An Intellectual History of Modern China is the only comprehensive book on modern China's intellectual development from the nineteenth to the end of the twentieth century.While existing studies tend to focus on individual Chinese thinkers, this book includes all the major Chinese thinkers, as well as political figures who have influenced China's modern history. Merle Goldman and Leo Ou-fan Lee introduce this this collection of essays, drawn from the later volumes (Volumes 12, 13, 14, 15) of The Cambridge History of China. The chapters, authored by eminent historians and social scientists in the field of Chinese studies, together trace the transformation of Confucian ideas, the introduction of Western views and the resulting, uniquely Chinese view of the world. By linking key intellectual developments and figures to emerging political movements, they explain the profound impact of changing ideas and values on Chinese politics and revolution. Merle Goldman brings the history up to date with a new, concluding chapter on the post-Mao era and China's intellectual scene at the end of the twentieth century.

Brings together some of the best and most historically significant works of short fiction written in China in this century -including such important figures in the development of Chinese modernism as Lu Hs?n, Mao Tun, Ting Ling, and Shen Ts' ung-wen. The companion volume to the highly acclaimed (Columbia, 1978), this new volume presents modernist short fiction from the thirty-year period leading up to the Communist revolution of 1949, after which Chinese literature entered a new phase of development. The stories range in setting from the late Ch'ing dynasty through the Sino-Japanese War and the early Communist years, and range in length from brief tales to substantial short novels. Though a large number of the writers represented are leftists, works of all political viewpoints have been included to provide the full literary panorama of one of the most fertile periods of Chinese creative activity.

For much of the twentieth century, the May Fourth movement of 1919 was seen as the foundational moment of modernity in China. Recent examinations of literary and cultural modernity in China have, however, led to a questioning of this view. By approaching May Fourth from novel perspectives, the authors of the eight studies in this volume seek to contribute to the ongoing critique of the movement.

The essays are centered on the intellectual and cultural/historical motivations and practices behind May Fourth discourse and highlight issues such as strategies of discourse formation, scholarly methodologies, rhetorical dispositions, the manipulation of historical sources, and the construction of modernity by means of the reification of China's literary past.

Hong Kong is perched on the fault line between China and the West, a Special Administrative Region of the PRC. Leo Ou-fan Lee offers an insider s view of Hong Kong, capturing the history and culture that make his densely packed home city so different from its generic neighbors.

The search for an indigenous Hong Kong takes Lee to the wet markets and corner bookshops of congested Mong Kok, remote fishing villages and mountainside temples, teahouses and noodle stalls, Cantonese opera and Cantopop. But he also finds the real Hong Kong in a maze of interconnected shopping malls, a jungle of high-rise residential towers, and the neon glow of Chinese-owned skyscrapers in the Central Business District, where land development, global trade, capital accumulation, consumerism, and free-market competition trump every value except family.

Lee illuminates the relationship between Hong Kong s geography and its colonial experience, revisiting colonial life on the secluded Peak, in the opium-filled godowns along the harborfront, and in crowded, plague-infested tenements. He examines, with a critic s eye, the Hong Kong story in film and fiction: romance in the bars and brothels of Wan Chai, crime in the walled city of Kowloon, ennui on the eve of the 1997 handover.

Whether viewed from Tsing Yi Bridge or the deck of the Star Ferry, from Victoria Peak or Lion Rock, Hong Kong sparkles here in all its multifaceted complexity, a city forever between worlds.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

An Intellectual History of Modern China is the only comprehensive book on modern China's intellectual development from the nineteenth to the end of the twentieth century.While existing studies tend to focus on individual Chinese thinkers, this book includes all the major Chinese thinkers, as well as political figures who have influenced China's modern history. Merle Goldman and Leo Ou-fan Lee introduce this this collection of essays, drawn from the later volumes (Volumes 12, 13, 14, 15) of The Cambridge History of China. The chapters, authored by eminent historians and social scientists in the field of Chinese studies, together trace the transformation of Confucian ideas, the introduction of Western views and the resulting, uniquely Chinese view of the world. By linking key intellectual developments and figures to emerging political movements, they explain the profound impact of changing ideas and values on Chinese politics and revolution. Merle Goldman brings the history up to date with a new, concluding chapter on the post-Mao era and China's intellectual scene at the end of the twentieth century.

In the midst of China's wild rush to modernize, a surprising note of reality arises: Shanghai, it seems, was once modern indeed, a pulsing center of commerce and art in the heart of the twentieth century. This book immerses us in the golden age of Shanghai urban culture, a modernity at once intrinsically Chinese and profoundly anomalous, blending new and indigenous ideas with those flooding into this "treaty port" from the Western world.

A preeminent specialist in Chinese studies, Leo Ou-fan Lee gives us a rare wide-angle view of Shanghai culture in the making. He shows us the architecture and urban spaces in which the new commercial culture flourished, then guides us through the publishing and filmmaking industries that nurtured a whole generation of artists and established a bold new style in urban life known as "modeng." In the work of six writers of the time, particularly Shi Zhecun, Mu Shiying, and Eileen Chang, Lee discloses the reflection of Shanghai's urban landscape--foreign and familiar, oppressive and seductive, traditional and innovative. This work acquires a broader historical and cosmopolitan context with a look at the cultural links between Shanghai and Hong Kong, a virtual genealogy of Chinese modernity from the 1930s to the present day.