Glamorous, seductive, and fun, made for lounging, frolicking, splashing, dipping, diving, floating, and escaping, swimming pools are symbols of both sport and leisure and conjure images of well-oiled bodies, colorful bikinis, and glimmering blue waters on hot summer days. Muse to writers, artists, photographers, and filmmakers, the swimming pool's careless opulence is splashed across the pages of this book in gorgeous images by contemporary photographers. In her second book for Rizzoli, curator, writer, and avid swimmer Lou Stoppard offers the promise of sunshine and the seduction of youth in her edit of some of the best contemporary swimming-pool photography. Organized by theme, from the glamour of the poolside party to the simple, meditative pleasure of being in the water, the selected photographs are as inspiring as they are moving. Photographers whose images are featured in this book include Solve Sundsbo, Glen Luchford, Inez and Vinoodh, Ryan McGinley, Diana Markosian, Martin Parr, Martine Franck, Alex Webb, Coco Capitan, and Nick Knight. This is the perfect gift purchase for photography fans, swimmers, and lovers of leisure.

Organized as a field guide, a literary anthology filled with classic and contemporary poems and essays inspired by wildflowers-perfect for writers, artists, and botanists alikeAmerican Wildflowers: A Literary Field Guide collects poems, essays, and letters from the 1700s to the present that focus on wildflowers and their place in our culture and in the natural world. Editor Susan Barba has curated a selection of plants and texts that celebrate diversity: There are foreign-born writers writing about American plants and American writers on non-native plants. There are rural writers with deep regional knowledge and urban writers who are intimately acquainted with the nature in their neighborhoods. There are female writers, Black writers, gay writers, indigenous writers. There are botanists like William Bartram, George Washington Carver, and Robin Wall Kimmerer, and horticultural writers like Neltje Blanchan and Eleanor Perenyi. There are prose pieces by Gwendolyn Brooks, Lydia Davis, and Aimee Nezhukumatathil. And most of all, there are poems: from Walt Whitman and Emily Dickinson, William Carlos Williams and T. S. Eliot to Allen Ginsberg and Robert Creeley, Lucille Clifton and Louise Gluck, Natalie Diaz and Jericho Brown. The book includes exquisite watercolors by Leanne Shapton throughout and is organized by species and botanical family-think of it as a field guide to the literary imagination.

Auction catalogs can tell you a lot about a person--their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor.

In Leanne Shapton's marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren't real people, but might as well be). Through photographs of the couple's personal effects--the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks)--the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate.

In an earlier work, "Was She Pretty?," Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In "Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris"--a very different yet equally original book--she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.

Auction catalogs can tell you a lot about a person--their passions and vanities, peccadilloes and aesthetics; their flush years and lean. Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor.

In Leanne Shapton's marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren't real people, but might as well be). Through photographs of the couple's personal effects--the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks)--the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate.

In an earlier work, "Was She Pretty?," Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In "Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris"--a very different yet equally original book--she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.

'Shapton has created a mystical territory - a performance, an exhibition, a guestbook - in which I felt the ghost within myself; the thing that will outlive me. A fearless and exquisite book' Miranda July Guestbook explores the glimmering, unsettling things that haunt us in the midst of life, combining stories, vignettes and an evocative curiosity cabinet of artifacts and images - found photographs, original paintings, Instagram-style portraits - to transform the traditional ghost story into something else entirely. 'Leanne Shapton has a way of making books entirely new, surreal, and uncanny ... Guestbook contains ghost stories for a world of images and captions, in which the ghosts are all of us, and our strange time' Sheila Heti, author of How Should a Person Be?