"Ranks up there with the great rock & roll books of all time."--Time Out New York "Lurid, insolent, disorderly, funny, sometimes gross, sometimes mean and occasionally touching . . . Resounds with authenticity."--The New York Times "No volume serves juicier dish on punk's New York birth . . . Tales of sex, drugs and music that will make you wish you'd been there."--Rolling Stone A contemporary classic, Please Kill Me is the definitive oral history of the most nihilistic of all pop movements. Iggy Pop, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era. This 20th anniversary edition features new photos and an afterword by the authors. "Utterly and shamelessly sensational."--Newsday

When the Ramones recorded their debut album in 1976, it heralded the true birth of punk rock. Unforgettable front man Joey Ramone gave voice to the disaffected youth of the seventies and eighties, and the band influenced the counterculture for decades to come. With honesty, humor, and grace, Joey's brother, Mickey Leigh, shares a fascinating, intimate look at the turbulent life of one of America's greatest--and unlikeliest--music icons. While the music lives on for new generations to discover, "I Slept with Joey Ramone "is the enduring portrait of a man who struggled to find his voice and of the brother who loved him.

What Britain refined, America defined. Assembled by two key figures at the heart of the movement and told through the voices o musicians, artists, iconoclastic reporters and entrepreneurial groupies, PLEASE KILL ME is the full decadent story of the American punk scene, through the early years of Andy Warhol's Factory to the New York underground of Max's Kansas City and later, its heyday at CBGB's, spiritual home to the Ramones, Talking Heads, Television and Blondie. PLEASE KILL ME goes backstage and behind apartment doors to chronicle the sex, drugs and power struggles that were the very fabric of the American punk community, to the time before piercing and tattoos became commonplace and when every concert, new band and fashion statement marked an absolute first. From Iggy Pop and Lou Reed to the Clash and the Sex Pistols (the first time around), McNeil and McCain document a time of glorious self-destruction and perverse innocence - possibly the last time so many will so much fun in the pursuit of excess.

Lobotomy is a lurid and unlikely temperance tract from the underbelly of rock 'n' roll. Taking readers on a wild rollercoaster ride from his crazy childhood in Berlin and Munich to his lonely methadone-soaked stay at a cheap hotel in Earl's Court and newfound peace on the straight and narrow, Dee Dee Ramone catapults readers into the raw world of sex, addiction, and two-minute songs. It isn't pretty. With the velocity of a Ramones song, Lobotomy rockets from nights at CBGB's to the breakup of the Ramones' happy family with an unrelenting backbeat of hate and squalor: his girlfriend ODs; drug buddy Johnny Thunders steals his ode to heroin, "Chinese Rock"; Sid Vicious shoots up using toilet water; and a pistol-wielding Phil Spector holds the band hostage in Beverly Hills. Hey! Ho! Let's go!