Most frequently regarded as a writer of the supernatural, Poe was actually among the most versatile of American authors, writing social satire, comic hoaxes, mystery stories, science fiction, prose poems, literary criticism and theory, and even a play. As a journalist and editor, Poe was closely in touch with the social, political, and cultural trends of nineteenth-century America. Recent scholarship has linked Poe's imaginative writings to the historical realities of nineteenth-century America, including to science and technology, wars and politics, the cult of death and bereavement, and, most controversially, to slavery and stereotyped attitudes toward women. Edgar Allan Poe: Beyond Gothicism presents a systematic approach to topical criticism of Poe, revealing a new portrait of Poe as an author who blended topics of intellectual and social importance and returned repeatedly to these ideas in different works and using different aesthetic strategies during his brief but highly productive career. Twelve essays point readers toward new ways of considering Poe's themes, techniques, and aesthetic preoccupations by looking at Poe in the context of landscapes, domestic interiors, slavery, prosody, Eastern cultures, optical sciences, Gothicism, and literary competitions, clubs, and reviewing.

Traditionally, scholars of authorship in antebellum America have approached their subject through the lens of professionalization, exploring the ways in which writing moved away from amateurism and into the capitalist marketplace. "The Business of Letters" breaks new ground by challenging the dominant professionalization model, with its vision of a single literary marketplace. Leon Jackson shows how antebellum authors participated in a variety of different economies including patronage, charity, gift exchange, and competition--each of which had its own rules and reciprocities, its own ethics and exchange rituals, and sometimes even its own currencies. Examining a variety of canonical and non-canonical authors, including women, slaves, and artisans, and drawing on theoretical approaches from anthropology, sociology, social history, and literary criticism, Jackson reveals authors to have been social agents whose acts of authorial exchange involved them in dense webs of community. The decisive transformation of the antebellum period, he concludes, was not from amateurism to professionalism, but, rather, from socially embedded exchange to impersonally conducted business.