Most people only consider the Mississippi River when they cross it or when it inconveniently abandons its banks. But every year, millions of tons of cargo are transported by towboats on the river. In Peep Light: Stories of a Mississippi River Boat Captain, Captain Lee Hendrix provides unique insight on people who work and live on and near the Mississippi River. Hendrix, formerly a pilot for the Delta Queen Steamboat Co., has worked on the Mississippi for fifty years, first as a towboat deckhand in 1972 and eventually as a pilot of towboats and passenger vessels. For Hendrix and others like him, he is at home on the river, living and dining with the same people they work with, working with familiar faces for years at a time and yet meeting new people every day. Demonstrating a fascination not only with the river but also with the passions and dreams of those who live and work on it, these stories range from personal reflections on aging, experiencing one’s first night on the river and the complex emotions that come with it, working on the deck, promotion to pilot, the characters working aboard these boats, and the history of the river itself. Peep Light unites humans with the river through engaging storytelling and sheds light on Hendrix’s rare experience along one of the most powerful and important waterways in the world.

Most people only consider the Mississippi River when they cross it or when it inconveniently abandons its banks. But every year, millions of tons of cargo are transported by towboats on the river. In Peep Light: Stories of a Mississippi River Boat Captain, Captain Lee Hendrix provides unique insight on people who work and live on and near the Mississippi River. Hendrix, formerly a pilot for the Delta Queen Steamboat Co., has worked on the Mississippi for fifty years, first as a towboat deckhand in 1972 and eventually as a pilot of towboats and passenger vessels. For Hendrix and others like him, he is at home on the river, living and dining with the same people they work with, working with familiar faces for years at a time and yet meeting new people every day. Demonstrating a fascination not only with the river but also with the passions and dreams of those who live and work on it, these stories range from personal reflections on aging, experiencing one’s first night on the river and the complex emotions that come with it, working on the deck, promotion to pilot, the characters working aboard these boats, and the history of the river itself. Peep Light unites humans with the river through engaging storytelling and sheds light on Hendrix’s rare experience along one of the most powerful and important waterways in the world.

Now back in print, "the ultimate book-lover's gift book" (Los Angeles Times) In 1561-62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand's grandson, the Emperor Rudolf II, commissioned Europe's last great manuscript illuminator, Joris Hoefnagel (1542-1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date-a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay's words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks.

The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira calligraphiae monumenta, a brilliant demonstration of two arts--calligraphy and miniature painting. The project began when Rudolf's predecessor, Ferdinand I, commissioned master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts.
Years later, at Rudolf's behest, miniaturist Joris Hoefnagel filled the spaces on each manuscript page with insects, fruits, flowers, and other botanical images. The combination of word and illustration is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance.
Nature Illuminated reproduces forty-one pages from the original codex. Those who love and collect beautiful books will be endlessly fascinated by Hoefnagel's imagery and invention. The accompanying commentary identifies and explains the details of Hoefnagel's exquisitely crafted illuminations.

Due to the technological advances of the nineteenth century, an abundance of black drawing media exploded onto the market. Charcoal, conte crayon, and fabricated black chalks and crayons; fixatives; various papers; and many lifting devices gave rise to an unprecedented amount of experimentation. Indeed, innovation became the rule, as artists developed their own unique-and often experimental-processes. The exploration of black media in drawing is inextricably bound up with the exploration of black in prints, and this volume presents an integrated study that rises above specialization in one over the other. This richly illustrated catalogue brings together such diverse artists as Francisco de Goya, Maxime Lalanne, Gustave Courbet, Odilon Redon, and Georges Seurat and explores their inventive works on paper. Sidelining labels like "conservative" or "avant-garde," the essays in this book employ all the tools that art history and modern conservation have given us, inviting the reader to look more broadly at the artists' methods and materials. This volume accompanies an exhibition of the same name on view at the J. Paul Getty Museum from February 9 to May 15, 2016.