It was around Kengo Kuma's tenth birthday that he came into contact with Kenzo Tange's fishlike Yoyogi National Gymnastics building, completed for the 1964 Tokyo Olympics, and determined that he would become an architect. In the intervening five or so decades, he has become one of the world's most fascinating and influential architects. His design of the National Stadium for the 2020 Tokyo Olympics provides a poetic circularity to his career as an architect, and an opportunity for him to reflect on his own development. Kuma is known throughout the world for his formally daring and materially expressive buildings, recognized for his inventive use of traditional materials, and his use of innovative materials in vernacular forms. He is perhaps less known for his work inside his native Japan, where he works actively towards the preservation of ancient building techniques and craft. A keen curiosity for all forms of building and a wealth of knowledge about the world acquired through expansive travels make Kuma a unique commentator on Tokyo's dynamic architecture. Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan's national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. This book contains something for everyone: design acumen, insights into Japanese culture, a tour of Tokyo and the heartfelt commitment to producing buildings that have meaning and longevity.

Kengo Kuma, one of Japan's leading architects, has been combining professional practice and academia for most of his career. In addition to creating many internationally recognized buildings all over the world, he has written extensively about the history and theory of architecture. Like his built work, his writings also reflect his profound personal philosophy. Architecture of Defeat is no exception. Now available in English for the first time, the book explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan's northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture's intrinsic-and often problematic-relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society. Despite the title, Architecture of Defeat is an optimistic and hopeful book. Rather than anticipating the demise of architecture, Kuma envisages a different mode of conceiving architecture: guided and shaped by more modesty and with greater respect for the forces of our natural world. Beautifully designed and illustrated, this is a fascinating insight into the thinking of one of the world's most influential architects.

The most comprehensive monograph available on the internationally renowned Belgian floral artist and designer Daniel Ost. Daniel Ost's work in floral design gores far beyond table arrangements to bridge the gap between floral design and art. Using elements from the natural world - flowers, branches, and plants of all varieties, Ost crates large-scale, site-specific constructions that at times enter the realms of sculpture and set design. Ost has created exquisite installations for royal residences, embassies, temples, international art exhibitions, and the fashion industry. Daniel Ost presents 80 of his most important projects while accompanying essays explore their significance and the inspiration behind them. Lavish photography illustrates each project in this visually inspiring sourcebook for all creative and design professionals. Texts by Dutch author Cees Nooteboom and Japanese architect Kengo Kuma reflect on the impact of Ost's career.

Kengo Kuma, one of Japan's leading architects, has been combining professional practice and academia for most of his career. In addition to creating many internationally recognized buildings all over the world, he has written extensively about the history and theory of architecture. Like his built work, his writings also reflect his profound personal philosophy. Architecture of Defeat is no exception. Now available in English for the first time, the book explores events and architectural trends in the twentieth and twenty-first centuries in both Japan and beyond. It brings together a collection of essays which Kuma wrote after disasters such as the destruction of the World Trade Center in New York City on 9/11 and the earthquake and tsunami that obliterated much of the built landscape on Japan's northern shore in a matter of minutes in 2011. Asking if we have been building in a manner that is too self-confident or arrogant, he examines architecture's intrinsic-and often problematic-relationship to the powerful forces of contemporary politics, economics, consumerism, and technology, as well as its vital ties to society. Despite the title, Architecture of Defeat is an optimistic and hopeful book. Rather than anticipating the demise of architecture, Kuma envisages a different mode of conceiving architecture: guided and shaped by more modesty and with greater respect for the forces of our natural world. Beautifully designed and illustrated, this is a fascinating insight into the thinking of one of the world's most influential architects.

The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines the country's traditional building crafts with sophisticated technologies and materials. From his iconic Glass House (1995) to Dundee's V&A (2018), this is the complete record of Kuma's built work, comprising thirty projects to date. Kenneth Frampton's revised and updated essay frames Kuma's work in the context of post-war Japan's flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma's ideas and buildings have received. The heart of the book consists of projects presented in detail, accompanied by descriptive text and detailed drawings, and organized by the material themes that have come to define the architect's output. This new edition includes five new projects: Komatsu Seiren Fabric Laboratory fa-bo, Under One Roof project for the EPFL ArtLab, Japan House Sao Paulo, China Academy of Art's Folk Art Museum, and the V&A Dundee.

Thick thatched roofs and rough mud plaster walls. An intricately carved wood transom and a precisely woven tatami mat--each element of traditional Japanese architecture tells a story. In Japanese Architecture, author Mira Locher explores how each of these stories encompasses the particular development, construction, function and symbolism inherent in historic architectural elements. From roofs, walls and floors to door pulls and kettle hangers, Japanese Architecture situates these elements firmly within the natural environment and traditional Japanese culture. Japanese architecture developed with influences from abroad and particular socio-political situations at home. The resulting forms and construction materials--soaring roofs with long eaves, heavy timber structures of stout columns supporting thick beams, mud plaster walls flecked with straw and sand and the refined paper-covered lattice shoji screen--are recognizable as being of distinctly Japanese design. These constructed forms, designed with strong connections to the surrounding environment, utilize natural construction materials in ways that are both practical and inventive. This fascinating architecture book provides a comprehensive perspective of traditional Japanese architecture, relating the historical development and context of buildings and the Japanese garden while examining the stories of the individual architectural elements, from foundation to roof.

What lies at the root of Japanese creativity and its architectural artefacts? In his new book, the Japanese architect Yuichiro Edagwa explores this question in detail. By analysing a wide variety of unique exemplary buildings from the sixth century to the present, he determines twelve distinctive characteristics of Japanese architectural creativity and composition, including: intimacy with nature, importance of materials, bipolarity and diversity, asymmetry, devotion to small space, and organic form. The key understanding which pervades all these characteristics is that 'parts precede the whole'. The Japanese process of creation begins with designing parts and details and ends with combining them to one edifice, instead of starting with a whole structure and working out the components afterwards. With Japanese Creativity - Contemplations on Japanese Architecture Edagawa provides a personal and comprehensive understanding of Japanese creativity and the architectural process. The book gives us an inspiring insight into Japanese culture and identity, which in its essence is deeply traditional and modern at the same time.

After Tadao Ando, Toyo Ito, and Fumihiko Maki, Kengo Kuma has breathed renewed vigor and lightness into Japanese architecture. Departing from the modernist skyscraper of the 20th century, Kuma traveled through his native Japan to develop a truly sustainable approach, translating local craftsmanship and resources into site-specific, timely buildings. Informed by tradition, and with both feet firmly planted in the present, this "materialist" heralds a new tactile architecture marked by its engaging surfaces, innovative structures, and fluid forms, reconnecting people with the physicality of a house. Kuma's objective, above all else, is "just to respect the culture and environment of the place where I am working." To this end, Kuma shaped the China Academy of Art's Folk Art Museum partially from discarded roof tiles; created a Chapel out of birch and moss in Nagano; and worked with local craftsmen to sculpt the V&A Dundee into a twisted, layered reflection of the Scottish coastal cliffs. With an extraordinary sensitivity for space, light, and texture, Kuma reveals unexpected qualities in materials, finding the weightlessness of stone in Chokkura Plaza and the softness of aluminum in the thatched roof of the Yangcheng Lake Tourist Transportation Center. More recently, the architect brought his philosophy to the Japan National Stadium built for the Olympic Games, originally planned for 2020. Kuma has said the stadium could be "the catalyst that will transform Tokyo back from a concrete city. I want it to set an example that will help alter the direction of Japanese architectural design." In this XXL-sized monograph with some 500 illustrations spanning photographs, sketches, and plans, Kuma guides us through his entire career to date, detailing milestone projects as well as ongoing works. Also available as an Art Edition with a custom-built wooden slipcase and accompanied by a photogravure of a sketch by Kengo Kuma, signed by the artist and limited to 200 copies.

The Very Small Home is an inspiring new book that surveys the creative design innovations of small houses in Japan. Eighteen recently built and unusual houses, from ultramodern to Japanese rustic, are presented in depth. Particular emphasis is given to what the author calls the "big idea" for each house-the thing that does the most to make the home feel more spacious than it actually is. Big ideas include ingenious sources of natural light, well thought-out loft spaces, snug but functional kitchens, unobtrusive partitions, and unobstructed circulation paths.
An introduction puts the houses in the context of lifestyle trends and highlights their shared characteristics. The Houses section details each project the intentions of the designers and occupants are explained. The result is a very human sensibility that runs through the book, a glimpse of the dreams and aspirations that these unique homes represent and that belies their apparent modesty. The second half of the book is devoted to illustrating the special features in the homes, from storage and kitchen designs to revolutionary skylights and partitions.
Building small can be a sign of higher ambitions, and those who read this book will undoubtedly grow to appreciate that building a small home can be an amazingly positive and creative act, one which can enhance one's life in surprising ways. In The Very Small Home, Brown has given home owners, designers, and architects a fascinating new collection of ideas.