"Wooden fish songs" were the laments sung by Chinese women left behind by husbands, sons, and brothers who, in the nineteenth century, sailed to America in quest of the good life - and found instead years of indentured servitude and racial discrimination. This novel focuses on Lue Gim Gong, a real-life Chinese pioneer, who seized the opportunity to go to America's "Gold Mountain." The story of his attempt to assimilate the new culture, his few successes and his frequent setbacks, is told not by himself but by the women who cared most about him: his mother in China, a New England spinster who loved him, and a friend and coworker who was the daughter of slaves. Ruthanne Lum McCunn brings her characters to life against a backdrop that ranges from China, with its deep roots in tradition, to the stern imperatives of a New England mill town and to 1870s Florida, where Lue developed the new species of frost-hardy oranges for which he is today remembered. First published in 1995, this new edition includes an introduction by King-Kok Cheung, University of California, Los Angeles, and an afterword by the author. For more information about the author go to http://www.mccunn.com/

This book provides a survey of literature by North American writers of Asian descent, both by national origins (Chinese, Filipino, Japanese, Korean, South Asian, Vietnamese) and by shared concerns. The volume is intended to serve as both a guide and a reference work for scholars, teachers, and students in Asian American studies, ethnic studies, and American studies. In terms of breadth and depth of coverage it is the first of its kind.

This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers' formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the "other" country and to look homeward without blinders.

An apprentice sushi chef and a mysterious blue-eyed woman share a bottle of wine inside a climate-controlled otter tank. The Great Wall of China grumbles as workers forego construction to watch an imperial game of baseball. A young woman tries to imagine a future unsullied by her family's history of untimely death. First issued in 1991, Pangs of Love introduced David Wong Louie's bold storytelling. The son of Chinese immigrants, he centered his stories around characters who are in conflict with their place in the world, disconnected from both American society and their own families. The depth of his portrayals renders their experiences of love, envy, loneliness, loss, and duty universal-informed by their heritage yet not confined by it. These twelve short stories and one essay swerve from the absurd to longing for love, understanding, or simply a morsel of food. Pangs of Love and Other Writings makes Louie's debut book available again, along with an additional short story and an extraordinary autobiographical essay, "Eat, Memory," in which he reflects on life without food after throat cancer took away his ability to swallow. Pulitzer Prize-winner Viet Thanh Nguyen contributes a foreword elucidating Louie's role in shaping contemporary Asian American literature, while an afterword by literary scholar King-Kok Cheung retraces the three phases of Louie's career.

An apprentice sushi chef and a mysterious blue-eyed woman share a bottle of wine inside a climate-controlled otter tank. The Great Wall of China grumbles as workers forego construction to watch an imperial game of baseball. A young woman tries to imagine a future unsullied by her family's history of untimely death. First issued in 1991, Pangs of Love introduced David Wong Louie's bold storytelling. The son of Chinese immigrants, he centered his stories around characters who are in conflict with their place in the world, disconnected from both American society and their own families. The depth of his portrayals renders their experiences of love, envy, loneliness, loss, and duty universal-informed by their heritage yet not confined by it. These twelve short stories and one essay swerve from the absurd to longing for love, understanding, or simply a morsel of food. Pangs of Love and Other Writings makes Louie's debut book available again, along with an additional short story and an extraordinary autobiographical essay, "Eat, Memory," in which he reflects on life without food after throat cancer took away his ability to swallow. Pulitzer Prize-winner Viet Thanh Nguyen contributes a foreword elucidating Louie's role in shaping contemporary Asian American literature, while an afterword by literary scholar King-Kok Cheung retraces the three phases of Louie's career.

Hisaye Yamamoto's often-reprinted tale of a naive American daughter and her Japanese mother captures the essence of the cultural and generational conflicts so common among immigrants and their American-born children. On the surface, ""Seventeen Syllables"" is the story of Rosie and her preoccupation with adolescent life. Between the lines, however, lurks the tragedy of her mother, who is trapped in a marriage of desperation. Tome's deep absorption in writing haiku causes a rift with her husband, which escalates to a tragic event that changes Rosie's life forever. Yamamoto's disarming style matches the verbal economy of haiku, in which all meaning is contained within seventeen syllables. Her deft characterizations and her delineations of sexuality create a haunting story of a young girl's transformation from innocence to adulthood. This casebook includes an introductin and an essay by the editor, an interview with the author, a chronology, authoritative texts of ""Seventeen Syllables"" (1949) and ""Yoneko's Earthquake"" (1951), critical essays, and a bibliography. The contributors are Charles L. Crow, Donald C. Goellnicht, Elaine H. Kim, Dorothy Ritsuko McDonald, Zenobia Baxter Mistri, Katharine Newman, Robert M. Payne, Robert T. Rolf, and Stan Yogi.

Seventeen Syllables and Other Stories brings together fifteen stories that span Hisaye Yamamoto's forty-year career. It was her first book to be published in the United States. Yamamoto's themes include the cultural conflicts between the first generation, the Issei and their children, the Nisei; coping with prejudice; and the World War II internment of Japanese Americans.

In this pathbreaking book, King-Kok Cheung sheds new light on the thematic and rhetoncal uses of silence in fiction by three Asian American women: Hisaye Yamamoto, Maxine Hong Kingston, and JoyKogawa. Boldly articulating the unspeakable, these writers break the silence imposed by families or ethnic communities and defy the dominant culture that suppresses the voicing of minority experiences. Yet at the same time, they demonstrate how silences-voiceless gestures, textual ellipses, authorial hesitations-can themselves be articulate. Drawing on theoretical works on women's writing, on ethnicity and race, and on postmodernism and history, Cheung takes issue with Anglo-American feminists who valorize speech unequivocally and with revisionist Asian American male critics who attempt to refute Orientalist stereotypes by renouncing silence. She challenges Eurocentric views of speech and silence as polarized, hierarchical, and gendered, and proposes an approach to Asian American literature which overturns the "East-West" or "dual personality" model. Yamamoto, Kingston, and Kogawa interweave speech and silence, narration and ellipses, autobiography and fiction as they adapt and recast Asian and Euro-American precursors. Drawing freely from both traditions, they reinvent the past by decentering, disseminating, and interrogating authority-but not by reappropriating it. A fresh and subtle response to issues relating to cultural diversity, Articulate Silences will be important reading for scholars and students in the fie,4s of literary theory and criticism, women's studies, Asian American studies, and ethnic studies.