Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also boldness, scale, ingenuity, and daring. As a phenomenon born in late-nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground more avowedly modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together renowned scholars to address the medievalist skyscraper, from the flying buttresses to the dizzying spires, and from the Chicago Tribune Tower to the Woolworth Building in Manhattan.

Memory and Modernity focuses on the first project of the renowned nineteenth-century French architect and theorist Eugene-Emmanuel Viollet-le-Duc, the restoration of the Romanesque church of the Madeleine at Vezelay in Burgundy. This is the first book-length study to approach the work of Viollet-le-Duc from the perspective of institutional and social history.

Kevin D. Murphy situates the Vezelay restoration project within the government architectural bureaucracy that emerged in the July Monarchy. Drawing on extensive archival records, he describes the controversy that arose from the restoration process, as changes in the physical form of the church, its permitted uses, and its place in history provoked heated exchanges among the Burgundy region and Paris, the Catholic clergy and government officials.

Examining in detail the architect's transformation of the church of the Madeleine, the book also draws out the implications of the project for understanding Viollet-le-Duc's theoretical development. Murphy shows how Viollet-le-Duc's rationalist interpretation of medieval architecture informed the decisions that were made about the restoration, but also how that way of thinking was influenced by the architect's experience at Vezelay.