Can I truly be a feminist and still go to church - not just in theory but in practice? Can I speak up in a religion that has a history of silencing women? And do I really need to ‘submit’ to my husband or ‘protect’ the guys in Church from lusting after my body?... The hot topic of feminism has been well documented and debated in mainstream media and yet, as Christians we come to the conversation from a slightly different vantage point. For starters, we have the benefit of a personal relationship with our creator plus the ultimate handbook in the Bible to work out what is right and just when it comes to equality. So why do many Christians feel the Bible presents a barrier rather than a boost when it comes to championing equality between the sexes? In Notes on Feminism, Lauren Windle draws upon her years as a journalist to weave together different voices on a topic that countless are wrestling with, but few are brave enough to probe and poke for fear of what we might find.

In this delightfully witty and uplifting book, thirty-something Lauren Windle shines a light on the trials and tribulations – and sometimes also the triumphs – of the world of Christian dating.

This is not a how-to guide.

Like having a coffee with your mates while you pore over your profile matches, heartbreaks and hilarious mishaps, Notes on Love draws on Lauren's own experiences of being single and dating in the Church to offer a funny, insightful and open-hearted collection of musings on the absurdity, messiness, pain and joy of it all.

With notes on ‘How to first date’ and ‘A million ways to meet people’ to ‘Disappointment’ and ‘Schrodinger’s boyfriend’, as well as looking at how you can find true love with yourself, your friends and family and above all in Christ, Notes on Love is a thought-provoking exploration of Christian relationships in the Church today.

This is a book for anyone who has struggled with dating in Church, or who has asked themselves how to be single as a Christian only to discover there’s no right answer. Warm, generous and honest, Notes on Love is an invitation to laugh, cry and know that whether you are male or female, single, coupled up or somewhere in between, you are not alone.

Examines the discourses around the role of bloodlines and kinship in the social hierarchies of early modern Europe "Blood is thicker than water," goes the old proverb. But do common bloodlines in fact demand special duties or prescribe affections? Thicker than Water examines the roots of this belief by studying the omnipresent discourse of bloodlines and kindred relations in the literature of early modern Europe. Early modern discourses concerning kinship promoted the idea that similar bloodlines dictated greater love or affinity, stabilizing the boundaries of families and social classes, as well as the categories of ethnicity and race. Literary representations of romantic relationships were instrumental in such conceptions, and Lauren Weindling examines how drama from England, France, and Italy tests these assumptions about blood and love, exposing their underlying political function. Among the key texts that Weindling studies are Shakespeare's Romeo and Juliet Othello, and The Merchant of Venice, Pierre Corneille's Le Cid, Giambattista della Porta's La Sorella and its English analog, Thomas Middleton's No Wit/Help Like a Woman's, John Ford's 'Tis Pity She's a Whore, and Machiavelli's La Mandragola. Each of these plays offers an extreme limit case for early modern notions of belonging and exclusion, through plots of love, courtship, and marriage, including blood feuds and incest. Moreover, they feature the voices of marginalized groups, unprivileged by these metrics and ideologies, and thus offer significant counterpoints to this bloody worldview. While most critical studies of blood onstage pertain to matters of guilt or violence, Thicker Than Water examines the work that blood does unseen in arbitrating social and emotional connections between persons, and thus underwriting our deepest forms of social organization.