American things, American material culture, and American archaeology are the themes of this book. The authors use goods used or made in America to illuminate issues such as tenancy, racism, sexism, and regional bias. Contributors utilize data about everyday objects - from tin cans and bottles to namebrand items, from fish bones to machinery - to analyze the way American capitalism works. Their cogent analyses take us literally from broken dishes to the international economy. Especially notable chapters examine how an archaeologist formulates questions about exploitation under capitalism, and how the study of artifacts reveals African-American middle class culture and its response to racism.

One of David Kikoski's strongest offerings, Inner Trust is a departure in that it focuses primarily on non-original material. Three of the ten tracks are by the pianist, but the rest are standards and jazz classics. Joined by Leon Parker on drums and fellow Roy Haynes sideman Ed Howard on bass, Kikoski reaches consistently grand heights of harmonic invention on burning numbers like "Softly, as in a Morning Sunrise" and John Coltrane's "Some Other Blues." "Winnie's Garden," a Kikoski-penned workout over the chord changes to "Sweet Georgia Brown," practically overflows with energy. And Thelonius Monk's "We See" swings with almost comic cleverness. On the softer side are "You Don't Know What Love Is," "Old Folks," and the unaccompanied "Once Upon a Summertime." "Two Lonely People," a little-known song composed by master pianist Bill Evans and once sung by Tony Bennett, is also noteworthy. Of the two remaining originals, "Mirical" is mannered, but the title track is one of Kikoski's finest achievements -- a simple, stately melody that serves as a launching pad for bold and impassioned improvisation. (A version for quintet can be heard on Roy Haynes's Praise.) ~ David R. Adler