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Reading These United States explores the relationship between early
American literature and federalism in the early decades of the
republic. As a federal republic, the United States constituted an
unusual model of national unity, defined by the representation of
its variety rather than its similarities. Taking the federal
structure of the nation as a foundational point, Keri Holt examines
how popular print?including almanacs, magazines, satires, novels,
and captivity narratives?encouraged citizens to recognize and
accept the United States as a union of differences. Challenging the
prevailing view that early American print culture drew citizens
together by establishing common bonds of language, sentiment, and
experience, she argues that early American literature helped define
the nation, paradoxically, by drawing citizens apart?foregrounding,
rather than transcending, the regional, social, and political
differences that have long been assumed to separate them. The book
offers a new approach for studying print nationalism that
transforms existing arguments about the political and cultural
function of print in the early United States, while also offering a
provocative model for revising the concept of the nation itself.
Holt also breaks new ground by incorporating an analysis of
literature into studies of federalism and connects the literary
politics of the early republic with antebellum literary politics?a
bridge scholars often struggle to cross.
Reading These United States explores the relationship between early
American literature and federalism in the early decades of the
republic. As a federal republic, the United States constituted an
unusual model of national unity, defined by the representation of
its variety rather than its similarities. Taking the federal
structure of the nation as a foundational point, Keri Holt examines
how popular print—including almanacs, magazines, satires, novels,
and captivity narratives—encouraged citizens to recognize and
accept the United States as a union of differences. Challenging the
prevailing view that early American print culture drew citizens
together by establishing common bonds of language, sentiment, and
experience, she argues that early American literature helped define
the nation, paradoxically, by drawing citizens
apart—foregrounding, rather than transcending, the regional,
social, and political differences that have long been assumed to
separate them. The book offers a new approach for studying print
nationalism that transforms existing arguments about the political
and cultural function of print in the early United States, while
also offering a provocative model for revising the concept of the
nation itself. Holt also breaks new ground by incorporating an
analysis of literature into studies of federalism and connects the
literary politics of the early republic with antebellum literary
politics—a bridge scholars often struggle to cross.
Mapping Region in Early American Writing is a collection of essays
that study how early American writers thought about the spaces
around them. The contributors reconsider the various roles
regions-imagined politically, economically, racially, and
figuratively-played in the formation of American communities, both
real and imagined. These texts vary widely: some are canonical,
others archival; some literary, others scientific; some polemical,
others simply documentary. As a whole, they recreate important
mental mappings and cartographies, and they reveal how diverse
populations imagined themselves, their communities, and their
nation as occupying the American landscape. Focusing on
place-specific, local writing published before 1860, Mapping Region
in Early American Writing examines a period often overlooked in
studies of regional literature in America. More than simply
offering a prehistory of regionalist writing, these essays offer
new ways of theorizing and studying regional spaces in the United
States as it grew from a union of disparate colonies along the
eastern seaboard into an industrialized nation on the verge of
overseas empire building. They also seek to amplify lost voices of
diverse narratives from minority, frontier, and outsider groups
alongside their more well-known counterparts in a time when
America's landscapes and communities were constant.
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