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"Rock and Popular Music" examines the relations between the
policies and institutions which regulate contemporary popular music
and the political debates, contradictions and struggles in which
those musics are involved. International in its scope and
conception, this innovative collection brings together some of the
most authoritative writers on rock and popular music in North
America, Europe and Australia. The essays explore and develop three
main areas of debate. First, comparative examinations of the role
played by governments in either supporting or inhibiting the
development of popular music industries reveal a significant
diversity of relations between the state and the musical sphere. A
second theme demonstrates the important role of broadcasting
policies in organizing the "audio-spaces" within which particular
musical communities can be formed and seek expression, and finally
the book reconsiders some of the classical political issues of rock
and popular music theory and debate in the context of their
specific policy and institutional settings.
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