Over 3,000 churches were built in Poland between 1945 and 1989, despite the socialist state's hostility towards religion. We call this Day-VII Architecture. Built by parishioners from scavenged or pinched materials, the churches were at once an expression of faith and a form of anti-government protest. Their fantastic designs broke with the state's rigid urbanism. Neither legal nor prohibited, the construction of churches during this period engaged the most talented architects and craftspeople, who in turn enabled parish communities to build their own houses of worship. These community projects eventually became crucial sites for the democratization of Poland. Unearthing the history of these churches through photography and interviews with their designers, this publication sheds new light on the architectural dimension of Poland's trans-formation from state socialism to capitalism.

Preservation is ordinarily reserved for architecture that is unique. So how would we go about preserving buildings that are utterly generic? Such is the case with Belyayevo, an ordinary residential district in Moscow. Belyayevo is a typical microrayon - the standardised neighbourhood system that successive Soviet regimes laid out across the USSR in what was the most expansive programme of industrialised construction the world has ever seen. Belyayevo's buildings, and the desolate spaces between them, are identical to thousands of others, but is it different? Kuba Snopek argues that it is. Home to many of the artists of the Moscow Conceptualism School, the place was written into the character of their art. Snopek argues that this intangible heritage is the key to saving a neighbourhood many feel has had its day. But as Russia comes to terms with its Soviet legacy, will such arguments fall on deaf ears?