Experiencing Networked Urban Mobilities looks at the different experiences of networked urban mobilities. While the focus in the first book is on conceptual and theory-driven perspective, this second volume emphasizes the empirical investigation of networked urban mobilities. This book is a resource for researchers interested in the field to gain easy access and overviews of different themes and approaches represented in the mobilities paradigm.

Experiencing Networked Urban Mobilities looks at the different experiences of networked urban mobilities. While the focus in the first book is on conceptual and theory-driven perspective, this second volume emphasizes the empirical investigation of networked urban mobilities. This book is a resource for researchers interested in the field to gain easy access and overviews of different themes and approaches represented in the mobilities paradigm.

Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character-a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquin Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic-first published in Argentina in 2014 and appearing here in English for the first time-Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers to express her opposition to the 1966 Argentine coup, to Spanish students' protest signs bearing her face, to the comic's cult status in Korea, Cosse provides insights into the cartoon's production, circulation, and incorporation into social and political conversations. Analyzing how Mafalda reflects generational conflicts, gender, modernization, the Cold War, authoritarianism, neoliberalism, and much more, Cosse demonstrates the unexpected power of humor to shape revolution and resistance.

Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character-a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquin Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic-first published in Argentina in 2014 and appearing here in English for the first time-Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers to express her opposition to the 1966 Argentine coup, to Spanish students' protest signs bearing her face, to the comic's cult status in Korea, Cosse provides insights into the cartoon's production, circulation, and incorporation into social and political conversations. Analyzing how Mafalda reflects generational conflicts, gender, modernization, the Cold War, authoritarianism, neoliberalism, and much more, Cosse demonstrates the unexpected power of humor to shape revolution and resistance.

The tumultuous 1960s saw a generation of Latin American youth enter into political life in unprecedented numbers. Though some have argued that these young-radical movements were inspired by the culture and politics of social movements burgeoning in Europe and the United States, youth activism developed its own distinct form in Latin America. In this book, Vania Markarian explores how the Uruguayan student movement of 1968 shaped leftist politics in the country for decades to come. She considers how students invented their own new culture of radicalism to achieve revolutionary change in Uruguay and in Latin America as a whole. By exploring the intersection of activism, political violence, and youth culture, Uruguay, 1968 offers new insights about such subjects as the "New Left" and "Revolutionary Left" that are central to our historical understanding of the 1960s across the globe.

Explore the mystical history of witches throughout time and all over the world. Discover the symbols of witchcraft, reveal the magic of crystals and become familiar with the spellbinding lore of the witch. Since ancient times, magic and witchcraft have inspired both fear and fascination. More recently, witchcraft has become a popular symbol for feminist empowerment. Everything a young witch needs to know is contained in Secrets of the Witch. Uncover the meaning and history behind magical tools and symbols such as cauldrons and pentagrams, find out the truths of the Salem Witch Trials and learn about witches in popular culture, from the ancient figure of Circe to Hermione Granger. Part history, part spellbook, this magical compendium gives a fascinating insight into the lives and practices of witchesthroughout time and from all over the world. Initiates to the ways of the witch will learn the stories of legendary and real-life witches, as well as how to make their own talisman, how to use magical crystals and plants, which familiar is right for them and so much more. Aspiring witches 9 years and older will find this an invaluable and empowering guide, filled with authentic detail and strikingly illustrated. With the supernatural wisdom of modern-day witches Elsa Whyte and Julie Legere and Laura Perez's rich artwork, step into your dark sisterhood and discover the Secrets of the Witch.

The tumultuous 1960s saw a generation of Latin American youth enter into political life in unprecedented numbers. Though some have argued that these young-radical movements were inspired by the culture and politics of social movements burgeoning in Europe and the United States, youth activism developed its own distinct form in Latin America. In this book, Vania Markarian explores how the Uruguayan student movement of 1968 shaped leftist politics in the country for decades to come. She considers how students invented their own new culture of radicalism to achieve revolutionary change in Uruguay and in Latin America as a whole. By exploring the intersection of activism, political violence, and youth culture, Uruguay, 1968 offers new insights about such subjects as the "New Left" and "Revolutionary Left" that are central to our historical understanding of the 1960s across the globe.

Poor Jessica was the target of bullies in six year old Chicago author, LaNiyah Bailey's HIGHLY-ACCLAIMED, debut "Not fat because I wanna be." After courageously deciding that "enough was enough" Jessica was determined to take a stand against her bullies. Now enlisting her best bud "Diva-pup" they form a super-hero duo now known as "Bully Busters." "Jessica" and "Diva-pup" are on an adventure. Taking over the town one bully at a time, follow them on this cool journey as they travel the world providing their very own "Bully Buster" intervention. In this educational coloring/activity book this duo will teach children of all ages that bullying and teasing people because of their differences is NEVER ok and that you should always love yourself no matter what. LaNiyah Bailey's mission is to influence children to accept people the way they are and to treat others the way they'd like to be treated. With fifty pages of light-hearted drawings illustrated by Laura Perez Ricaud, it delivers light-hearted true to life scenarios, inspirational quotes, and challenging games for all children. It allows children to discover, think and use their very own imagination while learning the importance of anti-bullying. This book will spark the much needed "bully" conversation early on.

Dans ce roman decapant, des le premier regard, nous sommes seduits et intimides par la force poetique du recit. ...on pensait que lorsqu'un animal mourrait, brusquement, sans raison apparente, cela signifiait qu'il sauvait la vie de son maitre, ainsi commence le voyage narratif qui prend votre souffle et maintient l'intrigue magistralement. La grande reussite de ce roman est de nous plonger dans la crudite du destin: Il faut que tu te seche avant d'en pourrir, dit le personnage, en quete de ses racines, de ses morts, de son soi, bravant la maladie et les absences de l'exil. Un exorcisme philosophique qui nous secoue.