This Japanese comedy drama by Yasujiro Ozu, based on a novel by Ton Satomi, is a reworking of his earlier film 'Late Spring'. At the memorial service of their friend, Miwa (Chishu Ryu), three of his old friends devise a plot to find a husband for his unmarried daughter, Ayako (Yoko Tsukasa). To their consternation, Ayako refuses to fall in with their plan, expressing a preference to remain with her mother, Akiko (Setsuko Hara). The three men all harbour a lifetime crush on Akiko but agree that one of them should marry Ayako, which causes conflict among both family and friends. Eventually, with the help of Ayako's friend, Yukiko (Mariko Okada), Akiko and Ayako are reconciled, and Ayako concedes to marry according to the wishes of her elders.

Yasujiro Ozu co-writes and directs this nuanced family drama, the second of three films to star Setsuko Hara as the headstrong and warm-hearted Noriko. Living in post-Second World War Tokyo with her extended family, Noriko contributes to the household income by working as a secretary, but her parents are concerned that she has reached the advanced age of 28 without thus far securing herself a husband. When she receives a proposal from a family friend 12 years her senior, her family sees this as a wonderful opportunity - but to everyone's surprise Noriko has plans of her own.

Yasujirô Ozu directs this 1950s Japanese drama that revolves around ageing, mortality and intergenerational tensions. When elderly couple Tomi and Shukichi Hirayama (Chieko Higashiyama and Chishu Ryu) travel from their rural village home to Tokyo to visit their married son and daughter their reception is disappointing. Met with selfish indifference and impatience by their children and their grandchildren, they are soon packed off to a spa - but when Tomi falls ill, her descendants are forced to re-evaluate their priorities.

Comedy from the great Japanese director Yasujiro Ozu. In a suburban community in the 1950s two brothers, Minoru (Koji Shitara) and Isamu (Masahiko Shimazu), are frustrated and disappointed when their parents will not buy them a television. Not understanding the way adults converse, the brothers refuse to speak to all grown-ups from this point on and run away from home. But will their protests convince their parents to get a television?