The Routledge International Handbook of Diaspora Diplomacy is a multidisciplinary collection of writings by leading scholars and practitioners from around the world. It reflects on the geopolitical and technological shifts that have led to the global emergence of this form of diplomacy and provides detailed examples of how governments, intergovernmental organizations (IGOs), non-governmental organizations (NGOs) and corporations are engaging diasporas as transnational agents of intervention and change. The organization in six thematic parts provides for focused coverage of key issues, sectors and practices, while also building a comprehensive guide to the growing field. Each section features an introduction authored by the Editor, designed to provide useful contextual information and to highlight linkages between the chapters. Cross-disciplinary research and commentary is a key feature of the Handbook, providing diverse yet overlapping perspectives on diaspora diplomacy. • Part 1: Mapping Diaspora Diplomacy • Part 2: Diaspora Policies and Strategies • Part 3: Diaspora Networks and Economic Development • Part 4: Long-Distance Politics • Part 5: Digital Diasporas, Media and Soft Power • Part 6: Advancing Diaspora Diplomacy Studies The Routledge International Handbook of Diaspora Diplomacy is a key reference point for study and future scholarship in this nascent field.

The Routledge International Handbook of Diaspora Diplomacy is a multidisciplinary collection of writings by leading scholars and practitioners from around the world. It reflects on the geopolitical and technological shifts that have led to the global emergence of this form of diplomacy and provides detailed examples of how governments, intergovernmental organizations (IGOs), non-governmental organizations (NGOs) and corporations are engaging diasporas as transnational agents of intervention and change. The organization in six thematic parts provides for focused coverage of key issues, sectors and practices, while also building a comprehensive guide to the growing field. Each section features an introduction authored by the Editor, designed to provide useful contextual information and to highlight linkages between the chapters. Cross-disciplinary research and commentary is a key feature of the Handbook, providing diverse yet overlapping perspectives on diaspora diplomacy. * Part 1: Mapping Diaspora Diplomacy * Part 2: Diaspora Policies and Strategies * Part 3: Diaspora Networks and Economic Development * Part 4: Long-Distance Politics * Part 5: Digital Diasporas, Media and Soft Power * Part 6: Advancing Diaspora Diplomacy Studies The Routledge International Handbook of Diaspora Diplomacy is a key reference point for study and future scholarship in this nascent field.

Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

The Troubles claimed the lives of almost four thousand people in Northern Ireland, most of them civilians; forty-five thousand were injured in bombings and shootings. Relative to population size this was the most intense conflict experienced in Western Europe since the end of the Second World War. The central question posed in this book is fundamental, yet it is one that has rarely been asked: Who was primarily responsible for the prosecution of the Troubles and their attendant toll of the dead, the injured, and the emotionally traumatized? Liam Kennedy, who lived in Belfast throughout most of the conflict, was long afraid to raise the question and its implications. After years of reflection and research on the matter he has brought together elements of history, politics, sociology, and social psychology to identify the collective actors who drove the conflict onwards for more than three decades, from the days of the civil rights movement in the late 1960s to the signing of the Good Friday Agreement in 1998. The Troubles in Northern Ireland are a world-class problem in miniature. The combustible mix of national, ethnic, and sectarian passions that went into the making of the conflict has its parallels today in other parts of the world. Who Was Responsible for the Troubles? is an original and controversial work that captures the terror and the pain but also the hope of life and the pursuit of happiness in a deeply divided society.

The city of Birmingham offers a particularly rich case-study on urban regeneration as it strives to build a new city image. Positioned between decline and regeneration, the landscape of the city and its environs collages old and new, producing dramatic contrasts - of industrial and postindustrial urbanisms of crumbling brutalism and spectacular flagship developments, of Victorian housing and diverse cultural lifestyles - that compound the aesthetic and socio-economic means of regeneration. This visually exciting book also reflects upon and extends current debates about public space, cultural zoning and the futures of cities. The volume is multi-disciplinary in content, including contributions from specialists in architecture, public and community arts, photography and urban studies - their critical perspectives linked by interest in urban visual culture. Joe Holyoak, Wendy Shillam, Glenn Howells, Wil Alsop, Sylvia King, Deborah Kermode, Nigel Prince, Tim Hall, Peter James, Nick Hedges, Roger Shannon, Maria Balshaw, Deborah Parsons and Jane Lutz.

Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

Explores the cultural and political significance of the election of President Trump Donald J. Trump's presidency has delivered a seismic shock to the American political system, its public sphere, and to our political culture worldwide. Written by leading scholars across a range of disciplines, as well as professionals in the field of political journalism, this collection of essays offers a deeper understanding of Trump and the impact that his rise to power has had both domestically and worldwide. The first section provides varied perspectives on the realignments of political culture in the United States that signify a paradigm shift, a radical disruption of fundamental beliefs and values about the political process and national identity. The second section of the book focuses on US foreign policy and diplomacy, taking stock of how the Trump presidency has disturbed the international system and US primacy within it. The third section of the book addresses the dynamics and consequences of what has come to be called "post-truth" politics, where conviction surpasses facts and the norms of political communication have been profoundly disrupted. Liam Kennedy is Professor of American Studies and Director of the Clinton Institute for American Studies at University College Dublin.

This innovative collection argues that modern sport can be characterized by problematic power relations linked to violence, harm, deviance, and punishment. On the one hand, sport is a mainstay of community building, an expression of solidarity, and a means to mental and social health. On the other, there is the star player who commits sexual violence, the trans athlete whose achievements are dismissed as fraudulent, or the racist nationalism of the impassioned sports fan. Power Played illuminates how criminal/judicial discourses and practices reinforce social inequalities and blows the whistle on the harm, violence, and exploitation embedded in sport.

The Troubles claimed the lives of almost four thousand people in Northern Ireland, most of them civilians; forty-five thousand were injured in bombings and shootings. Relative to population size this was the most intense conflict experienced in Western Europe since the end of the Second World War. The central question posed in this book is fundamental, yet it is one that has rarely been asked: Who was primarily responsible for the prosecution of the Troubles and their attendant toll of the dead, the injured, and the emotionally traumatized? Liam Kennedy, who lived in Belfast throughout most of the conflict, was long afraid to raise the question and its implications. After years of reflection and research on the matter he has brought together elements of history, politics, sociology, and social psychology to identify the collective actors who drove the conflict onwards for more than three decades, from the days of the civil rights movement in the late 1960s to the signing of the Good Friday Agreement in 1998. The Troubles in Northern Ireland are a world-class problem in miniature. The combustible mix of national, ethnic, and sectarian passions that went into the making of the conflict has its parallels today in other parts of the world. Who Was Responsible for the Troubles? is an original and controversial work that captures the terror and the pain but also the hope of life and the pursuit of happiness in a deeply divided society.

Explores the cultural and political significance of the election of President Trump Donald J. Trump's presidency has delivered a seismic shock to the American political system, its public sphere, and to our political culture worldwide. Written by leading scholars across a range of disciplines, as well as professionals in the field of political journalism, this collection of essays offers a deeper understanding of Trump and the impact that his rise to power has had both domestically and worldwide. The first section provides varied perspectives on the realignments of political culture in the United States that signify a paradigm shift, a radical disruption of fundamental beliefs and values about the political process and national identity. The second section of the book focuses on US foreign policy and diplomacy, taking stock of how the Trump presidency has disturbed the international system and US primacy within it. The third section of the book addresses the dynamics and consequences of what has come to be called "post-truth" politics, where conviction surpasses facts and the norms of political communication have been profoundly disrupted. Liam Kennedy is Professor of American Studies and Director of the Clinton Institute for American Studies at University College Dublin.

This innovative collection argues that modern sport can be characterized by problematic power relations linked to violence, harm, deviance, and punishment. On the one hand, sport is a mainstay of community building, an expression of solidarity, and a means to mental and social health. On the other, there is the star player who commits sexual violence, the trans athlete whose achievements are dismissed as fraudulent, or the racist nationalism of the impassioned sports fan. Power Played illuminates how criminal/judicial discourses and practices reinforce social inequalities and blows the whistle on the harm, violence, and exploitation embedded in sport.

Neoliberalism is the rare buzzword that has fully crossed over from academic theorizing into mainstream discussion. Neoliberalism and Contemporary American Literature is the first book to examine the ways that US literature has responded to the dominance of our neoliberal regime. The essays collected here reveal how contemporary American writers have both propped up and interrogated the foundations of neoliberalism. The contributors look at a host of literary genres and styles, from the utopian sci-fi of Kim Stanley Robinson and the dark fantasy of Karen Russell to the poetic memoir-fiction hybrids of Ben Lerner, exploring how the relationships between politics, economics, and literary form have become both distorted and revitalized in the age of neoliberalism. Most pressingly, they ask if contemporary literature can still imagine either the end of capitalism or any realistic alternative to it.

This collection of essays assesses the work of a number of American intellectuals, including Susan Sontag, F.O. Mathieson, Daniel Bell and Hannah Arendt, who have addressed issues of culture and its multifaceted relations to politics, history, sociology and literary criticism. Concentrating on writing since 1940, the essays examine the central themes of American postwar intellectual history, including the continuing reaction to (or against) modernity and technology, the legacies of Marxism and psychoanalysis, and the re-examination of American founding principles and figures in conservative or liberal terms.

Neoliberalism is the rare buzzword that has fully crossed over from academic theorizing into mainstream discussion. Neoliberalism and Contemporary American Literature is the first book to examine the ways that US literature has responded to the dominance of our neoliberal regime. The essays collected here reveal how contemporary American writers have both propped up and interrogated the foundations of neoliberalism. The contributors look at a host of literary genres and styles, from the utopian sci-fi of Kim Stanley Robinson and the dark fantasy of Karen Russell to the poetic memoir-fiction hybrids of Ben Lerner, exploring how the relationships between politics, economics, and literary form have become both distorted and revitalized in the age of neoliberalism. Most pressingly, they ask if contemporary literature can still imagine either the end of capitalism or any realistic alternative to it.

Ulster Since 1600 surveys the history of the province from plantation to partition, and onwards from the formation of the Northern Ireland state to the 'Troubles' of recent decades. It synthesises existing historical knowledge and also brings new insights to bear on the political, social, and economic evolution of the province and its peoples. The word 'Ulster' conjures up images of communal conflict, sectarianism, and peace processes of indefinite duration but, as this volume shows, there is much more to the history of Ulster and its peoples. From the Plantation of Ulster in the early seventeenth century, the province has been home to three major ethnic and religious groups. It was this radically reconstituted society that produced a precociously early emigration to North America, that celebrated the outbreak of the French Revolution, and that in the Victorian era hosted Ireland's first industrial city. Its rural poor suffered destruction and death during the Great Famine of the 1840s, along with their counterparts in the south of Ireland. Its urban working classes had much in common with the industrial classes of England and Scotland, in terms of religiosity, popular entertainment, labour movements, gender, and family relationships. This multi-authored volume is a major contribution to the history of Ireland and to Ireland's contested place in the British and the wider world.

Few other television series have received as much academic, media, and fan celebration as The Wire, which has been called the best dramatic series ever created. The show depicts the conflict between Baltimore's police and criminals to raise a warning about race; drug war policing; de-industrialization; and the inadequacies of America's civic, educational, and political institutions. The show's unflinching explorations of a city in crisis and its nuanced portrayals of those affected make it a show all about race and class in America.The essays in this volume offer a range of astute critical responses to this television phenomenon. More consistently than any other crime show of its generation, The Wire challenges viewers' perceptions of the racialization of urban space and the media conventions that support this. The Wire reminds us of just how remarkably restricted the grammar of race is on American television and related media, and of the normative codings of race---as identity, as landscape---across urban narratives, from documentary to entertainment media.

The city of Birmingham offers a particularly rich case-study on urban regeneration as it strives to build a new city image. Positioned between decline and regeneration, the landscape of the city and its environs collages old and new, producing dramatic contrasts - of industrial and postindustrial urbanisms of crumbling brutalism and spectacular flagship developments, of Victorian housing and diverse cultural lifestyles - that compound the aesthetic and socio-economic means of regeneration. This visually exciting book also reflects upon and extends current debates about public space, cultural zoning and the futures of cities. The volume is multi-disciplinary in content, including contributions from specialists in architecture, public and community arts, photography and urban studies - their critical perspectives linked by interest in urban visual culture. Joe Holyoak, Wendy Shillam, Glenn Howells, Wil Alsop, Sylvia King, Deborah Kermode, Nigel Prince, Tim Hall, Peter James, Nick Hedges, Roger Shannon, Maria Balshaw, Deborah Parsons and Jane Lutz.