Horror in which a clinical trial at a remote facility goes terribly wrong. Among those who sign up to test ProSyntrex's latest drug Pro9 are Adam (Aneurin Barnard), Joni (Alex Reid), Carmen (Skye Lourie) and Jed (Oliver Coleman). The trial is highly secret, with no-one, including the staff who administer injections, aware of who is receiving the drug and who is in the placebo group. Shortly after the trial begins it becomes clear that something has gone wrong. There are unexplained disappearances, bizarre silhouettes and screaming from behind locked doors. Locked inside the facility, unaware of the true nature of events, the surviving patients and staff must band together to try and find a way out of the nightmare.

The sequel to Disney's popular animated feature 'Aladdin'. Aladdin (Scott Weinger) is gradually getting used to being part of the inner circle of royalty. He and his fiancée Princess Jasmine (Linda Larkin) have yet to marry, but the pressures and duties of life in palace society have already begun. Meanwhile, Jafar the evil sorcerer (Jonathan Freeman) is safely trapped inside the magic lamp - but trouble starts when a clumsy thief, Abis Mal (Jason Alexander), accidently releases him, and he starts to plot his revenge against Aladdin. Aladdin must now put his wedding plans on hold and enlist the help of his friends to foil Jafar once and for all and save the Sultan's kingdom.

A straight-to-video spin-off from Disney's 1993 animated feature. Aladdin is worried about his impending marriage to Princess Jasmine, and in particular his future role as a father, as he has never known his own. When the forty thieves steal a magical talisman during the ceremony, Aladdin is forced to put such concerns to one side. However, as he attempts to retrieve the missing jewel, he unwittingly moves closer to finding his long-lost dad.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.