The Epistolary Art of Catherine the Great is the first study to analyse comprehensively the letters of Empress Catherine the Great of Russia (reigned 1762-1796) and to argue that they constitute a masterpiece of eighteenth-century epistolary writing. In this book, Kelsey Rubin-Detlev traces Catherine's development as a letter-writer, her networking strategies, and her image-making, demonstrating the centrality of ideas, literary experimentation, and manipulation of material form evident in Catherine's epistolary practice. Through this, Rubin-Detlev illustrates how Catherine's letters reveal her full engagement with the Enlightenment and further show how creatively she absorbed and responded to the ideas of her century. The letter was not merely a means by which the empress promoted Russia and its leader as European powers; it was a literary genre through which Catherine expressed her identity as a member of the social, political, and intellectual elite of her century.

'Your Majesty may find it extraordinary that I should answer with a shipment of fruit your letter of 6 August, in which you inform me that you are sending the plan for a treaty, and that of the 8 September, in which you are so good as to share with me equally important intelligence. Things big and small often come from the same source: my watermelons derive from the same principles as our planned alliance...' (To Frederick the Great) Catherine the Great's letters present a vivid picture of Russia in a momentous age. They also offer a unique account of her personal development and intimate life, her strategic acumen as a diplomat and military commander, and her political skills at the Russian court and in handling foreign monarchs. Born a German princess, Catherine married into the Russian royal family and came to the throne after a coup. As absolute ruler for 34 years she presided over the expansion of the Russian empire, legislated actively to reform the country in keeping with the principles of the Enlightenment, actively promoted the arts and sciences, and in her correspondence engaged with the most renowned minds in Europe, among them Diderot and Voltaire. Her letters are her literary masterpiece, written to a wide circle of associates and friends, not least her most celebrated lover and ally, Potemkin. Combining her wit, charm, and quick eye for detail, they entertain and tell the griping story of a self-made woman and legendary ruler. This edition of the letters offers a taste of Catherine's entire writing career, with biographies of Catherine's addressees, a thorough overview of her reign and an analysis of Catherine's literary skill as a letter-writer. Organized chronologically and thematically into six periods, each section also features an introduction to the domestic, personal and foreign policy contexts out of which her letters emerge.