectivity be understood within the framework of a classic psychoanalytic theory that rejects the social domain that gives rise to subjectivity in the first place? Between the Psyche and the Social reclaims the contributions of psychoanalysis, feminism, queer theory, postcolonial, and political theories in order to change the parameters of the current debates on the social dimensions of subjectivity.

The eight essays contained in Philosophical Feminism and Popular Culture explore the portrayal of women and various philosophical responses to that portrayal in contemporary post-civil rights society. The essays examine visual, print, and performance media stand-up comedy, movies, television, and a blockbuster trilogy of novel. These philosophical feminist analyses of popular culture consider the possibilities, both positive and negative, that popular culture presents for articulating the structure of the social and cultural practices in which gender matters, and for changing these practices if and when they follow from, lead to, or perpetuate discrimination on the basis of gender. The essays bring feminist voices to the conversation about gender and attests to the importance of feminist critique in what is sometimes claimed to be a post-feminist era."

This text shows how the various contradictions at the heart of Western conceptions of maternity and paternity problematize our relationships with ourselves and with others. Using examples from philosophical texts, psychoanalytic theory, studies in biology and popular culture, Kelly Oliver challenges our traditional concepts of maternity which are associated with nature, and our conceptions of paternity which are embedded in culture. Oliver's intervention calls into question the traditional image of the oppositional relationship between nature and culture, maternal and paternal. The text also undercuts recent returns to the rhetoric of a "battle between the sexes" by analyzing the conceptual basis of these descriptions in biological research and the presuppositions of such suggestions in philosophy and psychoanalysis. By developing a reconception of maternity and paternity, the book offers hope for peace in the battle of the sexes. Articulating alternative ways to conceive of ourselves as subjects, and our conceptions of our relations to others, Oliver suggests an innovative approach to ethics or questions of values - family values.

Living in the post-modern age, there is a growing sentiment of disenchantment in relation to the most facile aspects of dogmatic feminism. Nevertheless, the question of sexual difference still remains. Sex, Breath and Force asks how we should approach such a questioning today, given the fall of the great narratives and the plethora of theoretical discourses in circulation. What are the conditions of possibility for thinking of sexual difference as a foundational problem in the age of technology? And, how do the disciplines of social science, literary studies, philosophy, and film studies answer this challenge? This collection of essays provides a reassessment of the question of sexual difference, taking into account important shifts in feminist thought, post-humanist theories, and queer studies. The contributors offer new and refreshing insights into the complex question of sexual difference from a post-feminist perspective, and how it is reformulated in various related areas of study, such as ontology, epistemology, metaphysics, biology, technology, and mass media.

Living in the post-modern age, there is a growing sentiment of disenchantment in relation to the most facile aspects of dogmatic feminism. Nevertheless, the question of sexual difference still remains. Sex, Breath and Force asks how we should approach such a questioning today, given the fall of the great narratives and the plethora of theoretical discourses in circulation. What are the conditions of possibility for thinking of sexual difference as a foundational problem in the age of technology? And, how do the disciplines of social science, literary studies, philosophy, and film studies answer this challenge? This collection of essays provides a reassessment of the question of sexual difference, taking into account important shifts in feminist thought, post-humanist theories, and queer studies. The contributors offer new and refreshing insights into the complex question of sexual difference from a post-feminist perspective, and how it is reformulated in various related areas of study, such as ontology, epistemology, metaphysics, biology, technology, and mass media.

In an era of backlash and supposed stagnation, feminist philosophers are still providing fresh and challenging perspectives - you just have to know where to look. Continental feminist theory continues to address pressing questions of equality and difference, identity and subjectivity. Modern thinkers such as Judith Butler, Kelly Oliver and Drucilla Cornell present strikingly new perspectives on sex, gender, sexual politics and the various social apparatuses that underlie gender inequality. Yet their theories are not always well received. This work is a response to the marginalization of these modern thinkers. In this volume, Ann J. Cahill and Jennifer Hansen collect the most groundbreaking work of the theorists. In their introductory pieces, Cahill and Hansen translate the often esoteric and mystifying work of the women in Continental philosophy to those outside the field and outside academia. With these essays, Continental Feminism Reader begins the process of reanimating feminist politics through the critical tool of its contributors.

French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.

French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.

This text shows how the various contradictions at the heart of Western conceptions of maternity and paternity problematize our relationships with ourselves and with others. Using examples from philosophical texts, psychoanalytic theory, studies in biology and popular culture, Kelly Oliver challenges our traditional concepts of maternity which are associated with nature, and our conceptions of paternity which are embedded in culture. Oliver's intervention calls into question the traditional image of the oppositional relationship between nature and culture, maternal and paternal. The text also undercuts recent returns to the rhetoric of a "battle between the sexes" by analyzing the conceptual basis of these descriptions in biological research and the presuppositions of such suggestions in philosophy and psychoanalysis. By developing a reconception of maternity and paternity, the book offers hope for peace in the battle of the sexes. Articulating alternative ways to conceive of ourselves as subjects, and our conceptions of our relations to others, Oliver suggests an innovative approach to ethics or questions of values - family values.

The questions of the death of philosophy and the possibility of ethics are discussed in this text, offering a sustained critique of the identification of Nietzsche with the position of woman and in the relation of philosophy to the feminine. The relationship between philosophy and its "other", stressing its ethical implications is focused upon. Rather than concluding with the end of metaphysics and philosophy, this text opens up a discussion of philosophy conceived otherwise, offering new readings of the figure of woman in Nietzsche's writings. The author engages in a dialogue between Derrida's "Spurs" and Irigaray's "Marine Lover", using their work on Nietzsche to engage the larger question of the ethical relation to an "other". Oliver follows Irigaray in suggesting an ethics of maternity that goes beyond the death toll of philosophy and the toll extracted from woman/feminine/maternity by philosophy.

First published in 1993. Routledge is an imprint of Taylor and Francis, an informa company.

Ethics, Politics and Difference in Julia Kristeva's Writing is both a valuable intervention in Kristevan scholarship, and a significant contribution in its own right to post-structuralist considerations of ethical and political agency and practice.
The essays in this collection examine Kristeva's contributions to the project of creating an alternative ethical political agency. Post-structuralist critiques have transformed the ways in which we think about the subject, but they have failed to provide any satisfactory alternative when we think of ethical or political agency. Without such an alternative, theoretical accounts of emancipatory practices appear to be in jeopardy.
Contributors to this collection explore Julia Kristeva's work and assess how helpful her theories can be in attempting to construct a post-structuralist ethics.

Katniss Everdeen (The Hunger Games), Bella Swan (Twilight), Tris Prior (Divergent), and other strong and resourceful characters have decimated the fairytale archetype of the helpless girl waiting to be rescued. Giving as good as they get, these young women access reserves of aggression to liberate themselves-but who truly benefits? By meeting violence with violence, are women turning victimization into entertainment? Are they playing out old fantasies, institutionalizing their abuse? In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence-especially sexual violence-is an inevitable, perhaps even celebrated, part of a woman's maturity. In such films as Kick-Ass (2010), The Girl with the Dragon Tattoo (2011), and Maleficent (2014), power, control, and danger drive the story, but traditional relationships of care bind the narrative, and even the protagonist's love interest adds to her suffering. To underscore the threat of these depictions, Oliver locates their manifestation of violent sex in the growing prevalence of campus rape, the valorization of woman's lack of consent, and the new urgency to implement affirmative consent apps and policies.

This important new book examines the status of refugees from a philosophical perspective. The contributors explore the conditions faced by refugees and clarify the conceptual, practical, and ethical issues confronting the contemporary global community with respect to refugees. The book takes up topics ranging from practical matters, such as the social and political production of refugees, refugee status and the tension between citizen rights and human rights, and the handling of detention and deportation, to more conceptual and theoretical concerns, such as the ideology, rhetoric, and propaganda that sustain systems of exclusion and expulsion, to the ethical dimensions that invoke hospitality and transnational responsibility. Ideal for students and scholars in Political and Social Philosophy and Migration Studies more broadly, the book provides a critical commentary on material responses to contemporary refugee crises as a means of opening pathways to more pointed assessments of both the political and ideological underpinnings of statelessness.

What does it mean to be a responsible subject in a world of pervasive violence? How should we be responsible witnesses in the face of gross injustice? Indeed, how should we respond to atrocities that often leave us speechless and powerless? In this seminal volume, Kelly Oliver articulates a "response ethics" as an alternative to mainstream moral frameworks such as utilitarianism and Kantianism. Oliver's response ethics is grounded in an innovative understanding of subjectivity. Insofar as one's subjectivity is informed by the social, and our sense of self is constituted by our ability to respond to our environment, reconceptualizing subjectivity transforms our ethical responsibility to others. Oliver's engagement in various debates in applied ethics, ranging from our ecological commitments to the death penalty, from sexual assaults on campus to reproductive technology, shows the relevance of response ethics in contemporary society. In the age of pervasive war, assaults, murder, and prejudice, Response Ethics offers timely contributions to the field of ethics.

What does it mean to be a responsible subject in a world of pervasive violence? How should we be responsible witnesses in the face of gross injustice? Indeed, how should we respond to atrocities that often leave us speechless and powerless? In this seminal volume, Kelly Oliver articulates a "response ethics" as an alternative to mainstream moral frameworks such as utilitarianism and Kantianism. Oliver's response ethics is grounded in an innovative understanding of subjectivity. Insofar as one's subjectivity is informed by the social, and our sense of self is constituted by our ability to respond to our environment, reconceptualizing subjectivity transforms our ethical responsibility to others. Oliver's engagement in various debates in applied ethics, ranging from our ecological commitments to the death penalty, from sexual assaults on campus to reproductive technology, shows the relevance of response ethics in contemporary society. In the age of pervasive war, assaults, murder, and prejudice, Response Ethics offers timely contributions to the field of ethics.

This volume brings together scholars of philosophy, law, and literature, including prominent Derrideans alongside activist scholars, to elucidate and expand upon an important project of Derrida's final years, the seminars he conducted on the death penalty from 1999 to 2001. Deconstructing the Death Penalty provides remarkable insight into Derrida's ethical and political work. Beyond exploring the implications of Derrida's thought on capital punishment and mass incarceration, the contributors also elucidate the philosophical groundwork for his subsequent deconstructions of sovereign power and the human/animal divide. Because Derrida was concerned with the logic of the death penalty, rather than the death penalty itself, his seminars have proven useful to scholars and activists opposing all forms of state sanctioned killing. The volume establishes Derrida's importance for continuing debates on capital punishment, mass incarceration, and police brutality. At the same time, by deconstructing the theologico-political logic of the death penalty, it works to construct a new, versatile abolitionism, one capable of confronting all forms the death penalty might take.