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Taking three terms from the letters of Paul as a thematic guide,
Kevin Mills investigates the respective roles of faith, hope and
love in language and interpretation, and uses them to uncover and
to question some of the key assumptions in deconstructive and
postmodernist discourse. Its critical approach to interpretation
theory (from Origen onwards), challenges the reader to reassess
Pauline categories such as 'letter' and 'spirit', and to re-think
the possibility of Christian engagement with contemporary literary
theory.
The dynamic mother-son team who wrote "Help! My Apartment Has a
Dining Room Cookbook" offers humorous advice and more than 100 easy
recipes for twenty-somethings and other novice cooks who want to
invite friends for dinner. Line drawings throughout.
This volume explores a wide range of Victorian texts, including
novels, poems, sermons, and some less easily categorized writings,
in terms of their use of language and imagery suggestive of the
Apocalypse. The focus is less upon the conscious or deliberate use
of the Apocalypse as a source of sublime metaphors or as a guide to
cultural decline than on the ways in which certain tropes recur in
the writings of the period. These can be characterized in terms of
oppositions that both structure apocalyptic literature and
characterize much Victorian writing: human/inhuman, desert/city,
veiled/revealed, time/the eternal, this world/other world. The book
sets out to show that what might be called a cultural affinity
exists between the writing of the Victorian era and apocalyptic
literature, and to argue that such a relationship was unavoidable
for a society steeped in the bible as it confronted dramatic
changes in its relationships with nature, God, and time.
This book is my opinionated interpretation of spiritual warfare and
is a tactics guide to learning a different way of viewing
Christianity. It is a combination of perception and psychology and
how it relates to you finding the kingdom of God on earth.
Furthermore, it gives examples of situations to be aware of daily
and how you should react and why. It is my interpretation of God's
Word and the Bible. It elaborates on the role of Jesus Christ, how
he plays an important role in human hearts, how he has a desire to
enter the righteous hearts of those who confess their sins and
pray. Through God's Word in the Bible and the sacrifice of Jesus,
we all are redeemed by the blood of Christ, making us brothers and
sisters in Christ. This gives humans the ability to call on the
power of angels or any heavenly being with an allegiance to God to
help them in their everyday lives, which is essential in spiritual
warfare. The book also includes the role of the angels, how they
have influence over our lives. Your personal praise, rejoicing, and
worship of Jesus and God could lead to the power of all heavenly
angels to serve God's ultimate plan for victory in spiritual
warfare. Perception is going to be a key in spiritual warfare.
Basically, one type of perception is visual perception, and it
deals with keeping your eyes from viewing all negative stimuli,
keeping demons away. It also deals with how God uses signs right in
plain view to show you that he is near. God uses subliminal
messages, people from your family, random people, and ministers to
deliver his Word. The book also talks about Satan, how he makes you
feel unhappy because of your sins, provoking bad language out of
your mouth, which can lead to evil thoughts, which can escalate to
deeper sin, and which can inevitably lead to the capture of your
soul. In the end, I show you many techniques on how to combat Satan
and how to believe in yourself. This powerful self-help book shows
that basic willpower and knowledge of Christ can defeat any
obstacle.
"The Prodigal Sign" sets out to characterise criticism as a set of
prodigal practices that exceed the constraints of primary texts,
history, and theory. This is not just because, as Derrida says, 'no
practice is ever totally faithful to its principle', but also
because critics are habitual runaways -- forever seeking to escape
the jurisdiction of their forebears and of the academy. Always on
the lookout for something new and distinctive to say about the same
old texts or for texts that have escaped the professional attention
of their peers, like the prodigal son, they live on their
inheritance while trying to escape from their own disciplinary
history. This work makes a case for celebrating the prodigal
condition and for another escape -- breaking out of traditional
constraints towards a hybrid form that combines the critical with
the creative.
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