Money facilitates the rites and rituals we perform in everyday life. More than a mere medium of exchange or a measure of value, it is the primary means by which we manifest a faith unique to our secular age. But what happens when individual belief (credo, 'I' believe) and the systems into which it is bound (credit, 'it' believes) enter into crisis? Where did the sacredness of money come from, and does it have a future? Why do we talk about debt and repayment in overtly moral terms? How should a theological critique of capitalism proceed today? With the effects of the 2008 economic crises continuing to be felt across the world, this volume brings together some of the most important contemporary voices in philosophy, literature, theology, and critical and cultural theory together in one volume to assert the need to interrogate and broaden the terms of the theological critique of capitalism.

"In 1968-69 I wanted to die, that is to say, stop living, being killed, but it was blocked on all sides," wrote Helene Cixous, esteemed French feminist, playwright, philosopher, literary critic, and novelist. Instead of suicide, she began to dream of writing a tomb for herself. This tomb became a work that is a testament to Cixous's life and spirit and a secret book, the first book she ever authored. Originally written in 1970, Tombe is a Homerian recasting of Shakespeare's Venus and Adonis in the thickets of Central Park, a book Cixous provocatively calls the "all-powerful-other of all my books, it sparks them off, makes them run, it is their Messiah." Masterfully translated by Laurent Milesi, Tombe preserves the sonic complexities and intricate wordplay at the core of Cixous's writing, and reveals the struggles, ideas, and intents at the center of her work. With a new prologue by the author, this is a necessary document in the development of Cixous's aesthetic as a writer and theorist, and will be eagerly welcomed by readers as a crucial building block in the foundation of her later work.

H. C. for Life, That Is to Say . . . is Derrida's literary critical recollection of his lifelong friendship with Helene Cixous. The main figure that informs Derrida's reading here is that of "taking sides." While Helene Cixous in her life and work takes the side of life, "for life," Derrida admits always feeling drawn to the side of death. Rather than being an obvious choice, taking the side of life is an act of faith, by wagering one's life on life. H. C. for Life sets up and explores this interminable "argument" between Derrida and Cixous as to what death has in store deep within life itself, before the end. In addition to being a memoir, it is also a theoretical confrontation-for example about the meaning of "might" and "omnipotence," and a philosophical and philological analysis of the crypts within the vast oeuvre of Helene Cixous. Finally, the book is Derrida's tribute to the thought of the woman whom he regards as one of the great French poets, writers, and thinkers of our time.

Money facilitates the rites and rituals we perform in everyday life. More than a mere medium of exchange or a measure of value, it is the primary means by which we manifest a faith unique to our secular age. But what happens when individual belief (credo, 'I' believe) and the systems into which it is bound (credit, 'it' believes) enter into crisis? Where did the sacredness of money come from, and does it have a future? Why do we talk about debt and repayment in overtly moral terms? How should a theological critique of capitalism proceed today? With the effects of the 2008 economic crises continuing to be felt across the world, this volume brings together some of the most important contemporary voices in philosophy, literature, theology, and critical and cultural theory together in one volume to assert the need to interrogate and broaden the terms of the theological critique of capitalism.

James Joyce and the Difference of Language offers an alternative look at Joyce's writing by placing his language at the intersection of various critical perspectives: linguistics, philosophy, feminism, psychoanalysis, postcolonialism and intertextuality. Combining close textual analysis and theoretically informed readings, an international team of leading scholars explores how Joyce's experiments with language repeatedly challenge our ways of reading. Topics covered include reading Joyce through translations; the role of Dante's literary linguistics in Finnegans Wake; and the place of gender in Joyce's modernism. Two further essays illustrate aspects of Joyce's cultural politics in Ulysses and the ethics of desire in Finnegans Wake. Informed by debates in Joyce scholarship, literary studies and critical theory, and addressing the full range of his writing, this volume comprehensively examines the critical diversity of Joyce's linguistic practices. It is essential reading for all scholars of Joyce and modernism.

H. C. for Life, That Is to Say . . . is Derrida's literary critical recollection of his lifelong friendship with Helene Cixous. The main figure that informs Derrida's reading here is that of "taking sides." While Helene Cixous in her life and work takes the side of life, "for life," Derrida admits always feeling drawn to the side of death. Rather than being an obvious choice, taking the side of life is an act of faith, by wagering one's life on life. H. C. for Life sets up and explores this interminable "argument" between Derrida and Cixous as to what death has in store deep within life itself, before the end. In addition to being a memoir, it is also a theoretical confrontation-for example about the meaning of "might" and "omnipotence," and a philosophical and philological analysis of the crypts within the vast oeuvre of Helene Cixous. Finally, the book is Derrida's tribute to the thought of the woman whom he regards as one of the great French poets, writers, and thinkers of our time.

Jacques Derrida remains a leading voice of philosophy, his works still resonating today-and for more than three decades, one of the main sites of Derridean deconstruction has been the arts. Collecting nineteen texts spanning from 1979 to 2004, Thinking out of Sight brings to light Derrida's most inventive ideas about the making of visual artworks. The book is divided into three sections. The first demonstrates Derrida's preoccupation with visibility, image, and space. The second contains interviews and collaborations with artists on topics ranging from the politics of color to the components of painting. Finally, the book delves into Derrida's writings on photography, video, cinema, and theater, ending with a text published just before his death about his complex relationship to his own image. With many texts appearing for the first time in English, Thinking out of Sight helps us better understand the critique of representation and visibility throughout Derrida's work, and, most importantly, to assess the significance of his insights about art and its commentary.

This collection of essays offers an original look at Joyce's writing by placing his language at the intersection of various critical perspectives: linguistics, philosophy, feminism, psychoanalysis, postcolonialism and intertextuality. Combining detailed textual analysis and theoretically informed study, an international team of leading scholars explores how Joyce's experiments with language repeatedly challenge our ways of reading. Drawing on current debates in Joyce scholarship, literary studies and critical theory, this volume comprehensively examines the critical diversity of Joyce's use of language.