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This study is concerned with how readers are positioned to interpret the past in historical fiction for children and young adults. Looking at literature published within the last thirty to forty years, Wilson identifies and explores a prevalent trend for re-visioning and rewriting the past according to modern social and political ideological assumptions. Fiction within this genre, while concerned with the past at the level of content, is additionally concerned with present views of that historical past because of the future to which it is moving. Specific areas of discussion include the identification of a new sub-genre: Living history fiction, stories of Joan of Arc, historical fiction featuring agentic females, the very popular Scholastic Press historical journal series, fictions of war, and historical fiction featuring multicultural discourses. Wilson observes specific traits in historical fiction written for children ? most notably how the notion of positive progress into the future is nuanced differently in this literature in which the concept of progress from the past is inextricably linked to the protagonist's potential for agency and the realization of subjectivity. The genre consistently manifests a concern with identity construction that in turn informs and influences how a metanarrative of positive progress is played out. This book engages in a discussion of the functionality of the past within the genre and offers an interpretative frame for the sifting out of the present from the past in historical fiction for young readers.
This study is concerned with how readers are positioned to interpret the past in historical fiction for children and young adults. Looking at literature published within the last thirty to forty years, Wilson identifies and explores a prevalent trend for re-visioning and rewriting the past according to modern social and political ideological assumptions. Fiction within this genre, while concerned with the past at the level of content, is additionally concerned with present views of that historical past because of the future to which it is moving. Specific areas of discussion include the identification of a new sub-genre: Living history fiction, stories of Joan of Arc, historical fiction featuring agentic females, the very popular Scholastic Press historical journal series, fictions of war, and historical fiction featuring multicultural discourses. Wilson observes specific traits in historical fiction written for children - most notably how the notion of positive progress into the future is nuanced differently in this literature in which the concept of progress from the past is inextricably linked to the protagonist's potential for agency and the realization of subjectivity. The genre consistently manifests a concern with identity construction that in turn informs and influences how a metanarrative of positive progress is played out. This book engages in a discussion of the functionality of the past within the genre and offers an interpretative frame for the sifting out of the present from the past in historical fiction for young readers.
Not even Tolstoy would dare use the eyebrow-raising Russian you'll find in this wickedly humorous language guide by one of Russia's bestselling novelists today. Whether you're traveling to Russia for the first time or you are a student of the language, this indispensable book is your entree to the real and new Russian that has never been taught. You'll be armored with triple-decker curses and insults, endearments and expressions for situations ranging from high-level business meetings to cocktail parties to sexual encounters. Filled with words, idioms, and vulgarisms you won't learn in a classroom, plus twenty hilarious line drawings and a complete index to vital expletives, Dermo! will provide you with the uncensored answers to the questions you always wanted to know...but no translator would ever tell you!
A member of Muddy Waters' legendary late 1940s-1950s band, Jimmy
Rogers pioneered a blues guitar style that made him one of the most
revered sidemen of all time. Rogers also had a significant if
star-crossed career as a singer and solo artist for Chess Records,
releasing the classic singles "That's All Right" and "Walking By
Myself."
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