France has long attracted the attention of many of America's most accomplished historians. The field of French history has been vastly influential in American thought, both within the academy and beyond, regardless of France's standing among U.S. political and cultural elites. Even though other countries, from Britain to China, may have had a greater impact on American history, none has exerted quite the same hold on the American historical imagination, particularly in the post-1945 era.

To gain a fresh perspective on this passionate relationship, Laura Lee Downs and Stephane Gerson commissioned a diverse array of historians to write autobiographical essays in which they explore their intellectual, political, and personal engagements with France and its past. In addition to the essays, Why France? includes a lengthy introduction by the editors and an afterword by one of France's most distinguished historians, Roger Chartier. Taken together, these essays provide a rich and thought-provoking portrait of France, the Franco-American relationship, and a half-century of American intellectual life, viewed through the lens of the best scholarship on France.

Contributors: Ken Alder, Northwestern University; John W. Baldwin, The Johns Hopkins University; Edward Berenson, New York University; Herrick Chapman, New York University; Roger Chartier, Ecole des Hautes Etudes en Sciences Sociales; Clare Haru Crowston, University of Illinois at Urbana-Champaign; Barbara Diefendorf, Boston University; Laura Lee Downs, Ecole des Hautes Etudes en Sciences Sociales; Stephane Gerson, New York University; Jan Goldstein, The University of Chicago; Lynn Hunt, UCLA; Steven Kaplan, Cornell University; Thomas Kselman, Notre Dame University; Herman Lebovics, SUNY Stony Brook; Robert Paxton, Columbia University; Todd Shepard, The Johns Hopkins University; Leonard V. Smith, Oberlin College; Gabrielle Spiegel, The Johns Hopkins University; Tyler Stovall, University of California, Berkeley"

This volume about the Vichy years and the German Occupation of 1940-1944 uses as a starting point Robert Paxton's Vichy France: Old Guard and New Order, which provided a meticulously documented portrait of a nation consumed by indecision and self-doubt. The essays by the foremost scholars in the field place the Occupation of France in the context of other episodes in French history, and in the context of other occupied countries during World War II. They consider communities of belief during the Vichy years, examine how the experience of war and occupation shaped the everyday lives of people, and look at the ongoing reconstruction of the memory of the Vichy years.
This collection of essays takes up where Paxton left off and shows how the last twenty-five years of scholarship have made problematic the tidy categories used to describe behaviour during the Vichy years. The authors point to new directions in the field and address both the myth of the 'nation of forty million resisters' that Paxton demolished and the creation of a new myth -- that the French have failed or refused to confront their past.

France has long attracted the attention of many of America's most accomplished historians. The field of French history has been vastly influential in American thought, both within the academy and beyond, regardless of France's standing among U.S. political and cultural elites. Even though other countries, from Britain to China, may have had a greater impact on American history, none has exerted quite the same hold on the American historical imagination, particularly in the post-1945 era.

To gain a fresh perspective on this passionate relationship, Laura Lee Downs and Stephane Gerson commissioned a diverse array of historians to write autobiographical essays in which they explore their intellectual, political, and personal engagements with France and its past. In addition to the essays, Why France? includes a lengthy introduction by the editors and an afterword by one of France's most distinguished historians, Roger Chartier. Taken together, these essays provide a rich and thought-provoking portrait of France, the Franco-American relationship, and a half-century of American intellectual life, viewed through the lens of the best scholarship on France.

Contributors: Ken Alder, Northwestern University; John W. Baldwin, The Johns Hopkins University; Edward Berenson, New York University; Herrick Chapman, New York University; Roger Chartier, Ecole des Hautes Etudes en Sciences Sociales; Clare Haru Crowston, University of Illinois at Urbana-Champaign; Barbara Diefendorf, Boston University; Laura Lee Downs, Ecole des Hautes Etudes en Sciences Sociales; Stephane Gerson, New York University; Jan Goldstein, The University of Chicago; Lynn Hunt, UCLA; Steven Kaplan, Cornell University; Thomas Kselman, Notre Dame University; Herman Lebovics, SUNY Stony Brook; Robert Paxton, Columbia University; Todd Shepard, The Johns Hopkins University; Leonard V. Smith, Oberlin College; Gabrielle Spiegel, The Johns Hopkins University; Tyler Stovall, University of California, Berkeley"

How has feminist scholarship changed history? Writing Gender History explores the evolution of historical writing about women and gender from the 1930s until the early twenty-first century. With chapters on the history of Europe, the USA, colonial India and Africa, the disucssion moves from women's history to gender history, and then to poststructuralist challenges to that history. This revised edition includes an exciting new chapter looking at recent scholarship on race, gender and sexuality in colonial and transnational history, and on the history of the body. Highly accessibly but also encouraging new debate, this book provides students with a comprehensive understanding of gender history, as well as its possible future. Reviews of the first edition: 'Ingenuity and perspicuity shine through Laura Lee Downs' superb distillation and analysis of women's and gender history. To understand accomplishments and changes in the field, put this book at the top of your list.' Nancy F. Cott, Professor of American History, Harvard University. 'Puts the entire range of women's and gender history into context, showing how it challenges the conventional pieties, opens up new veins of research, and transforms our understanding of every aspect of history. Her command of the literature is simply astounding...Sure to be seen as a landmark in the development of the field of history in the broadest sense.' Lynn Hunt, Professor of Modern European History, UCLA.