ON THE BRINK OF DESTRUCTION Humanity has been turned into sperm and taken off planet, earth teeters on the edge of annihilation-and still, the Magical Girls fight on. Do they stand a chance against the tides of darkness or has the battle already been lost? The harrowing final volume of Magical Girl SITE! The final volume!

Magical Girl Site is an all-new fantasy horror series that is directly spun-off from author Kentaro Sato's concurrent series, Magical Girl Apocalypse. In this ultra-violent survival story, an innocent girl gets sucked into the murderous world of the sailor girls from hell as featured in Magical Girl Apocalypse. Magical Girl Site is an ongoing manga series that will be released with a full-colour insert in each volume. Asagiri Aya is a young girl who has fallen victim to bullies at her school. Looking for a way to escape her troubles, she looks to the internet for distraction, when a mysterious website called "Magical Girl Site" appears. Simply viewing the page is all it takes to hurtle Aya headlong into the deadly world of the Magical Girl Apocalypse. There, it's fight or die, against a seemingly endless array of savagely adorable, frilly-skirted killing machines, each armed with magical powers and an unquenchable thirst for blood and chaos.

(2nd Edition) This book contains Japanese text and English Translation of the Constitution of Japan. The Japanese text has been rewritten using the modern spelling system or Gendai-kanazukai, and it is accompanied by Furigana.

Wiseman Project Music Theory Series This book is intended for those who, having already gained competent knowledge of four-part harmony, desire to write with confidence in five parts. Five-part writing used to be compulsory for the degree of Bachelor of Music at major universities and conservatories. However, many institutions have dropped the subject from the requirement, although the knowledge of the subject would be a great asset for those who want to compose for larger ensembles such as symphony orchestra or large chorus or those who wish to compose with extended harmonies. The plan of this work is arranged and updated in such a manner that anyone who is already well instructed in harmony may advance without the aid of a teacher. In each chapter, a problem is proposed, and its solution is given in the Appendix 1 and 2. For students who are not familiar with Alto and Tenor Clefs, both traditional and modern notation for alto and tenor parts are included.

Comedy / 6m, 1f, 6c or 4m, 4f, 3c / 4 ints. Judy is a pretty drudge in a New England orphanage. One day a visiting trustee becomes interested in her and decides to give her a chance. She does not know the name of her benefactor, but simply calls him Daddy Long Legs. She writes him letters brimming over with fun and affection. From the home she goes to a fashionable college where a romance develops that constitutes much of the play's charm. The orphans appear only in the first act and may be played by small girls of any age. "If you write down the words delightful, charming, sweet, beautiful and entertaining, and add them up, the answer will be Daddy Long Legs." - The New York Times

This volume contains the text of title 17 of the United States Code (a.k.s. The US Copyright Law), including all amendments enacted through June 30, 2009, in the first session of the 111th Congress, and four related international treaties. It includes the Copyright Act of 1976 and all subsequent amendments to copyright law; the Semiconductor Chip Protection Act of 1984, as amended; the Vessel Hull Design Protection Act, as amended. Additionally, for practical purposes, it also includes texts of the Berne Convention for the Protection of Literary and Artistic Works; Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS); World Intellectual Property Organization Copyright Treaty (WIPO Copyright Treaty); and World Intellectual Property Organization Performances and Phonograms Treaty (WPPT). This book is a must-have for those who work in the field of copyright and intellectual property. Kentaro Sato (Editor)