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The text printed on the previous pages is devoted to three issues:
the joy of sex, intimate massage, and erotic games and foreplay.
Their keystone is intimate touch. Its function cannot be
overestimated, not only in its relation to sex but also to health,
personal well-being, cheerfulness and life energy, etc. Its most
evident role is in intimate massage. Of course, things are
different between people dear to one another and strangers. In the
first instance, intimate massage can be a prelude to sex, while in
the second case it is just a service performed for a specific
purpose. This publication is intended just as much for the single
audience as it is for couples. This is why sex and massage are
intertwined together in this book. However, it does not mean that
the author is encouraging sexual intercourse at the end of a
massage. Unless, of course, it is a result of the partners'
closeness and spontaneity. First of all, this publication shows the
outstanding role of intimate touch for our health and well-being.
Therapeutic intimate massage is not an overstatement for this
special kind of massage because, its proper use, leads to the
production of large amounts of endorphins which affect our mood.
This mechanism of our brain activity was described in Sexual
Healing by Barbara Keesling, PhD. It turns out that the same
results can be achieved during intimate massage. So, this is why
more than 300 ways of erotic and intimate touch are described in
the book. One does not have to check out all of them but instead
finding a reasonable quantity that corresponds to the temperament
is recommended.
Winner of the 2020 Seamus Heaney First Collection Prize. Winner of
the East Anglian Book Award for Poetry 2020. The Guardian's Poetry
Book of the Month August 2019. So Many Rooms, the debut collection
from Geoffrey Dearmer Prize-winning poet Laura Scott, moves with
its own lyric strangeness, opening up different rooms and also
different worlds.
Laura Scott's second collection, The Fourth Sister, is a book of
unusual love poems. It features an assorted cast: lovers and
sisters, but also parents and children, the living and the dead,
birds and trees, painters, playwrights and their characters, a
godfather who married the wrong man and a godmother who was surely
a spy. The book's energy flows out into other lives, discovering
vital connections and the gaps between them. Scott writes as a poet
in Wordsworth's sense: 'an upholder and preserver, carrying
everywhere relationship and love.'
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