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'AN EXCEPTIONAL BLEND OF INTERNATIONAL POLITICS, HARD SCIENCE, AND FIRST CONTACT' Michael Mammay, author of the Planetside series 'MACLEOD'S BEST BOOK TO DATE' SFX Science fiction legend Ken MacLeod begins a new space opera trilogy by imagining humankind on the precipice of discovery - the invention of faster-than-light travel unlocks a universe of new possibilities, and new dangers. When a brilliant scientist gets a letter from herself about faster-than-light travel, she doesn't know what to believe. The equations work, but her paper is discredited - and soon the criticism is more than scientific. Exiled by the establishment, she gets an offer to build her starship from an unlikely source. But in the heights of Venus and on a planet of another star, a secret is already being uncovered that will shake humanity to its foundations. Discover this ground-breaking new space opera from multi-award winning author Ken MacLeod Praise for Ken MacLeod: 'If you like science fiction, you will love this. . . a rollicking good read' Scotsman 'MacLeod is up there with Banks and Hamilton as one of the British sci-fi authors you absolutely have to read' SFX 'Prose as sleek and fast as the technology it describes. . . watch this man go global' Peter F. Hamilton on Star Fraction 'Ken MacLeod has an enviable track record of extrapolating from current trends to produce mind-bending novels of ideas' Guardian Also by Ken MacLeod: Lightspeed Beyond the Hallowed Sky Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent
Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.
The key to becoming fully alive and joyful is to develop our natural capacity for attention and to be fully present here and now. In this informative guidebook to practical Buddhism you discover:
Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.
The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that "AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology." Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.
A mixture of Morgan's science fiction poems and concrete poems. There's the famous encounter between humans and aliens in 'The First Men on Mercury', early digital tongue-twisting in 'The Computer's First Christmas Card' and the effects of teleportation in 'In Sobieski's Shield' - on earth or in outer space Morgan explores what it is to be human.
Sports and popular music are synergistic agents in the construction of identity and community. They are often interconnected through common cross-marketing tactics and through influence on each other's performative strategies and stylistic content. Typically only studied as separate entities, popular music and sport cultures mutually 'play' off each other in exchanges of style, ideologies and forms. Posing unique challenges to notions of mind - body dualities, nationalism, class, gender, and racial codes and sexual orientation, Dr Ken McLeod illuminates the paradoxical and often conflicting relationships associated with these modes of leisure and entertainment and demonstrates that they are not culturally or ideologically distinct but are interconnected modes of contemporary social practice. Examples include how music is used to enhance sporting events, such as anthems, chants/cheers, and intermission entertainment, music that is used as an active part of the athletic event, and music that has been written about or that is associated with sports. There are also connections in the use of music in sports movies, television and video games and important, though critically under-acknowledged, similarities regarding spectatorship, practice and performance. Despite the scope of such confluences, the extraordinary impact of the interrelationship of music and sports on popular culture has remained little recognized. McLeod ties together several influential threads of popular culture and fills a significant void in our understanding of the construction and communication of identity in the late twentieth and early twenty-first centuries.
'IF YOU LIKE SCIENCE FICTION YOU WILL LOVE THIS. . . A ROLLICKING GOOD READ' Scotsman on Beyond the Hallowed Sky 'MACLEOD'S BEST BOOK TO DATE' SFX on Beyond the Hallowed Sky THE FERMI ARE AWAKE. With the invention of faster-than-light travel there is nowhere that humanity cannot go. New worlds are discovered, but with them come new dangers. At the heart of the discovery is the Fermi, mysterious beings that have survived on alien worlds for longer than humanity has existed. But now the Fermi are awakening, and they do not seem pleased to find humans in their midst. But for Lakshmi Nayak and the crew of the Fighting Chance, danger is a lot closer to home. Their search for answers will take them to places, and worlds, they never expected. Science fiction legend Ken MacLeod returns with book two in the Lightspeed trilogy, a gripping tale of first contact and dark conspiracies set among the stars. Praise for Ken MacLeod: 'An exceptional blend of international politics, hard science, and first contact' Michael Mammay, author of the Planetside series on Beyond the Hallowed Sky 'MacLeod is up there with Banks and Hamilton as one of the British sci-fi authors you absolutely have to read' SFX 'Prose as sleek and fast as the technology it describes. . . watch this man go global' Peter F. Hamilton on Star Fraction 'Ken MacLeod has an enviable track record of extrapolating from current trends to produce mind-bending novels of ideas' Guardian Also by Ken MacLeod: Lightspeed Beyond the Hallowed Sky Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent
Driving Identities examines long-standing connections between popular music and the automotive industry and how this relationship has helped to construct and reflect various socio-cultural identities. It also challenges common assumptions regarding the divergences between industry and art, and reveals how music and sound are used to suture the putative divide between human and non-human. This book is a ground-breaking inquiry into the relationship between popular music and automobiles, and into the mutual aesthetic and stylistic influences that have historically left their mark on both industries. Shaped by new historicism and cultural criticism, and by methodologies adapted from gender, LGBTQ+, and African-American studies, it makes an important contribution to understanding the complex and interconnected nature of identity and cultural formation. In its interdisciplinary approach, melding aspects of ethnomusicology, sociology, sound studies, and business studies, it pushes musicological scholarship into a new consideration and awareness of the complexity of identity construction and of influences that inform our musical culture. The volume also provides analyses of the confluences and coactions of popular music and automotive products to highlight the mutual influences on their respective aesthetic and technical evolutions. Driving Identities is aimed at both academics and enthusiasts of automotive culture, popular music, and cultural studies in general. It is accompanied by an extensive online database appendix of car-themed pop recordings and sheet music, searchable by year, artist, and title.
The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that "AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology." Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.
Three books in one! The Corporation Wars trilogy is an epic vision of man and machine in the far reaches of space - a robot's eye view of a robot revolt Carlos is dead. A soldier who died for his ideals a thousand years ago, he's been reincarnated and conscripted to fight an A.I. revolution in deep space. And he's not sure he's fighting for the right side. Seba is alive. By a fluke of nature, a contractual overlap and a loop in its subroutines, this lunar mining robot has gained sentience. Gathering with other 'freebots', Seba is taking a stand against the corporations that want it and its kind gone. As their stories converge against a backdrop of warring companies and interstellar drone combat, Carlos and Seba must either find a way to rise above the games their masters are playing, or die. And even dying will not be the end of it. Collects the three novels in the Corporation Wars trilogy - Dissidence, Insurgence and Emergence. Praise for Ken MacLeod 'Prose sleek and fast as the technology it describes . . . watch this man go global' Peter F. Hamilton 'MacLeod's novels are fast, funny and sophisticated. There can never be enough books like these: he is writing revolutionary SF. A nova has appeared in our sky' Kim Stanley Robinson 'MacLeod is up there with Banks and Hamilton as one of the British sci-fi authors you absolutely have to read' SFX
'[The Corporation Wars] is a tasty broth of ideas taking in virtual reality, artificial intelligence, the philosophy of law and disquisitions on military ethics.' - The Herald 'MacLeod manages big Ideas (political and futurological) and propulsive action without short-changing either side of that classic science-fictional tension-of-opposites.' - LOCUS The enemy is out in the open. The Reaction has seized control of a resource-rich moon. Now it's enslaving conscious robots - and luring the Corporations into lucrative deals. Taransay is out in the jungle. Her friends are inside a smart boulder on the slope of an active volcano. The planet is super-habitable - for its own life, not hers. But soon, the alien infestation growing on her robot body is the least of her problems. Carlos is out of patience. With the Reaction arming for conquest, the Corporations trading with the enemy and the Direction planning to stamp out the rebel robots and their allies for good, he has to fight fire with fire. Seba is out of time. Deep inside the enemy stronghold, the free robots have to spark a new revolt before the whole world falls in on them. As battle looms, the robots must become their own last hope. From Arthur C. Clarke Award-nominated author Ken MacLeod comes Emergence, the final instalment in the Corporation Wars trilogy, an epic science fiction adventure told against a backdrop of interstellar drone warfare, virtual reality and an AI revolution. Books by Ken MacLeod: Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent
'Descent is politically engaged, brimming with smart ideas and shot through with a mordant wit. The novel is dedicated to the memory of MacLeod's friend Iain M. Banks, and one feels that the future of Scottish SF is in good hands' - James Lovegrove, The Financial Times 'Ken MacLeod is the modern day George Orwell' - SFX HOW FAR WOULD YOU GO FOR THE TRUTH? Ball lightning. Weather balloons. Secret military aircraft. Ryan knows all the justifications for UFO sightings. But when something falls out of the sky on the hills near his small Scottish town, he finds his cynicism can't identify or explain the phenomenon. And in a future where nothing is a secret, where everything is recorded on CCTV or reported online, why can he find no evidence of the UFO, nor anything to shed light on what occurred? Is it the political revolutionaries, is it the government or is it aliens themselves who are creating the cover-up? Or does the very idea of a cover-up hide the biggest secret of all? Ken MacLeod, author of 2013 Arthur C. Clarke Award-nominated Intrusion, tells a science fiction story for the twenty-first century - this is what happens when conspiracy theorists meet Big Brother. Books by Ken MacLeod: Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent
'As ever, MacLeod's depiction of the near future is achieved through solid characterisation and brilliant detail. His forte is the depiction of how belief systems can corrupt, and The Night Sessions is a stunning indictment of fundamentalism of all kinds.' - The Guardian 'A twisting conspiracy tale shot through with MacLeod's gloriously mordant sense for the absurd.' - BBC FOCUS A priest is dead. Picking through the rubble of the demolished Edinburgh tenement, Detective Inspector Adam Ferguson discovers that the explosion wasn't an accident. When a bishop is assassinated soon afterwards, it becomes clear that a targeted campaign of killings is underway. No one has seen anything like this since the Faith Wars. In this enlightened age there's no religious persecution, but believers are a marginal and mistrusted minority. And now someone is killing them. But who? And - perhaps more importantly - why? The more his team learns, the more the suspicion grows that they may have stumbled upon a conspiracy way outside their remit. Nobody believes them, but if Ferguson and his people fail, there will be many more killings - and disaster on a literally biblical scale . . . A stunning new SF thriller from the critically acclaimed author of The Execution Channel Books by Ken MacLeod: Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent
Practical Business Analytics: A Proven Approach through Successful Personalized Learning is an innovative educational package that combines a concise, approachable textbook with a collection of online active learning activities designed to help students apply what they learn in their work environment and achieve impactful results. This dynamic package emphasizes a personalized approach to learning, providing students with an array of opportunities to learn the material according to their individual learning styles. The active components allow students to watch video lectures, engage in interactive group learning exercises, and test their knowledge with online quizzes to support every lesson. This organization of the material is particularly well suited for the COVID-19 era and beyond because of the greater emphasis on online, hybrid, and flipped courses. The textbook employs a conversational (dialectic) format, classroom tested and refined over many years, to present the information in an engaging manner. Dedicated chapters cover decision theory, simulation, optimization, forecasting, and how to implement Business Analytics in organizations. With an emphasis on real-world application, Practical Business Analytics is an ideal educational vehicle for learning subject matter contained in courses in management science, decision science, operations research, business decision modelling, or business analytics.
'Insightful and ingenious . . . Intrusion is both horrific and comic, and deals movingly with the consequences of genetic fixes' - GUARDIAN 'Intrusion is a finely-tuned, in-your-face argument of a novel . . . MacLeod will push your buttons - and make you think' - SFX Imagine a near-future city, say London, where medical science has advanced beyond our own and a single-dose pill has been developed that, taken when pregnant, eradicates many common genetic defects from an unborn child. Hope Morrison, mother of a hyperactive four-year-old, is expecting her second child. She refuses to take The Fix, as the pill is known. This divides her family and friends and puts her and her husband in danger of imprisonment or worse. Is her decision a private matter of individual choice, or is it tantamount to willful neglect of her unborn child? A plausible and original novel with sinister echoes of 1984 and Brave New World. Books by Ken MacLeod: Fall Revolution The Star Fraction The Stone Canal The Cassini Division The Sky Road Engines of Light Cosmonaut Keep Dark Light Engine City Corporation Wars Trilogy Dissidence Insurgence Emergence Novels The Human Front Newton's Wake Learning the World The Execution Channel The Restoration Game Intrusion Descent |
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