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Social Psychology of Dress presents and explains the major theories
and concepts that are important to understanding relationships
between dress and human behavior. These concepts and theories are
derived from such disciplines as sociology, psychology,
anthropology, communication, and textiles and clothing. Information
presented will provide summaries of empirical research, as well as
examples from current events or popular culture. The book provides
a broad-based and inclusive discussion of the social psychology of
dress, including: - The study of dress and how to do it - Cultural
topics such as cultural patterns including technology, cultural
complexity, normative order, aesthetics, hygiene, ethnicity, ritual
- Societal topics such as family, economy-occupation, social
organizations and sports, fraternal organizations -
Individual-focused theories on deviance, personality variables,
self, values, body image and social cognition - Coverage of key
theories related to dress and identity provide a strong theoretical
foundation for further research Unique chapter features bring in
industry application and current events. The end-of-chapter
summaries, discussion questions and activities give students
opportunities to study and research dress. Teaching resources
including an instructor's guide, test bank and PowerPoint
presentations with full-color versions of images from the textbook.
Social Psychology of Dress STUDIO - Study smarter with self-quizzes
featuring scored results and personalized study tips - Review
concepts with flashcards of essential vocabulary - Download
worksheets to complete chapter activities
This text is designed to introduce important concepts related to
the consumption of fashion and clothing to beginning students.
Designed to support teaching and learning, this book looks at the
cultural and economic significance of the global fashion industry.
Beginning with an historical overview of fashion consumption, the
book then provides an analysis of both rational normative consumer
decision-making as well as hedonic and alternative consumption
patterns. It concludes with a look at ethical decision-making and
social responsibility concerning design, production, and
consumption.Each chapter contain definitions of the key concepts,
overviews of the relevant theories, case studies, as well as
summary sections, a listing of key terms, questions for discussion,
and assignments for class use. Combining insights and perspectives
from a wide range of disciplinary approaches, including fashion,
cultural studies, sociology and business, this book will be of
interest to students on a variety of courses studying consumer
behaviour.
Although it can be difficult to think of fashion in anything other
than a contemporary context, as a concept it is hardly new. Costume
historians trace the birth of fashion back to the thirteenth
century and writings on fashion date back as early as the sixteenth
century when Michel de Montaigne pondered its origins, thereby
setting in motion a chain of inquiry that has continued to intrigue
writers for centuries. This key text reprints classic fashion
writings, all of which have had a profound if perhaps untrumpeted
impact on our understanding and approach to modern day dress - from
the psychology of clothes through to collective fashion trends. Why
do we wear clothes? What do they say about our self-awareness and
body image? How can we 'fashion' new identities through what we
wear? Seminal fashion statements by Montaigne, William Hazlitt,
Herbert Spencer, Thorstein B. Veblen, Adam Smith, Herbert Blumer,
and Georg Simmel answer these questions and many more. Full of
vital fashion treasures that have often been ignored, this book
fills a major gap in the history of the discipline and will serve
as an essential teaching text for years to come.
Appearance has repeatedly been shown to have a potent and immediate
effect on others in a wide range of circumstances. In particular,
the consequences of women's appearance are severe and have social,
economic, and legal ramifications. From the more obvious role of
uniforms in social control through to the subtle interplay between
size and status, appearance counts. The vast number of people
seeking body alterations or modifications through dieting,
tattooing, piercing and plastic surgery attests to the importance
of how we look, not only to others but also to ourselves. This book
tackles the charged and frequently painful subject of how
appearance affects social interaction and the role of larger social
structures in perpetuating and institutionalizing it as an
evaluative criterion. What effect does obesity have on
power(lessness)? What role does women's dress play in others'
perception of consent in cases of rape? How do groups operating on
the margins of mainstream society use appearance to negotiate
power, make statements and effect change? What roles do gender and
ethnicity play in the workplace? This provocative book attempts not
only to answer these questions, but to lay foundations for future
research in an area which affects everyone in profound and often
invisible ways.
Although it can be difficult to think of fashion in anything other
than a contemporary context, as a concept it is hardly new. Costume
historians trace the birth of fashion back to the thirteenth
century and writings on fashion date back as early as the sixteenth
century when Michel de Montaigne pondered its origins, thereby
setting in motion a chain of inquiry that has continued to intrigue
writers for centuries. This key text reprints classic fashion
writings, all of which have had a profound if perhaps untrumpeted
impact on our understanding and approach to modern day dress - from
the psychology of clothes through to collective fashion trends. Why
do we wear clothes? What do they say about our self-awareness and
body image? How can we 'fashion' new identities through what we
wear? Seminal fashion statements by Montaigne, William Hazlitt,
Herbert Spencer, Thorstein B. Veblen, Adam Smith, Herbert Blumer,
and Georg Simmel answer these questions and many more. Full of
vital fashion treasures that have often been ignored, this book
fills a major gap in the history of the discipline and will serve
as an essential teaching text for years to come.
Appearance has repeatedly been shown to have a potent and immediate
effect on others in a wide range of circumstances. In particular,
the consequences of women's appearance are severe and have social,
economic, and legal ramifications. From the more obvious role of
uniforms in social control through to the subtle interplay between
size and status, appearance counts. The vast number of people
seeking body alterations or modifications through dieting,
tattooing, piercing and plastic surgery attests to the importance
of how we look, not only to others but also to ourselves.
This book tackles the charged and frequently painful subject of how
appearance affects social interaction and the role of larger social
structures in perpetuating and institutionalizing it as an
evaluative criterion. What effect does obesity have on
power(lessness)? What role does women's dress play in others'
perception of consent in cases of rape? How do groups operating on
the margins of mainstream society use appearance to negotiate
power, make statements and effect change? What roles do gender and
ethnicity play in the workplace?
This provocative book attempts not only to answer these questions,
but to lay foundations for future research in an area which affects
everyone in profound and often invisible ways.
This text is designed to introduce important concepts related to
the consumption of fashion and clothing to beginning students.
Designed to support teaching and learning, this book looks at the
cultural and economic significance of the global fashion industry.
Beginning with an historical overview of fashion consumption, the
book then provides an analysis of both rational normative consumer
decision-making as well as hedonic and alternative consumption
patterns. It concludes with a look at ethical decision-making and
social responsibility concerning design, production, and
consumption.Each chapter contain definitions of the key concepts,
overviews of the relevant theories, case studies, as well as
summary sections, a listing of key terms, questions for discussion,
and assignments for class use. Combining insights and perspectives
from a wide range of disciplinary approaches, including fashion,
cultural studies, sociology and business, this book will be of
interest to students on a variety of courses studying consumer
behaviour.
Social Psychology of Dress presents and explains the major theories
and concepts that are important to understanding relationships
between dress and human behavior. These concepts and theories are
derived from such disciplines as sociology, psychology,
anthropology, communication, and textiles and clothing. Information
presented will provide summaries of empirical research, as well as
examples from current events or popular culture. The book provides
a broad-based and inclusive discussion of the social psychology of
dress, including: - The study of dress and how to do it - Cultural
topics such as cultural patterns including technology, cultural
complexity, normative order, aesthetics, hygiene, ethnicity, ritual
- Societal topics such as family, economy-occupation, social
organizations and sports, fraternal organizations -
Individual-focused theories on deviance, personality variables,
self, values, body image and social cognition - Coverage of key
theories related to dress and identity provide a strong theoretical
foundation for further research Unique chapter features bring in
industry application and current events. The end-of-chapter
summaries, discussion questions and activities give students
opportunities to study and research dress. Teaching resources
including an instructor's guide, test bank and PowerPoint
presentations with full-color versions of images from the textbook.
Social Psychology of Dress STUDIO - Study smarter with self-quizzes
featuring scored results and personalized study tips - Review
concepts with flashcards of essential vocabulary - Download
worksheets to complete chapter activities PLEASE NOTE: Purchasing
or renting this ISBN does not include access to the STUDIO
resources that accompany this text. To receive free access to the
STUDIO content with new copies of this book, please refer to the
book + STUDIO access card bundle ISBN 9781501330711.
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