A revised, updated and expanded edition of the first concise introduction to the study of the Etruscan language in English. The standard historical reference and a popular textbook for students of languages, linguistics, ancient civilization and Etruscan studies. Provides the best collection of Etruscan inscriptions and texts currently in print. A substantial archeological introduction sets language and inscriptions in their historical, geographical and cultural context. The overview of Etruscan grammar, the glossary and chapters on mythological figures all incorporate the latest scholarship and innovative discoveries. -- .

Professor Larissa Bonfante’s great gift is the ability to evoke in a fresh, immediate, and convincing way the experiences, beliefs, and thoughts of people living more than two thousand years ago. Images and Translations: The Etruscans Abroad communicates the sensations of other times and places, from the day to day to the solemnly ritualistic. The world of the Etruscans, sophisticated and pleasure-loving, radiated throughout a vast area of the ancient world. Starting from works of art created by individuals of ages very different from our own, Bonfante examined the expertise and production of the artists and artisans who made them, the tastes of those who used them, and the sometimes surprising results of the exchanges between creators and buyers. Just as the French demand for Chinese ceramics in the seventeenth century gave birth to the unprecedented famille colors, so the production of Greek ceramics for the Etruscan market produced singularly expressive depictions. Humorous, pious, or erotic to the buyers, they could be shocking to the culture who made them. Images and Translations explores areas in much closer economic and cultural contact than is usually recognized. Following traces and transformations, this book finds threads of connection not only between Italy and Greece, but between Italy and northern Europe—today’s France and Germany—as well as between Italy and the Near East. Etruscan influence runs through Western history, into the Renaissance, and emerges in imagery still evocative today.

The lively ferment in Etruscan studies, generated in part by recent archaeological discoveries and fostered by new trends in interpretation, has produced a wealth of information about the people historians traditionally considered as inaccessible. Now, scholars are reconstructing a portrait of the wealthy, sophisticated Etruscans whose territory once extended from the Po River to the Bay of Naples. Unfortunately, the wider English-speaking public has had no single resource which synthesizes these new findings and interpretations about the Etruscans. In fact, some sources continue to propagate the traditional myth of the "enigmatic and isolated Etruscans." In response, the eminent Etruscan scholar Larissa Bonfante asked seven other internationally known classicists to join her in providing this "handbook" for the non-specialist as an authoritative and readable guide to the burgeoning Etruscan scholarship. As Bonfante explains in the introductory chapter, "The Etruscans provide an excellent opportunity of turning archaeology into history: this we tried to do, in our chapters, according to our individual directions. Nancy Thomson de Grummond traces the interest in and knowledge of the Etruscans from the earliest days. Mario Torelli provides an independent account of Etruscan history, based on monuments and sources. Jean MacIntosh Turfa belies the cliche of the Etruscans' traditional 'isolation' by surveying the material evidence for their trade with the Phoenicians, Greeks, and other neighbors in the Mediterranean. Marie-Francoise Briguet, Friedhelm Prayon, David Tripp, and I survey Etruscan art, architecture, coinage, and daily lives, respectively, Emeline Richardson contributes what she calls a 'primer' in the Etruscan language, a basic archaeological introduction to the Etruscan language, meant to help newcomers read the inscriptions on many of the monuments illustrated and to see these with the interdisciplinary approach so characteristic of, and necessary in, Etruscan studies." The book is profusely illustrated with over 300 photos and maps. Notes and bibliographic references lead to standard texts on the Etruscans and to the more specialized literature in the field. The result is a reliable and lively volume which brings readers into the mainstream of the latest Etruscan scholarship.

This title provides a panoramic view of ancient cultures in Italy. This impressive collection brings to light the works of international scholars, some previously unavailable to an English-language audience. With new information and assessments about the art, architecture, and archaeology of one of the most dynamic periods in the history of the ancient world - the transition between pre-Roman and Roman Italy - these scholars focus on ancient Italy and the wider Mediterranean. Shedding new light on the evidence of well-known and recently excavated sites and the objects they have yielded - their iconography, manufacturing techniques, and afterlives - this collection follows the first archaeological traces of the rise of ancient Italy to its rediscovery in the Renaissance and its reinvention in contemporary fiction, offering a vibrant contribution to classical studies. Paying tribute to Richard Daniel De Puma, a scholar who has made significant and influential contributions to Etruscan and Roman studies, the contributors to this collection echo the ambition and creativity of his work while offering an up-to-date survey of contemporary Etruscan scholarship. In surveying new developments in both fields, the work collected here represents the diverse, interdisciplinary interests of De Puma as well as areas of recent groundbreaking research.

These essays survey, document and elucidate over a thousand years of Roman garments and accessories, from Etruscan influences to the transition to early Christian and medieval garb. Subjects include functional and symbolic uses, manufacture and industry, male, female and children's garb, and daily life and official dress.

The Barbarians of Ancient Europe deals with the reality of the indigenous peoples of Europe, in contrast to many publications that explore these peoples in the context of the Greek idea of 'barbarians' as the 'Other'. These varied groups - Thracians, Scythians, Celts, Germans, Etruscans, and other peoples of Italy, the Alps, and beyond - had contact with one another and with Greek culture during its flowering. Images on the spectacular gold and silver objects buried in royal tombs show how the horse-riding nomads and the barbarian women warriors known in antiquity as Amazons saw themselves. Archaeological discoveries show how they dressed, what they ate and drank, where they lived, and how they honored their dead kings with barbaric splendor and human sacrifices, allowing us to change, correct, or confirm the picture given in Greek and Roman literature.

The Barbarians of Ancient Europe deals with the reality of the indigenous peoples of Europe, in contrast to many publications that explore these peoples in the context of the Greek idea of 'barbarians' as the 'Other'. These varied groups - Thracians, Scythians, Celts, Germans, Etruscans, and other peoples of Italy, the Alps, and beyond - had contact with one another and with Greek culture during its flowering. Images on the spectacular gold and silver objects buried in royal tombs show how the horse-riding nomads and the barbarian women warriors known in antiquity as Amazons saw themselves. Archaeological discoveries show how they dressed, what they ate and drank, where they lived, and how they honored their dead kings with barbaric splendor and human sacrifices, allowing us to change, correct, or confirm the picture given in Greek and Roman literature.