Chinese media in the reform era walk a fine line between commercialized diversification and Party-state control. Nowhere have these two trends been in more open conflict than at Southern Weekly (Nanfang Zhoumo), a bestselling Guangzhou-based newspaper known for reliably pushing the envelope on media controls. This gripping insider's account highlights the fiery internal debates and public protests at the paper at the beginning of Xi Jinping's reign. In early 2013, disagreements with censors over draconian cuts to the paper's New Year's edition grew into a lengthy internal discussion about how to push back against the Party's ever-tightening constraints. At the same time, a parallel movement emerged among activists protesting outside the paper's Guangzhou's headquarters to publicly show their opposition to Party control over the media. Nothing, however, changed, as Party-state controls remained firmly in place. Guan Jun offers thoughtful reflections on the tensions inherent within the Chinese government's program of "reform and opening," in the new era of tightening authoritarianism under Xi Jinping. The End of Chinese Media, as a first-person account of a seminal cultural and political moment early in, provides an ominous warning on the path ahead for Chinese media and civil society.

Chinese media in the reform era walk a fine line between commercialized diversification and Party-state control. Nowhere have these two trends been in more open conflict than at Southern Weekly (Nanfang Zhoumo), a bestselling Guangzhou-based newspaper known for reliably pushing the envelope on media controls. This gripping insider's account highlights the fiery internal debates and public protests at the paper at the beginning of Xi Jinping's reign. In early 2013, disagreements with censors over draconian cuts to the paper's New Year's edition grew into a lengthy internal discussion about how to push back against the Party's ever-tightening constraints. At the same time, a parallel movement emerged among activists protesting outside the paper's Guangzhou's headquarters to publicly show their opposition to Party control over the media. Nothing, however, changed, as Party-state controls remained firmly in place. Guan Jun offers thoughtful reflections on the tensions inherent within the Chinese government's program of "reform and opening," in the new era of tightening authoritarianism under Xi Jinping. The End of Chinese Media, as a first-person account of a seminal cultural and political moment early in, provides an ominous warning on the path ahead for Chinese media and civil society.

The Great Han is an ethnographic study of the Han Clothing movement (Hanfu yundong), a neo-traditionalist and majority racial nationalist movement that has emerged in China since 2001. Participants come together both online and in person in cities across China to revitalize their utopian vision of the authentic "Great Han" and corresponding "real China" through pseudo-traditional ethnic dress, reinvented Confucian ritual, and anti-foreign sentiment. Employing close analysis of movement ideas and practices, this book finds that the movement's "real China," envisioning a pure, perfectly ordered, ethnically homogeneous, and secure society, is in fact an imaginary vision constructed in response to the challenging realities of the present. Yet this national imaginary is reproduced precisely through its own perpetual elusiveness. The Great Han is a pioneering analysis of Han identity, nationalism, and social movements in a rapidly changing China.

As Hong Kong is integrated into the People's Republic of China, ever fewer people in the city identify as Chinese. Two Systems, Two Countries explains why. Two Systems, Two Countries traces the origins of Hong Kong nationalism and introduces readers to its main schools of thought: city-state theory, self-determination, independence, and returnism. The idea of Hong Kong independence, Kevin Carrico shows, is more than just a provocation testing Beijing's red lines: it represents a collective awakening to the failure of One Country Two Systems and the need to transcend obsolete orthodoxies. With a conclusion that examines Hong Kong nationalism's influence on the 2019 protest movement, Two Systems, Two Countries is an engaging and accessible introduction to the tumultuous shifts in Hong Kong politics and identity over the past decade.

The Great Han is an ethnographic study of the Han Clothing movement (Hanfu yundong), a neo-traditionalist and majority racial nationalist movement that has emerged in China since 2001. Participants come together both online and in person in cities across China to revitalize their utopian vision of the authentic "Great Han" and corresponding "real China" through pseudo-traditional ethnic dress, reinvented Confucian ritual, and anti-foreign sentiment. Employing close analysis of movement ideas and practices, this book finds that the movement's "real China," envisioning a pure, perfectly ordered, ethnically homogeneous, and secure society, is in fact an imaginary vision constructed in response to the challenging realities of the present. Yet this national imaginary is reproduced precisely through its own perpetual elusiveness. The Great Han is a pioneering analysis of Han identity, nationalism, and social movements in a rapidly changing China.

As Hong Kong is integrated into the People's Republic of China, ever fewer people in the city identify as Chinese. Two Systems, Two Countries explains why. Two Systems, Two Countries traces the origins of Hong Kong nationalism and introduces readers to its main schools of thought: city-state theory, self-determination, independence, and returnism. The idea of Hong Kong independence, Kevin Carrico shows, is more than just a provocation testing Beijing's red lines: it represents a collective awakening to the failure of One Country Two Systems and the need to transcend obsolete orthodoxies. With a conclusion that examines Hong Kong nationalism's influence on the 2019 protest movement, Two Systems, Two Countries is an engaging and accessible introduction to the tumultuous shifts in Hong Kong politics and identity over the past decade.

China's meteoric rise and ever expanding economic and cultural footprint have been accompanied by widespread global disquiet. Whether admiring or alarmist, media discourse and representations of China often tap into the myths and prejudices that emerged through specific historical encounters. These deeply embedded anxieties have shown great resilience, as in recent media treatments of SARS and the H5N1 virus, which echoed past beliefs connecting China and disease. Popular perceptions of Asia, too, continue to be framed by entrenched racial stereotypes: its people are unfathomable, exploitative, cunning, or excessively hardworking. This interdisciplinary collection of original essays offers a broad view of the mechanics that underlie Yellow Peril discourse by looking at its cultural deployment and repercussions worldwide. Building on the richly detailed historical studies already published in the context of the United States and Europe, contributors to Yellow Perils confront the phenomenon in Italy, Australia, South Africa, Nigeria, Mongolia, Hong Kong, and China itself. With chapters based on archival material and interviews, the collection supplements and often challenges superficial journalistic accounts and top-down studies by economists and political scientists. Yellow Peril narratives, contributors find, constitute cultural vectors of multiple kinds of anxieties, spanning the cultural, racial, political, and economic. Indeed, the emergence of the term "Yellow Peril" in such disparate contexts cannot be assumed to be singular, to refer to the same fears, or to revolve around the same stereotypes. The discourse, even when used in reference to a single country like China, is therefore inherently fractured and multiple. The term "Yellow Peril" may feel unpalatable and dated today, but the ethnographic, geographic, and historical breadth of this collection-experiences of Chinese migration and diaspora, historical reflections on the discourse of the Yellow Peril in China, and contemporary analyses of the global reverberations of China's economic rise-offers a unique overview of the ways in which anti-Chinese narratives continue to play out in today's world. This timely and provocative book will appeal to Chinese and Asian Studies scholars, but will also be highly relevant to historians and anthropologists working on diasporic communities and on ethnic formations both within and beyond Asia.